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Archive for the ‘Laura’s Picks’ Category

batman

All week, Blogging for a Good Book honors Batman, who is celebrating his 75th anniversary this year. To lead off, Laura reviews a book that takes us back to the Caped Crusader’s early career as a detective. –Ed. 

Since the basic premise of Batman is so well known, it can be reimagined countless ways and effectively applied to a wide range of storylines. In this version, Batman is not a lone crusader; he is merely the most recent member of a longstanding roster of familiar historical detectives, including Allan Pinkerton and Teddy Roosevelt.

The action begins with events that preceded the Lincoln assassination, which set loose a devious plot by an evil faction led by a southern gentleman who looks remarkably like the Joker. Like many comic bad guys, they are pinning their hopes on a remarkably intricate stratagem. This one might be a tad on the unbelievable side, even for a villain’s plan, since it will take 74 years to come to fruition.

The time lag brings the action into the modern day, which in this case is 1929. Poor little Bruce Wayne witnesses the murder of his parents and then gets sent off to boarding school for the next ten years. Fortuitously, his travels around the globe give him a chance to study a wide range of subjects, including criminology, oriental fighting techniques, and costume design, which are surprisingly useful for his later activities (although one can imagine the despair experienced by his school’s career counselor). His talents catch the eye of others, and he is quickly enlisted by the detective group. They are known to each other only by number, and as their most recent member, he is known as Detective #27. He has a lot to learn and not much time to do it, but at least he has, as always, the loyal Alfred by his side.

Will good triumph over evil? Or will the Joker’s minions rule the day? Find out next week…or just read the book. Recommended for graphic novel readers, historical fiction readers, and anyone who has spent time in Gotham and enjoyed it.

Search the WRL catalog for Batman: Detective No. 27.

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rat queensIf you liked Lord of the Rings, but wished there were more sassy, kick-butt female fighters, snag this book and dive in. This first book collects #1-5 in a series that has refreshingly strong, unrepentant, female characters that are taken straight from fantasy convention but with some definite twists.

Palisade is protected by several mercenary groups in addition to their local guard units. One of these groups, called The Rat Queens, is comprised of four females: Hannah, an Elven Mage, Violet, a Dwarven fighter, Betty, a Smidgen Thief, and Dee, a Human who can cast healing spells. They are a mix of races, sizes, and personalities that are distinct and not two dimensional. They love fighting, drinking, rabble rousing, and money, all in equal measure. They have a strong sense of who they are and they make no apologies.

This is no origin story, so we join the group right before they are sent off on a quest to help clean out a goblin threat just outside the village. You immediately feel like you know these women and have been following their story forever. Their banter throughout the book is amusing and familiar to anyone who has those couple close friends who they can say anything around. These women are not in competition with each other, and any little friendly squabbles are quickly dropped as they team up to face whatever threat comes their way. They’re not perfect, and they do get hurt, but the fight scenes are fast paced and not overly dramatic.

This first volume was published in March 2014, and I eagerly await whatever comes next for these women. One thing I know for sure, it will be a party!

Recommended for readers who like strong female characters, fantasy, and a lot of fun.

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we3Positive that the war of the future should not require human casualties, Air Force researchers have been working on machines that will do the fighting in the human’s stead. But these fighters are not purely metal, they are cyborgs: coats of armor attached to implants in an animal. The three original prototypes consist of a dog, a cat, and a rabbit. Named 1, 2, and 3, together they comprise WE3. Each possesses skills that are reflective of their host animal and working together as a team they are dynamic and fearsome. As weapons, they are ruthless and programmable, but also maintain some autonomy.

I had seen this book several times, but was initially turned off by the front picture of the three animals in their mechanical suits. Convinced that it was just another book full of big robot battles and not much depth, I was judging a book by its cover and was completely wrong about the story. For at the heart of the plot, and of the suits, are the three animals. This is horror, but the terror comes not from the copious amounts of blood sprayed around the dark pages or the shock of sudden violent deaths, but rather from the slow-building dismay and revulsion you experience as the contrast between the past lives of the animals as beloved companions and their current weaponized state gains clarity. Three separate Lost Animal posters are scattered through the first part of the book, and the distress over their missing animals by their owners is conveyed in heartbreaking fashion through the personal photos that are attached and especially, in the case of the rabbit, by the childish scrawls of the unhappy young owners.

The innocence of the animals, with their vague memories of a faraway place called “home,” and their strong will to survive and be safe, clash against the efforts of the humans who are convinced that they need to be decommissioned and destroyed. At the back of the story is an examination of the morality of war and the struggle to face the ethics of what science has so ruthlessly created.

Gripping, atmospheric, and unsettling, this is a story which will stay with you for a while after you have read it.

Recommended for readers of graphic novels and horror.

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heartHeart Transplant is a story about bullying that is both engrossing and heartwarming. In the opening narration, a kid named Sean takes down the movie clichés about high school life, where outsiders are able to rise above their social position when the popular kids realize they are a beautiful swan instead of an ugly duckling, or the beautiful girl learns about how great the nerd is on the inside and rejects her jock boyfriend. Sean is an outsider, and as such he is ignored by the more popular kids unless it is convenient for them to notice him. “The only time anyone ever saw us was when they needed someone to make themselves look big. By making us small.”

Sean is from a terrible, broken home. His mother has had a steady stream of live-in boyfriends, each of which she has insisted that Sean call “Daddy.” Her latest one, Brian, is vicious when he is drunk, which ends up being most of the time. Sean’s mother offers no protection from her boyfriend’s beatings. When she isn’t otherwise occupied, she takes her swings at Sean too. With no friends and rejected at home, Sean lives a sad existence.

When a drug deal by Brian goes bad, Sean comes home to two bodies. Before a social worker can take him off to a foster home, Brian’s father comes by the house and, seeing the child sitting alone, offers to take Sean in. Pop gives Sean what he has never had before: a home, with unconditional acceptance and protection. Living in a loving and supportive environment for the first time in his life, Sean begins to blossom.

But like many people, Sean begins to have problems in Junior High, despite his high grades. As kids begin to coagulate into social groups, Sean finds he doesn’t really belong anywhere. He’s different, the kind of person who gets rejected by every other group. When Sean gets picked on, everybody laughs. Ashamed to let Pop know what is happening, he tries to hide his bruises, but the old man isn’t so easily fooled. A problem that faces a child is a problem that faces their parent as well, and Pop is going to make sure that Sean has the skills to deal with this, and other challenges in life.

Recommended for young adults, their parents, and readers of graphic novels.

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chewTony Chu is a detective for the Philadelphia Police Department. He’s skinny, but for good reason. Tony is a cibopathic: a person who can see the past of every food he eats. For fruits and vegetables, that’s not so bad, but for meat it is another matter. The only food he can eat without distraction is beets, so he eats a lot of them. In the alternative world he lives in, all poultry products have been banned after bird flu killed over 23 million people. Tony and his partner track down black market chicken distributors and buyers like our police forces go after drug lords.

While trying to do a major bust, Tony accidentally ingests some soup that the chef bled into while cutting the vegetables. His powers make him aware that the chef is actually a serial murderer with thirteen victims. In his quest to find out more information about the murdered girls, Tony is caught chewing on the body of the now dead chef, which understandably leads to his getting fired by the police department. But he gets noticed by agents of the now very powerful FDA, who are very interested in using his gifts to solve murders as part of their Special Crimes Unit.

Here’s the biggest part of the storyline you have to swallow (groan!): Tony must consume parts of the people who have been murdered in order to gain clues. And not all bodies are fresh (or human) either. If you can get past the disturbing nature of this item, the story continues in a lively manner, drawing you in before you realize it. It’s partly absurd comedy, partly cop procedural, partly adventure, partly horror, and all entertainment.

Winner of both Harvey and Eisner awards, this series is bizarre but compelling and enjoyable. It is recommended for readers of horror, humor, and graphic novels.

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stuckDensely illustrated and narrated, Stuck Rubber Baby follows the life of Toland Polk, a white carpenter’s son living deep in the restless South during the 1960s. The story is introduced by the modern day Toland, who is gently amused as he recounts this stormy portion of his life. The ’60s were a time of electrifying change, both social and political, and it was an exhilarating time to be coming of age.

Toland has a deep love of music, which leads him to hang out at bars with other people from town around his age, black and white, male and female. Without really consciously intending to, Toland gets drawn into the fight for Civil Rights in his town, compelled by his friendships and his rejection of the inequality woven into the fabric of daily life in the South.

But Toland has a secret. His entire life he has known that he is attracted to men, but he also realizes how homosexuals get treated. He endeavors to either hide or convert his feelings if possible. He meets a girl named Ginger, who is even more forceful in her support of integration, and is able to nurture enough of a crush on her to start dating. The story draws an intricate parallel between society’s rejection of blacks and gays. Toland knows he’s lucky that he can appear to be part of the majority by putting up a false face and having a relationship with a woman, but his black friends don’t have that luxury. Those friends of his who are both black and gay face exponentially more animosity.

The adult Toland is unflinchingly honest about his past experiences. He knows how his battles against his personal demons caused him to be insincere to those around him, but he also realizes that he was forced into many of those deceptions by the expectations of a society that could not, would not accept him as he was. The story brings in a wide cast of characters as people come in and out of Toland’s life and shies away from caricatures. This makes for a rich world that believably portrays a turbulent time in our recent history without stooping to lecture or browbeat.

Recommended for readers of graphic novels, historical novels, and social history.

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classicsVolume 22 of the Graphic Novel Classics series contains twenty-three stories and poems written by famous early black authors and poets, including Zora Neale Hurston, Langston Hughes, and W.E.B. Du Bois, among others. Each tale is then adapted and illustrated by notable contemporary black writers and artists including Jeremy Love, who wrote and illustrated the stunning Bayou graphic novel (review here), Trevor Von Eeden, who wrote and illustrated the two-part graphic biography The Original Johnson about the early boxer Jack Johnson, and Mat Johnson, who wrote the graphic mystery Incognegro (review here). With such a talented group of contributors, I had high hopes as I turned the pages of the first story, and I was certainly not disappointed.

Without a doubt, the stories are still as powerful today as when the words were first put onto paper. Sometimes sober, sometimes funny, and always heart-searing, even without the artwork this volume would stand alone as a fantastic collection of literature. But it is the illustrations, framing and woven into the lines of words, that really make the selections shine. Each artist brings their own unique style of lines and coloring to their work, which helps separate the stories from each other in tone and pace. Authors who have multiple contributions have their work drawn by different artists, and the contrast of styles give each piece a different life.

I would be hard pressed to select an absolute favorite among the works, but The Two Americans starts off the book with a powerful, wrenching emotional blow. In contrast, The Negro is simple, beautiful, and cosmic in its elegance. Each of its mere six panels could be justifiably framed and put on a wall as standalone art, something you don’t often get from a graphic novel.

Recommended for readers of poetry, short stories, and/or with an interest in American culture presented by the unflinching voices of those who experience it’s ugliest side.

Search our catalog for African-American Classics.

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hergeIt cannot be more appropriate for a biography of Hergé, the author of the Tintin books, to be rendered in a graphic novel format using ligne claire, which is French for “clear line,” an iconic style of illustration that is immediately recognizable as his. Tintin has been enjoyed by readers for decades, and interest was recently reignited by the 2011 computer-animated film, The Adventures of Tintin, directed by Stephen Spielberg.

Hergé was the pen name of Georges Prosper Remi, a Belgian cartoonist who was born in the early 20th century, and the book, with some artistic license, traces his love of drawing back to his earliest years. Each chapter comprises a vignette covering a particularly notable piece of his life. While the book is presented in chronological order, several years often separate each fragment of life that is portrayed. The result is a thorough, focused story that allows for a smooth flow of narrative without an exhaustive overload of minutia.

A fun aspect of the book, for any reader of the Tintin adventures, is the real-life people who served as inspiration for some of the colorful Hergé characters. Hergé’s father had an identical twin brother, and the two share a scene that immediately calls into mind the comic relief provided by the bumbling detectives, Thompson and Thomson. The back of the book has short biographies for several of the notable people who played a part in the life and work of Hergé. Although I usually skim over parts like this, I found the bios filled with interesting tidbits that perfectly complemented the story itself. One such was the brother of Hergé, portrayed only as a baby in the book, being the evident inspiration for Captain Haddock, due to his habit of using colorful language after a stint in the army.

An enjoyable and absorbing read, recommended to readers of biographies and graphic novels.

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wrinkleThe 1963 Newberry-award winning novel, A Wrinkle in Time, was a favorite of mine as a child. There was something so gently compelling about the storyline and I could relate so deeply to main character. Teenager Meg Murry doesn’t fit in, in school or seemingly anywhere else. She’s smart but stubborn, and fiercely protective of her family, even with its complete lack of normalcy. She is especially combative when anyone speaks badly about Charles Wallace, her youngest brother, who is definitely an odd child. Their father is missing, and his unexplained disappearance haunts the family, and leads Meg to be even more belligerent as she struggles to deal with the loss and the emptiness of not knowing what happened to him.

Although it has been many years since I last read A Wrinkle in Time, I was immediately swept back into the adventures had by Meg, Charles, their neighbor Calvin, with the Misses Whatsit, Who, and Which guiding them along their journey throughout the universe to save Mr. Murry from the terrible blackness that envelops him. The story, to use the words of Mrs. Murry, requires a willing suspension of disbelief, but the relationship between Meg and her brother Charles Wallace is poignant, and the storyline flows smoothly and quickly.

This work, adapted and illustrated by Eisner Award-winning artist Hope Larson, is the first time the iconic story has been presented in a graphic novel format. The illustrations are deceptively simple, and use a limited color palette of black, white, and sky blue. The blue hue serves to soften the starkness of the images, giving a dreamlike mood to the rapidly shifting number of worlds that they visit. Night and day have no definition here, as fighting the darkness without losing yourself or those you love is the only thing that matters.

This book is appropriate for all ages, but is especially recommended to fantasy readers and anyone who wants to revisit an old favorite from their childhood.

Search the catalog for A Wrinkle In Time: The Graphic Novel

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sameDoes anyone get out of their high school years unscathed? Free from uncomfortable memories of interactions they mishandled due to their own unnerving awkwardness? If you did, then you will not be able to understand the brilliance of Same Difference. The action in this novel is not about the present existence of the two main characters, but rather of the juxtaposition between their past deeds, clumsy with the emotional over-eagerness of youth, and their current ability to reassess those actions and desires through the lens of their adult experiences and maturity.

Simon and Nancy are two early-to mid twenty-somethings living in Oakland. For Simon, it has been seven years since he graduated high school and he dreads each return to the town where he grew up due to the embarrassment and unease of constantly running into people he went to high school with. Though Nancy teases him, she is just as reserved about her high school experience and fights any invasion of her privacy related to those gawky years. They both know that when you are young you are stupid and lack the experience to deal with the flood of emotions you are faced with on a daily basis. Neither wants their present judged on the transgressions of their past.

Nancy’s meddlesome response to some letters meant for a previous tenant of her apartment serves as the vehicle for a road trip for her and Simon back to Simon’s hometown. There Simon must face people and situations he thought he had long put behind him. I was especially drawn to his conflicted feelings over his meeting Eddie and Jane, two married members of his high school class who used to torment him in their separate and devastating ways. Seeing them walking down the street with one baby in a stroller and another on the way left them toothless and oddly, ordinary. Would you want to hang out with someone who tormented you in high school and called you a nerd? It would seem not, but time is an antiseptic which, if not heals, certainly numbs old wounds.

A winner of the 2004 Eisner Award for Talent Deserving of Wider Recognition, 2004 winner of the Harvey Award for Best New Talent, and 2003 Ignatz Award, this title came to me with high expectations, but it far exceeded them. Recommended for readers of graphic novels and anyone who enjoys a coming of age story in all its painful clarity.

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friendsMaggie is starting high school. That is a terrifying prospect for anyone, but especially for Maggie because she has, until now, been homeschooled. The youngest of four children, Maggie’s mother taught each of them at home until they were old enough to enter high school, but in Maggie’s case, things are painfully different. Her mother recently left, and none of the kids know why or where she went. The hole left by her mother’s absence remains unfilled as Maggie begins to navigate the emotional minefield that is public schooling.

Her older brothers, Daniel and twins Lloyd and Zander, have already navigated their first day in a new school, but things are not as easy for Maggie. For one thing, she’s a girl, and she’s been used to having her brothers for protection all these years. She slowly makes friends with punk girl Lucy and her older brother Alistair, who seems to bear the burden of past misdeeds concerning Daniel and the captain of the volleyball team, Matt.  In case matters weren’t complicated enough, there’s also the matter of the ghost who Maggie has been seeing since she was about seven, but the specter refuses to speak or explain itself.

As with so many high school relationships, there are layers of memories and interactions. People change and grow up and the set of friends you have at the beginning of high school are often not the same as the ones you have at the end. But the inevitability of such breakups doesn’t make them uncomplicated, or any easier to understand for the participants. Maggie is stuck somewhere between factions. She’s not a cheerleader or jock like Matt, nor is she in the drama club like her older brothers. And she’s not really a punk like Lucy or Alistair, though those two serve as her only friends.

I fully admit that my love of graphic novels creates a deep bias, but I love how deep and meaningful emotions can be encapsulated so completely in the ephemeral expressions of characters in this format. The artwork can allow for profound emotions to be expressed without being overly saccharine in character all while incorporating humor to lighten otherwise weighty and insightful realizations about the character of man.

I would recommend this book to readers of YA literature, graphic novels, and coming of age stories who don’t have all the answers nor do they want them handed to them.

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battlepugA destroyed tribe, a talking pug, enslaved elves, a cruel Santa, a murderously evil and monstrously large baby harp seal, and a revenge-filled barbarian. Turning the first pages of Battlepug might make you wonder if the author had taken a list of all the random ideas he had during his entire childhood and created a mad-lib of a graphic novel. In a world of super-intense angst-ridden, save-the-world superheroes, it’s refreshing to have an artist break free and just draw whatever they think is cool and/or amusing.

There is no pretension to this story; it is narrated by a naked (but coyly covered), tattooed woman who is retelling this legend to two dogs: a pug and a French bulldog because one asked for a bedtime story with flaming devil monsters while the other one asked for one with puppies. She promises the dogs it will be both terrifying and sweet to appease both their desired flavors.

A gentle but unnamed boy witnesses the murder of his entire village, including his doting mother, by a smiling and sweet-faced baby seal of Godzilla-like proportions. He is saved by a fateful flick of the monster’s tail and rescued by several elves and taken to their evil master, the King of the Northland Elves (a glaring, thinly veiled Santa Claus) only to be enslaved and sentenced to a cruel life of hardship and toil. The difficult life doesn’t break the child. Rather his hate and need for revenge become magnified and he learns the art of combat, originally for their amusement, eventually for their doom.

The warrior (who seems to be based on Conan the barbarian) seeks the scarred man who let the seal loose on his village, and his travels lead him to a swamp where he first encounters the elephant-sized pug. Despite a bumpy first meeting (and not an insubstantial amount of slobber), the warrior and the rideable dog team up with a crazy old man named Scrabbly to track down his nemesis, Catwulf.

Mike Norton launched Battlepug in February 2011 and in 2012 won an Eisner award for the best Digital Comic. While it could be easy to dismiss this story based on any one of its ludicrous parts, the storytelling is deft and the artwork is solid and amusing without being silly. The pug’s eyes pointing in two different directions and lack of a convincingly ferocious bark play perfectly against the warrior’s grim and unsmiling presence.

A promising start to a unique series, I would recommend this to graphic novel, fantasy, and adventure readers and anyone who has a strong sense of the absurd.

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paigePaige is despondent. Her family recently moved from central Virginia to Manhattan and she has to deal with acclimating herself to a new city and culture while her relationships with her parents, especially her mother, have been crumbling. She misses her old life, and her old friends, especially her best friend Diana. Paige floats around New York with a sensation of being lost, unsure of herself or what she wants.

Both her mother and father are writers (hence her unfortunate name, Paige Turner), but she is more like her grandmother, a painter. Introverted and quiet on the outside, Paige is full of life and emotions on the inside. She can’t express these feelings in words so she buys a sketchbook, determined to follow her grandmother’s rules that she came up with to teach herself to be an artist. Starting the first drawing is daunting, and brings to the surface more of her anxieties. Is she a good enough artist, what if she has nothing to draw about? Monologues of self-doubt constantly run through her head, even as the pages begin to fill up with sketches.

Entering her new school, Paige quickly falls in with Jules, her brother Longo, and his friend Gabe. The foursome is soon inseparable. Paige still struggles with self-doubt, and everything cool and fun she sees in her friends strengthens her inferiority complex, and fear that her lack of specialness will be discovered. Her inner voice promises that she can change. But how can she build a new self and remove those parts she dislikes most?

Ever practical, Paige makes a list of those aspects of her personality she dislikes the most and intentionally faces them with the help of her friends. She discovers that they too have things that they lack the courage to face, and she begins to coach them, even as she is developing and evolving herself. The image of a seed being planted and carefully tended to as it grows into a fragile shoot appears several times in the drawings and is particularly apt.

The writing is lyrical and evocative while being relatable to anyone who was unsure of themselves when they were a teenager. Paige has a knack of summing up complicated emotions using simple phrases. She states that “like fun house mirrors, different people reflect back different parts of me” and while mourning her loneliness early on, she states that she hates how all her “friends now live in picture frames.”

Recommend for young adults and graphic novel readers and anyone else who can relate to the heart wrenching process of finding yourself.

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hawkeyeWhile watching the Avengers movie in the theater (I admit, twice), I was intrigued by the characters of Hawkeye and Black Widow. Not having much knowledge of the Avengers outside of Iron Man and Thor, I found it interesting that there were members of the team who did not possess any superpowers or special flying suits. Experience and training will only get you so far when facing a massive army of technologically superior aliens from another dimension. Hulk may smash, but normal humans should be running in the other direction while screaming.

As expected, when a movie piques the public’s interest in specific characters from a comic universe, new material often follows. I picked up a copy of the first volume of the new Hawkeye graphic novel series, titled Hawkeye: My Life as a Weapon. The series covers Hawkeye’s life away from the Avengers, where he lives quietly as Clint Barton in a rather crummy apartment building. He is assisted in many of his exploits by Kate Bishop, who is a member of the Young Avengers, and had previously stepped in for Clint when he took some time off from the Avengers. She is an equal, if not better, bowman than Clint.

Unlike other human superheroes like Batman or Iron Man, Hawkeye isn’t angsty, and there is a lot of humor injected into his interactions, especially with Kate. He fights mainly with his bow and an array of sometimes ridiculous specialty arrows, a method which is used smartly against him by the authors in a humorous segment where he keeps firing random arrows with somewhat unbelievable abilities. He tries to live as normally as possible, enjoying rooftop BBQs with his neighbors, buying a used sports car, and practicing his archery, but generally finds ways to get himself in trouble much as he might try to avoid it. It seems once you are identified as a superhero, groups of ninjas can’t help but attack you.

This volume is a quick but fun read. Recommended for fans of the Marvel Universe and anyone who is tired of having perpetually disagreeable and tormented superheroes.

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heartI am the first to flee at the sight of blood. As such, I don’t watch boxing and I quickly switch the channel when watching football if the station decides there is a need to show slow motion replays of a player’s injury from EVERY ANGLE. But for whatever reason, I can stomach violence in graphic novels, as the images can be processed as art by my brain, conveniently disconnected from reality.

Browsing our shelves, I picked up a copy of Heart but almost put it back again when I realized that the story revolved around an MMA (mixed-martial arts) fighter. I ended up holding on to the volume, deciding that since I had been in a reading rut recently, something so far out of my normal comfort zone might be just what I needed.

The story throws you right into the middle of the octagon at the beginning of a fight between Oren “Rooster” Redmond and Mike “The Hooligan” Murphy. Glaring and tattooed with muscles tensed, they square off with the cheers, jeers, and bloodlust of the crowd in a roar around them. The story is narrated by Oren, and he baldly presents his adrenaline and bravado as well as his mistakes as he takes us through his journey from slightly overweight office worker to trained fighter. He’s inspired by his older brother, who started out as a college wrestler and progressed to MMA after graduation. From the drudgery of his data entry job, Oren enters a life that finally allows him to live life on his own terms.

It’s Oren’s honesty about how his fighting career progresses that really pulls the reader into the story. He’s not trying to fool anyone, not even himself. His frankness and honesty are refreshing yet surprising, since MMA promotion isn’t known for being austere or unembellished. Oren wryly confesses to prior unkind thoughts about “guys who wore too-tight t-shirts with shiny, metallic crap written on ‘em” before he entered and embraced the culture.

Heart is an engaging and powerful read. I would recommend it to sports fans, readers of graphic novels in general, or any reader who loves stories where the human element transcends the environment.

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SwampThingI have a fascination for Swamp Thing that started a few years ago when I picked up a copy of one of the volumes penned by Alan Moore (he of Watchmen fame). Swamp Thing isn’t your normal Superhero. He doesn’t fight supervillians, although he has had occasion to save the earth and humankind before. He’s a conflicted creature, no longer quite human but not fully removed from the person he once was. He is pulled between two worlds, caught between his human memories and the pull of The Green, a force that connects all plant life on Earth. Swamp Thing generally keeps to his damp living space, communing with nature and trying to find a semblance of peace.

The character of Swamp Thing has been reinvented and restarted many times over the years, with admittedly varied success. When I saw that Scott Snyder was taking the helm for the new Swamp Thing series I was excited. Snyder is one of my favorite current graphic novel writers (see my review of American Vampire) and I was confident that the story would be done justice to in his hands. Rather than ignoring the past incarnations of Swamp Thing, Snyder was able to build upon the legend, keeping the past intact while carving out his own unique storyline. He is even able to pull in the character of Abigail Arcane who is typically the partner/wife of Swamp Thing and helps to ground him and keep him connected to his human past.

Swamp Thing has always been most easily classified as horror, although that seems unfair as it classifies him more by how others react to him than how he actually conducts himself. Snyder has always shown himself to be remarkably adept at this genre. He is able to build an atmosphere of eerie menace in even the most mundane scenarios but also doesn’t shy away from gore or shock. This is the first of two published volumes in the DC Comics New 52 Swamp Thing series. The third volume will be released in November.

I would recommend this book to anyone who reads horror, especially graphic novels.

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Good DogIvan is a Good Dog. He wants to do his job correctly, but he doesn’t have an owner, and without a boss he doesn’t know what job he should be doing. So he searches, sniffing out food and water to survive. There are occasional glimpses of hope that someone, anyone, will want him, like when a nice woman feeds him a sandwich from her picnic. The deceptive simplicity of Chaffee’s pen and ink drawings captures the optimism fading from Ivan’s face as she tells him she doesn’t have room in her house for a dog and gently, heartbreakingly, shoos him away.

Wherever he goes, Ivan always seems to be outside looking in. His pal Kirby has always had a master and is devoted to the man, despite his owner’s many imperfections. Ivan questions his friend about his living situation. Kirby contentedly describes himself as being in his correct place in the world; he has a master and a Good Dog is always loyal. Ivan isn’t certain this answer satisfies him, though it’s obviously good enough for Kirby.

Ivan then runs into a group of strays who not only don’t have masters, they don’t want them. They prefer to live in a pack as nature intended, led by their top dog, a Malamute named Sasha. The dogs work together to get food, each animal having his part to do in order for them to be successful. Humans, they say, are cruel and wicked, and dogs are better off taking care of themselves. Ivan has a crash course in the politics of the pack, still hunting for his place.

So much of the power of this narrative comes from the stark artwork, with emotions of the characters easily read in the perking of ears or the droop of a tail. There is something poignantly compelling about Ivan’s pursuit that goes beyond a tale of survival. His quest is greater, an allegory for the search we all make to find out where we belong, where we can feel secure, and where we are loved and valued. As one of the characters says: “Dog needs someplace to belong.” Don’t we all.

Recommended for animal lovers or anyone who can empathize with the desperate search for finding out where one fits in.

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superiorMany kids have a favorite superhero that they look up to. Twelve-year old Simon loves Superior, a Superman-like immortal superhero with x-ray vision, super hearing, and freeze breath, not to mention immense strength and the ability to fly. In short, he is a perfect physical being, quite unlike Simon himself. Previously a healthy and talented basketball player, Simon was struck down with multiple sclerosis, losing the ability to walk and suffering attacks that leave him barely able to speak. He slowly lost all his former friends except for one, Chris, who makes sure to come with Simon to the movies once a week. Other than his trips with Chris, Simon lives like a turtle tucked into his shell, saddened and frustrated by his physical helplessness.

One night, Simon is visited by a monkey named Ormon, who grants him his biggest wish and changes him into a real-live Superior. Ormon assures Simon that everything will be explained in a week. Simon quickly learns how to use the awesome power he has been granted and saves people, averts disasters, solves world food shortages, and more. He even gives the local bully, who missed no opportunity to torment him when he was in his wheelchair, a well-deserved scare. Compared to his previous life, everything seems perfect.

Of course, a fictional superhero can’t come to life without causing some issues. The actor who has portrayed Superior in all the movies finds his own life quite complicated by the sudden appearance of his powerful twin. And the media is desperate to question the world’s newest hero, especially Maddie Knox, who is even willing to put her life on the line to score the first interview. But why was Simon granted his wish by Ormon? Everyone knows that nothing is free, and being given such an immense gift must come at some cost to Simon. What will the boy be willing to give up in order to retain his powers and never again return to his wheelchair?

The dialog is believable and the characters are relatable, which is no small feat when you are depicting everyone from a 12-year-old boy to a magical space monkey. The artwork is dynamic, adeptly expressing every emotion from innocence to terror. I enjoyed the alternative take on the regular superhero motif, with the hero character being more of a device than a personality. Recommended to readers of graphic novels, especially, but not limited to, superhero titles.

Check the WRL catalog for Superior

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