Palmares Três is a futuristic Brazilian pyramid city, a vivid backdrop for this young adult novel. After global catastrophe in the distant past, humanity has rebuilt pockets of civilization, but with a lingering mistrust of new technology and a twisted political system born out of the times of chaos. Genetic modification has extended lifespans, creating a culture and a political system that doesn’t begin to take you seriously as a mature adult until you’re in your thirties.
And every few years the youth elect, in a spectacle reminiscent of early seasons of American Idol, a Summer King who holds the title for one year before the reigning queen slits his throat in televised public sacrifice. Yes, if you can imagine Ryan Seacrest hosting an Aztec ceremony—and really, it’s not so hard—you’ve got a good handle on politics, Palmares Três style.
The king’s death reinforces his choice of the next queen, but he doesn’t really have a choice. It’s all bloody political theater that plays to the young crowd and reinforces the ruling matriarchs. Until Enki, who is gorgeous and talented, a candidate from the lowest class of Palmares Três society. His wild popularity is probably the first sign that the city’s government might be massively out of touch with its citizens.
June Costas, the narrator, is a young, ambitious artist who is just graduating from street graffiti to installation art that challenges the city rulers. (One of her projects is the body-mod shown on the gorgeous book cover: patterned lights embedded under her skin.) She starts out just another young woman screaming with the crowd, but her art catapults her into the public eye, a complicated relationship with the Summer King, and a whole world of things she did not want to know about how her city is governed and about what it’s like to love someone who plans to die. Even June can’t figure out whether Enki is in this game for a few months of privilege, access to limited-edition body-modifying tech, and fans lining up to be his lovers; whether he truly has a death wish; or whether he’s figured out some new way to serve the city they both love.
This is a serious-minded take on art and politics, acts of rebellion, and using your own life (and) death as a canvas. Johnson writes vivid, sensual prose steeped in Brazilian phrases, dance, and song. Palmares Três culture, at its best and worst, comes to life in lots of little details. The worldbuilding reminded me of Nnedi Okorafor’s alternate Nigeria in The Shadow Speaker, but this book is aimed at older teens and young adults. Although most of the words eventually make sense from context, I admit, I could have used a glossary. But what this book could really use is a playlist—after reading about the ways Palmares Três kids blend music and art and political protest and dance, you’ll really want to queue up a samba.
You can read the first chapter online at NPR.
Check the WRL catalog for The Summer Prince.