A destroyed tribe, a talking pug, enslaved elves, a cruel Santa, a murderously evil and monstrously large baby harp seal, and a revenge-filled barbarian. Turning the first pages of Battlepug might make you wonder if the author had taken a list of all the random ideas he had during his entire childhood and created a mad-lib of a graphic novel. In a world of super-intense angst-ridden, save-the-world superheroes, it’s refreshing to have an artist break free and just draw whatever they think is cool and/or amusing.
There is no pretension to this story; it is narrated by a naked (but coyly covered), tattooed woman who is retelling this legend to two dogs: a pug and a French bulldog because one asked for a bedtime story with flaming devil monsters while the other one asked for one with puppies. She promises the dogs it will be both terrifying and sweet to appease both their desired flavors.
A gentle but unnamed boy witnesses the murder of his entire village, including his doting mother, by a smiling and sweet-faced baby seal of Godzilla-like proportions. He is saved by a fateful flick of the monster’s tail and rescued by several elves and taken to their evil master, the King of the Northland Elves (a glaring, thinly veiled Santa Claus) only to be enslaved and sentenced to a cruel life of hardship and toil. The difficult life doesn’t break the child. Rather his hate and need for revenge become magnified and he learns the art of combat, originally for their amusement, eventually for their doom.
The warrior (who seems to be based on Conan the barbarian) seeks the scarred man who let the seal loose on his village, and his travels lead him to a swamp where he first encounters the elephant-sized pug. Despite a bumpy first meeting (and not an insubstantial amount of slobber), the warrior and the rideable dog team up with a crazy old man named Scrabbly to track down his nemesis, Catwulf.
Mike Norton launched Battlepug in February 2011 and in 2012 won an Eisner award for the best Digital Comic. While it could be easy to dismiss this story based on any one of its ludicrous parts, the storytelling is deft and the artwork is solid and amusing without being silly. The pug’s eyes pointing in two different directions and lack of a convincingly ferocious bark play perfectly against the warrior’s grim and unsmiling presence.
A promising start to a unique series, I would recommend this to graphic novel, fantasy, and adventure readers and anyone who has a strong sense of the absurd.
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