Lexicon, by Max Barry

You aren’t you, you know. You are a type to be identified, evaluated, measured, sorted, and slotted in with everyone else your type. It’s just a way for businesses, political parties, and non-profits of finding the people most responsive to their message, right? But what if that type isn’t the accretion of your life’s experiences, your current situation, your relationships–in other words, you–but a deep-seated biologically programmed identity vulnerable to direct manipulation? And what if there were people dedicated to learning specific words and sounds that turn the key to your identity and make you want to obey them? Enter the poets.

Barry, whose interest in language and manipulation runs through books such as Jennifer Government and Company, takes a direct run at the topic in this complex thriller. He posits an organization dedicated to exploring ways to control the nearly 300 personality types they’ve identified. Potential students are recruited and tested, and those that pass enter a rigorous and disturbingly competitive education program on their way to analyzing personality types, running experiments on them, and providing the sanitized results to those who will use them in some kind of marketplace. Those who rise to the top of this select group become poets, able to utter a series of nonsense syllables that make the hearer suggestible. To what? In the course of the story, to involuntary sex, giving away money and cars, even committing murder and mayhem, with the implication that these are long-standing and frequently used methods that reach to all levels of society. Those poets are themselves rebranded with the names of real poets, which is why Tom Eliot and Virginia Woolf are playing cat-and-mouse from Australia to Washington, DC. Woolf is a rogue poet capable of suborning even the most experienced of the organization, and Eliot wants to stop her before she executes a horrific plan.

Barry structures the story with intertwined past-and-present narratives. We learn about street kid Emily’s recruitment and training into the organization, and the colossal mistake she makes when she’s sent to Broken Hill, Australia as punishment for another major mistake (A word of warning to the actual Broken Hill Chamber of Commerce: Barry makes it sound like the place where they recruit garbage men for the last stop on the road to the back-of-beyond; it sounds like a cool place in real life). In the present storyline, Eliot violently kidnaps an innocent man from the airport and dodges pursuers on a nonstop quest to find out why the man has been targeted by opposing poets. As the storylines begin to merge, we slowly come to understand why the factions have moved into open warfare with each other.

Barry departs from the cynical humor of his earlier work as he creates this speculative look at power and language. The real tension in his ideas is that the ongoing quest to motivate (command?) masses of people may actually succeed by reducing that mass to precisely defined individuals. If there is humor, it is found in occasional side notes from chat room comments on erroneous news stories which come off as conspiracy theories but are closer to the truth than the commenters know. He also takes those ordinary Website quizzes and polls and gives them a more sinister purpose. I’ll certainly look twice at those ‘recruiting for psychology experiments’ posters and ‘take this online quiz to discover your true self’ with a little more skepticism than I have in the past.

(Lexicon isn’t in the WRL catalog yet, but the link will be added here when the library receives it.)

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Ocean Beach, by Wendy Wax

I typically choose beach reads in the fall or wintertime.  As temperatures drop below 50°F, cover images with hammocks and cerulean blue seas become irresistible and I pick them up for escape purposes, to tide me over until I can reach a beach in a warmer clime. It’s like a chocolate indulgence or an extravagant café selection — a little me-time fantasy.  Ocean Beach fit the bill this time.

The author’s work caught my eye months ago when this sequel to Ten Beach Road came out so I’ve had it on my to-read list ever since (and enjoyed Ocean Beach without having read the first book in the Beach series).  Since then, I’ve learned that Wax was once honored with the Virginia Romance Writers Holt Medallion Award for her debut romance 7 Days and 7 Nights in 2003. Now I’ve just learned that Wendy Wax has joined the Downton Abbey craze — using her fandom as the source of inspiration for her latest novel, While We Were Watching Downton Abbey

The scenario of Ocean Beach made me recall the 80′s television sitcom Designing Women.  A group of women friends, assembled in Wax’s typical ensemble-cast style, are collaborating on the renovation of an historic Art Deco home in the dreamy vicinity of Miami’s South Beach.  This project shows the promise of promoting the future success of their fledgling enterprise owing to the fact that their remodeling project is to be featured on a reality television show called Do Over.  However, they had not anticipated that such notoriety might stem from a camera focused much more on their private lives than their skills with refinishing and refurbishing old houses so they are soon wishing their dirty laundry wasn’t about to be broadcast for all to see.

Ocean Beach readers will find a little romance, troubling pasts and deeply hidden secrets, a bit of amateur detective work, and more than a few strained domestic relationships in this lively, dramatic novel. Fans of chick lit and romance are sure to enjoy turning its pages, preferably while relaxing on a sun-kissed beach.

Check the WRL catalog for Ocean Beach

If you’re interested in starting with Wendy Wax’s earlier books, try The Accidental Bestseller.

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Where’d You Go, Bernadette, by Maria Semple

A 2013 Alex Award winner (meaning its a book in the adult section found to be highly appealing to teen readers), Where’d You Go, Bernadette is a laughable and adventurous satire packed with hilarious characterization and witty dialogue mostly in the epistolary fashion using email correspondence, letters, police reports, report cards, and other documents.  Modest readers might find some strong language offensive yet very in-character when utilized.

You’ll find hilarious characters, some to love, some to hate, and some to drive everyone crazy!  Semple pokes fun at Seattle’s subcultures of anti-fashionable, pro-geek, tech-talking, community-oriented, hyper-diverse, ultra-green, alternative-lifestyle embracing citizens.  Semple herself is a transplant to the Seattle region from Los Angeles, as is the character Bernadette, where she wrote screenplays for “Beverly Hills, 90210,” “Ellen,” “Mad About You” and “Arrested Development.”

Caution, spoilers (because the events are revealed asynchronously and non-chronologically): Bernadette Fox has escaped her failed career as a genius architect by isolating herself in a crumbling fortress of a home where she can’t sleep and torments herself with self-pity.  She’s become so anti-social that she’s hired a virtual assistant to handle even the most mundane logistics of her life.  For years, her precious 15-year old daughter Bee has been Bernadette’s only reason for living.  Bee’s been promised this trip to Antarctica as an award for her perfect report card (Her Microsoft-guru dad can afford it).  Now, she’s having a panic attack brought on by the prospect of accompanying Bee through the sea-sickening Drake passage, “the roughest and most feared water in the world,”  and this leads to a series of outrageous circumstances that culminate in a final resolution that just might restore Bernadette’s artistic passion.

The narration, and actual singing, by actress Kathleen Wilhoite, is extraordinarily energetic and adds much to the listening experience of the audiobook version, which I was whizzed through completely enraptured with joyous laughter.  When hearing her voicing the hysterics of the ‘gnats’ (aka the condescending moms of Bee’s classmates at Galer Street School), I was reminded of Tea Leoni’s over-the-top character in the movie Spanglish.

Check the WRL catalog for the print or large print versions, too.

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Refresh Refresh, by Danica Novgorodoff

For the last review this week I am looking at a graphic novel. Refresh Refresh is by far the darkest and saddest of these stories. Like Operation Oleander, Refresh Refresh is set in recent history. Josh’s father and Cody’s father are Marine Reservists who are deployed to Iraq. They live in a small, unnamed Oregon town where a lot of the men have gone to war. For many of the families the men’s absence is a financial as well as practical burden. Cody’s power is cut off even though his mother has a job and his father is being paid by the military. His mother says that they are in financial trouble from losing his father’s overtime pay, although she works extra hours at the factory, so she is hardly ever home for him and his small brother.

The title, Refresh Refresh, comes from the action of refreshing the computer browser to see if any email has arrived and at the beginning both boys do this continuously, almost obsessively. As I said in my post on Operation Oleander, electronic communication is both a blessing and and a curse. In wrenching panels we see the boys repeatedly looking at their computer screens and seeing the cheerful but heartbreaking message, “Welcome! You have 0 unread messages.”

Refresh Refresh does a good job of portraying the complex feelings military service creates in the families left behind. Josh and Cody are about to graduate from high school, but in their small town there are not many opportunities open to them. Most of their friends feel they have to work in a local factory–”the plant”–or join the military. The boys resent that their fathers are gone and see the negatives of military service, but at the same time are proud of them, leading to ambivalence, “This is what we all wanted: to please our fathers, to make them proud–even thought they had left us.” Josh wants to go to university–a fact that he hides from his friends. His distant mother and stepfather are willing to pay for college, but if he gets bad news from Iraq what decision will he make?

The artwork reflects the dark subject matter, with severe lines and somber, drab colors, mostly in army green and grey. Try Refresh Refresh for a stark and uncompromising look at military family life, especially for reservists. Refresh Refresh is a violent and often disturbing graphic novel suitable for adults and older teens.

Check the WRL catalog for Refresh, Refresh.

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Second Fiddle, by Rosanne Parry

Second Fiddle is a story of adventures in exotic locales. From the outside it may seem that this is always true of military family life. It is accurate that I have lived in six countries and four states. And I have the annoying habit of being able to trump just about anyone’s extreme temperature stories, having lived in both one of the hottest cities in the world, Riyadh, Saudi Arabia, and one of the coldest, Winnipeg, Manitoba, Canada. But the appeal of exotic travel chronicles only part of the experience. The constant moving of military families is an important theme in Second Fiddle and the book does a great job of capturing the sense of loss, while at the same time, even the thirteen-year-old characters appreciate that they are also receiving a gift.

As the main character, Jody says near the beginning, “The upside of being a military kid was that you got to see a lot of cool places. The downside was that every time you made a friend, you had to move away.” And her friend Vivian adds, “My mother thinks I’m having this great international experience, but changing schools all the time is just the same horrible experience over and over.”

Jody and her two friends Giselle and Vivian live on an American Army base in Berlin in 1990, shortly after the fall of the Berlin Wall. They are brought together by their love of music and they travel by train each week to music lessons in East Germany with Herr Muller. They are scheduled to attend a music competition in Paris and they all know it will be their last time to perform together as they are all moving away. On their way home from a music lesson they witness an attempted murder and the adventure begins, sending them across international borders as they desperately try to save the life of a young man.

Without their musical connection the three would not have been friends at all, as Giselle’s father is a general and the base commander, while Jody’s father is enlisted. Jody feels she can’t invite the general’s daughter over as even the adults in the enlisted housing area wouldn’t like it. Of course, parents’ ranks shouldn’t make a difference to the children, but this book accurately reflects that they do.

Author, Roseanne Parry based Second Fiddle on her own life experiences as she says that she moved to Germany in 1990 with her soldier husband. While the details of girls’ adventures can at times seem melodramatic, the book does a wonderful job of capturing the feel of military life. She mentions details that I recognize or have heard from my children and other people. For example, impending doom in the smell of moving boxes; the constant absence of Jody’s Dad; Jody not minding moving so much when she was younger; finding the question of where are you from impossible to answer; living in one place for three years for the first time and feeling unnatural in knowing her way around; and also remembering the time of an event in your personal history from where you lived (“I was seven so it must have been Missouri”).

Second Fiddle is an exciting older children’s adventure that sneaks in some history about the fall of the Berlin Wall and the Cold War. Try it if you are interested in the military lifestyle and the people who lead it.  I also recommend it for military families, both older children of around ten and up and their parents. It will be a great start for conversations about the lifestyle.

Check the WRL catalog for Second Fiddle.

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Operation Oleander, by Valerie O. Patterson

This is the newest of the books I am reviewing this week, published in 2013. I found it difficult to read, not because of the length of the book or the complexity of the language – because it is a short and quick read, but because it too realistically portrayed details of my husband’s recent deployment to Afghanistan, although he is now safely home.

Jess’s Dad is in Afghanistan and she lives with her mother and toddler sister at invented army base, Fort Spencer, in Florida. She and her friends Meriwether and Sam have set up an unofficial charity to raise money in Florida to donate supplies to a girls’ orphanage in Kabul, Afghanistan. Meriwether wants to stop working on the project and spend the rest of her summer sailing and swimming like usual. But Jess constantly looks at the photos and videos of the children they are helping and feels compelled to get more money for them.

A detail this book captures, that books set earlier miss, is the immediacy of electronic communication. Soldiers have always written letters home from war and letters from Civil War and World War I soldiers are now important and poignant historical documents. Will a transcript of a Skype session ever be seen as history? Can a Skype transcript even exist and can streaming video be saved? When you expect instant electronic communication from someone in a war zone at a certain time every day or at an expected frequency, if it doesn’t arrive, its absence carries a burden of worry. In the first few pages Jess says, “His email is there. I check the date and time of his note. As of this morning, Dad was still alive in Afghanistan.”

That turns out to be an ironic statement as they soon discover that a surge is underway and there have been several explosions in Kabul, including at the orphanage. The explosions over 7000 miles away in Kabul turn Jess’s life upside down. There are injuries and deaths and some people in her community blame her for the military being anywhere near the orphanage, endangering themselves and the orphans.

Operation Oleander is an up-to-date book that captures a slice of military child experience. A child with a deployed parent may be interested in the book’s perspective, although they may find it too raw and difficult to read, although it describes no graphic violence. And thankfully, most military children don’t have to deal with so much tragedy. It includes details about the expectations for extra responsibilities when a parent is away, such as Jess’s father teaching her specifically how to add gas to the lawn mower and turn off the water main before he goes away. For every reader Operation Oleander also asks profound questions about blame, accountability, unintended consequences and our obligation to each other as human beings.

Check the WRL catalog for Operation Oleander.

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Joe Golem and the Drowning City by Mike Mignola and Christopher Golden

If you’ve ever picked up a book by Mike Mignola, author of the Hellboy series, you will know what to expect: a Victorian gothic adventure set against crumbling ruins with elements of steampunk and the supernatural. This is the second book Mignola has co-authored with Christopher Golden. The first, Baltimore, or, The Steadfast Tin Soldier and the Vampire, has also been released as a series of graphic novels that are definitely worth checking out. Both Joe Golem and Baltimore are billed as illustrated novels, which mean the images are less integral to the consumption of the story compared to graphic novels, but they enhance the atmosphere of the narrative.

In this alternative history, New York City is hit in 1925 by several cataclysmic earthquakes, flooding half of the city three stories deep. Wealthy residents who survived the tremors moved up to the higher part of town, called Uptown. The lower, waterlogged Downtown section is often referred to as the Drowning City. Those poorer residents who remain Downtown eke out a living as best they can, navigating the broken, fallen buildings and the canals created between them.

By necessity, residents of the Drowning City are self-reliant, and 14-year old Molly McHugh is certainly a product of her environment. A magician called Felix Orlov, who works under the stage name Orlov the Conjuror, employs her. Orlov is retired from the stage, but still accepts clients interested in his talents as a psychic medium. When a séance goes wrong, Orlov is abducted by strange human-like creatures wearing masks, leaving Molly terrified, but determined to free her friend.

Fleeing from one of the monsters, she runs into Joe Golem, an imposing man built like a boxer, with grey eyes and a stony countenance. Joe knows little of his past, but he and his partner, Simon Church, keep watch on the paranormal activity in the city and they do not like what they have been seeing lately. From here the story takes a decidedly Lovecraftian turn, and Molly has to figure out whom she can trust, and who can best help her free Orlov.

This novel is an enjoyable, quick read. Recommended for fantasy and horror readers, both adult and YA.

Check the WRL catalog for Joe Golem and the Drowning City.

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The Sky is Everywhere, by Jandy Nelson

I saw this YA novel on a list of books being made into movies – and I decided to read it before the movie rocketed it up the “it” list.

The plot synopsis sounds like the saddest story ever.  Lennie and her sister Bailey were abandoned by their mother when both were quite young.  They live happily with their quirky grandmother and uncle, believing that one day their mom will wander back into their lives.

Lennie is an introvert and band geek who lives in her vibrant sister’s shadow.  She likens herself to the companion pony that walks beside the sleek racehorse to keep it calm before a race. And suddenly Bailey dies.

Lennie thought she was happy walking behind Bailey, letting Bailey make decisions on what to do, and now Lennie is floating through each day without that anchor.

That’s the sad part.  And believe me, you’ll need to keep some tissues handy.  Why put yourself through that?  Because you’ll quickly come to realize Lennie is more than just Bailey’s little sister.  She has to work through her grief – and reconnect with friends – and fall in love – and forgive herself for feeling happy again.  But that discovery is compelling, I couldn’t wait to see what would happen next.  Some of it is like watching a train wreck, but it ends in a good place (I promise!).

The coolest thing about this book is the poems and brief memories that Lennie writes on walls, paper cups, homework assignments, books, benches… These memorabilia are described every few chapters, along with where Lennie left them.  How cool would it be to find a piece of someone’s life like this?  It is so much more honest and revealing than “Lennie was here” or other typical graffiti.

The book is certainly worth waiting on a long hold list for — so if you can’t pick it up right away, keep it in mind once you hear the movie hype.

FYI – the movie option was purchased by Selena Gomez’s production company.  The Disney star is set to play the main character, Lennie.  I haven’t seen anything that gives more details than the movie is “in development.”

Check the WRL catalog for The Sky is Everywhere

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Me and Earl and the Dying Girl, by Jesse Andrews

I haven’t read a lot in Young Adult Fiction, mostly because I’m overwhelmed with selections in the so-called Adult Fiction category. Along with most other readers (and editors and publishers and reviewers and booksellers and librarians), I can’t draw a bright line between what is YA and what isn’t. I just know I don’t get over to browse our “official” YA collection. So I count myself lucky that I was able to steal this from someone else’s stack of books and drop into Greg Gaines’ world.

Greg has survived until his senior year of high school by being on the fringes of everything and the center of nothing. He hides his love of film (especially the work of Werner Herzog) behind a studied indifference which also conceals his near-constant and brutal self-criticism. (He’s got some points—serious social errors, like flat out complimenting a girl for having two boobs, are enough to make anyone want to tear his own tongue in half.) His parents love him with that bumbling uncritical affection that every teen hates and he has… Earl.

Earl has shared Greg’s love of Herzog since fourth grade, when the two boys tried to film their own version of Aguirre: Wrath Of God, the masterpiece shot on location in the Amazon—kinda tough to do in the local park. Their collaboration extends to their own films: Earl: Wrath of God II, Ran II, Apocalypse Later, and still others featuring Greg’s cat. The thing is, Earl couldn’t be more different than Greg: he’s an inner-city Pittsburgh kid, bright but lost at school, surrounded by unfocused, violent, drug-dealing brothers and a mother lost in alcohol and online chat rooms. Greg’s stable home is a respite for Earl, and Earl is the only person Greg can be himself around.

And then there’s the dying girl. Greg knew Rachel Kushner in Hebrew school, with all its attendant early teen drama, but they haven’t had much to do with each other since. When Rachel is diagnosed with leukemia, Greg’s mom decides it will be a mitzvah, or good deed, for Greg to spend time with her. Awkward, right? But he does, and brings Earl along in his wake. Earl lets slip the secret of their filmmaking and next thing you know Rachel is watching their movies. Even more awkward. Suddenly Greg is open to all kinds of emotional blackmail and everyone around him takes full advantage of it. Even Greg admits that it sounds like an afterschool special—treat the different kid well and you’ll rack up points, feel good about yourself, and Learn A Lesson. But real life is messy, and even Herzog’s art can’t touch it.

Jesse Andrews gives the story a sense of immediacy despite its looking back at events. Internal monologue, conversations role-played as scripts, jump cuts to real life, and Greg’s direct addresses to an unknown audience give the book the feel of documentary, but one that allows raw and sometimes hilarious access to the filmmaker’s mind. That also means Greg’s and Earl’s casual use of insult and obscenity to each other might make the language a little rough for some readers, so be warned on that front.

And in case the idea of two kids making a film in homage to one they love is farfetched, check out this story, which is told in detail in the book Raiders! by Alan Eisenstock.

Check the WRL catalog for Me and Earl and the Dying Girl

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An Academic Death, by J. M. Gregson

This title comes about halfway through Gregson’s series featuring Superintendent Lambert and Detective Sergeant Hook of the Gloucestershire CID. I liked it so much I’ve started from the beginning, and I’m enjoying the series. An Academic Death is a straightforward cozy-type British police procedural with a minimum of personal drama. The strength of the series is the team-up of the perceptive, introspective Lambert with the reliable, comfortably stolid Hook. Where this series really shines is when Lambert and Hook interview a suspect. The action here is almost purely mental and the tension almost palpable. Lambert scrutinizes the faces and body language of the suspects closely, allowing them to guide his questioning. Hook, blank-faced, turns a page in his notebook. Suspects squirm. It’s actually high drama disguised as a plodding police interview!

In this installment, a brassy wife reports her wayward husband missing to the Gloucestershire police. She makes it clear that if they find him she doesn’t want the ol’ no-goodnik back. No one is terribly concerned until the university professor turns up dead; then Lambert and Hook focus on the campus where he worked, turning up several suspects—including, of course, the disgruntled missus.

I’ve noticed that there are rarely any surprise twists or complications in this series—Gregson epitomizes the concept of fair play in mystery fiction. The murderer generally turns out to be one of the “usual suspects;” the reader just has to figure out which one of them is lying. Where the sheer amount of jiggery-pokery in many mysteries often makes me feel disinclined to actually try solving the puzzle, the Lambert and Hook series has been stripped down to a straight, strong “whodunit” whose challenge is a bit more accessible, with just enough humor to make it entertaining along the way.

The Lambert and Hook mysteries often have a golfing theme. Although golf is not the main venue in this particular title, longtime golf enthusiast Lambert and newly initiated golfer Hook do have a few very funny scenes on the links.

I am glad I discovered these solid British police procedurals. They’re just my cup of tea!

Check the WRL catalog for An Academic Death

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The Yarn Girls’ Guide to Simple Knits, by Julie Charles and Jordana Jacobs

Knitting is enjoying a resurgence, and the library owns dozens of books about it. Many are beautiful books with sparkling colorful photographs of wonderful projects of wonderful complexity.  Every now and then I check one out with great intentions to knit. The last time I actually finished a project of any size was when I was pregnant (and my children are now starting to leave the nest). Back then, my late mother helped me with the tricky bits and (I am embarrassed to admit) did the tedious sewing up.

I was inspired to pull out my needles to contribute to a granny square project for a colleague’s upcoming happy event. I found it very therapeutic making granny squares and soon turned out enough squares for a Queen-sized crib (I must need a lot of therapy). I needed a new project and the word “Simple” in this book’s title grabbed me.

The book starts with basic techniques and useful line drawings. Their drawings show hands, yarn, needles and finished work as the knitter will see her own hands looking down.

The one problem I found with the directions is that each pattern gives only one brand and make of yarn to use. Many of these yarns are gorgeous! And some of them also contain mohair, angora and other luxurious fibers, which make them very expensive. Others are a discontinued line. With my beginners knowledge of yarn, I had trouble working out substitutions, although I managed with the help of Google searches. To give them credit, as in all instructions of this sort, the knitter has to use the exact yarn they suggest to get the results that they illustrated, but I am sure I am not the only person interested in substitution!

I decided to start with a small and simple project, a hat with the appealing name of “Feeling Fuzzy.” I planned it as a gift to my daughter, being aware that at my pace she may be wearing it next winter! My hat is going very slowly, but I know that displays a lack in my skill, not a lack in the book! (I will post a comment later when it is finished).

I recommend this book for people who, like me, are returning to knitting after a long break. It will also help absolute beginners.  For the experienced knitter the book also offers attractive, quick projects that they may be able to complete in a weekend.
Check the WRL catalog for The Yarn Girls’ Guide to Simple Knits

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The Odds, by Stewart O’Nan

What are the odds that one author could capture two important elements of American life in two books, each of which is under two hundred pages? If you’re Stewart O’Nan, they are 1 in 1.  The first is Last Night at the Lobster (blogged here by Connie), a 147-page story of a restaurant manager whose life and identity are invested in his job, despite the way he’s casually dismissed by both customers and corporate hatchetmen. The second is 2012′s The Odds, in which a long-married couple makes a last-gasp getaway before divorcing and declaring bankruptcy. Its 179 pages encompass the silent recriminations, miscommunications, deceptions, and uncomfortable blend of inside jokes and familiarity-bred contempt of a man and woman who may have been mismatched from the start.

Marion and Art Fowler are retracing their honeymoon on the Canadian side of Niagara Falls, but this time packing thousands of dollars in a canvas bag. Right from the start we know that they are going to be divorced when this weekend is over, but Art thinks it’s only a maneuver to protect their few remaining assets.  He is full of other schemes to minimize the damage from their certain bankruptcy: planning to default on the credit card bill for their extravagant weekend, buying Marion jewelry that is just under the asset level for seizure, and above all, using a solid system to beat the roulette wheel in the hotel casino then smuggle his cash winnings back into the US.

What he doesn’t know is that Marion intends their divorce to be more than a legal fiction. As Art has struggled with their finances, Marion has found a life of her own.  She’s impatient with his neediness, practices maneuvers to deflect his affections, and withholds an enormous secret from him. That’s not to say Art is a saint—he can be indecisive, a poor planner (who doesn’t think a Valentine’s Day weekend in Niagara Falls would be crowded?), blind to her tastes, and overly optimistic about the risky venture they’re on.

For all the lows that are finally weighing their marriage down, there are some bright points, especially centered on their children as they begin to make lives of their own. There are moments of intimacy springing from thirty years of living together, familiar rhythms and mutual memories that knit them together and that will never fray. Those moments, small as they sometimes are, lend the story a sweetness that offsets the soured relationship and the desperation of their finances.  Like the Ripley’s 3-D movie Art and Marion see, O’Nan puts his readers in a barrel, has them pass jagged rocks and beautiful scenery on their inexorable way to the fall—but he ends the story just as the barrel launches into the mist, leaving us to create our own landing.

(And, ahem, Pulitzer people:  you may not be able to make a decision, but I hope dismissing O’Nan’s polished works as novellas isn’t in your catalogue of other sins.)

Check the WRL catalogue for The Odds

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The Fat Man: A Tale of North Pole Noir, by Ken Harmon

In my opinion, any book that includes the tag line “Someone’s Playing Reindeer Games for Keeps” is worth reading.  Written in the style of a noir detective novel (think Dashiell Hammett or Raymond Chandler), this is advertising copywriter Ken Harmon’s first novel.  It pokes fun at the genre, while creating a delightful yarn set in and around Kringle Town.  Mostly, the book is silly, funny and entertaining.  Harmon clearly has spent many hours immersed in classic Christmas imagery and stories.

The author fills his text with not-so-subtle puns and references to classic Christmas characters and fairy tales that most readers will recognize with a smile.  He includes well-known names like Comet, Tiny Tim, the Whos of Whoville, Frosty the Snowman, and Kris Kringle.  To these he introduces an enjoyable assortment of new, appropriately-named characters such as Charles “Candy” Cane, Dingleberry Fizz, Jubilee Rosebud, and the protagonist Gumdrop Coal.

Gumdrop is a 1,300 year-old elf who has been working by Santa’s side since the beginning.  He’s a tough little fellow.  For most of his career he was in charge of the Coal Patrol – a group of elves who deliver coal to kids on the naughty list.  As the story begins Santa fires him for being too mean and Gumdrop Coal is left to his own devices.  That’s when the intrigue starts and Coal finds himself up the North Pole, without a paddle.  He’s becomes a pariah, accused of mischief and murder.

The majority of the book is Gumdrop’s adventure trying to clear his name, get the girl and survive the twelve days of Christmas.  I found that a couple of times, Harmon is heavy-handed with his moral.  It seems out of place with the rest of the book, for me.  The book is wacky so often, when his message of good will toward all is so blatant it doesn’t mesh well with the rest of the story.  But, this is a Christmas story, so it’s not unexpected.

Harmon leaves himself room to write more stories with these characters.  Who knows, maybe the next title will be The Woman Behind The Fat Man.  In any case, The Fat Man isn’t a standard Christmas story and it isn’t a children’s tale either.  An easy read, it is a romp into silliness and a satirical tribute to noir detective novels.  Go ahead and read it.  I dare you.  I double dog dare you.

Check the WRL catalog for The Fat Man

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Pillars of the Earth, by Ken Follett

The building of cathedrals in Europe was often a multi-generational task, a labor of love and worship that illustrates the tenor of those times.  Ken Follett’s Pillars of the Earth is its own labor of love and worship, although in a different way.  As he explains in his introduction, the book was a huge departure for him.  Known as an author of thriller— including Eye of the Needle, one of my favorites —Follett took a risk writing this book, but based on the way readers have embraced it, his risk paid off.

Pillars is the story of one cathedral and the events of the nearly forty years it took to build.  It centers around five people: a cleric, two artisans, and two from the ranks of the nobility.  (An additional character from the peasantry probably would have made the plot unwieldy, but Follett deals with that problem early on.)  During the period he writes about—1123 to 1174—there was an international struggle to determine whether kings ruled with the blessing of the church, or whether the church existed under the protection of the kings.  That struggle trickled down to the local level, where philosophy yields to the daily fight for land and money.  At the same time, guilds were exercising their economic power by restricting membership, enforcing apprenticeships, and setting fees for specific jobs.  Both church and nobility feared the repercussions of a wealthy educated class, but the guilds were also limited by the need for armed protection and desire for religious approval.  At various times power shifted among the three, but no single one emerged victorious.  But struggles were not limited to the competing factions:  clergy maneuvered amongst themselves for power and income, nobles conspired against each other to increase their holdings, and the guilds evolved through trial and error that produced losers and winners.

Follett’s span of the 12th century begins with the tribulations of Tom Builder, a mason whose job is unexpectedly terminated, forcing him to take to the roads with his family, searching for work.  Like the peasants of his time, he is helpless in the face of lawlessness and misfortune, until every day becomes a quest for survival against the slow starvation overtaking his family.  After his wife dies in childbirth, Tom becomes involved with Ellen, a mysterious woman who lives in the forest with her son Jack.  When Tom’s path crosses that of the newly-elected Prior Philip of the Kingsbridge monastery, both their fortunes begin to rise.

Philip is a motivated, intelligent, and inspired man whose dedication to the church manifests itself in his desire to revive the fallen fortunes of the monastery with a plan to eventually build a cathedral.  But the opportunity presents itself sooner rather than later, and the project is underway. Philip is an innocent in many ways, but no more so than in his belief that his sincere efforts on God’s behalf are respected and shared by other clergy, including the driven and ambitious Waleran Bigod, who is destined to become his bishop.  However, he becomes adept at his own kind of politicking and makes several enemies along the way.

One of them is William Hamleigh, the would-be Earl of Shiring, which encompasses Bishop Bigod’s diocese and Prior Philip’s growing town.  Hamleigh’s family rose to the earldom during the civil war between King Stephen and Empress Maud.  William is a brute who does not hesitate to use force and treachery, even cold-blooded murder, to achieve his aims.  But his inability to think beyond the short term hampers him, and he is easily manipulated by the bishop for his own ends.  He’s not a subtle character, but William also serves a valuable role in the story, demonstrating the effort and expense it took to maintain the military force that an earl was required to bring to the king.

When the story begins, William’s anticipated marriage to the Lady Aliena, daughter of the current Earl, is broken off.  Her father did not want to force her into a political marriage, and the humiliation leads the Hamleighs to denounce the Earl and seize his holdings. When William gains the upper hand, he rapes Aliena, kills her protector, and scars her younger brother.  But Aliena will not accept that as the last word, and her determination, cleverness, and willingness to take risks give her opportunities to rise above the merely social standing she would have had as a noblewoman.  Her success also illustrates the power that the trade associations— both among merchants and among skilled craftsmen—could wield.

Finally, there’s Jack, the unusual son of the outlaw woman Ellen, adopted by Tom Builder and put to work on the cathedral site.  His intelligence and insight not only make him a valued craftsman, but allow him to develop a friendship with Aliena.  They also bring him to the attention of Prior Philip, who is determined to bring Jack into the monastery, but at a high cost to Jack.  Jack is also a vehicle for Follett to explore Continental culture from pilgrimages to Moorish influence in Spain to the revolutionary design of French cathedrals.  The vision he brings back puts the crowning touch on what ends as a glorious building.

Follett’s description of the various styles and the engineering feats it took to build these enormous buildings is done lovingly and with a real sense of awe. It makes the reader long to turn to an illustrated source that captures in images what Follett has described for us.  And my next entry will talk about that very thing.

Check the WRL catalog for Pillars of the Earth in regular print, as well as audio, a television mini-series, and e-book.

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The Bagthorpe Saga, by Helen Cresswell

Have you ever wondered how British humor can be so consistently different from American humor? After all, the two countries share a language and much culture. Re-reading the Bagthorpe Saga by Helen Cresswell, I suspect the difference may persist because the training starts very young in dry, witty, ridiculous British humor.

The Bagthorpe Saga started in 1977 with Ordinary Jack. It continued for over 20 years with ten books chronicling the bizarre, but highly entertaining Bagthorpes, including Bagthorpes Abroad (1984) and Bagthorpes Haunted (1985). It was made into a T.V. series in 1981, which is looking dated now, but the books are still hilariously funny.

Eponymous Jack is certainly ordinary, far too ordinary to live in his overwhelming and extraordinary extended family. His three siblings are “genii” with multiple talents they call Strings to their Bows. His prima donna father writes scripts for the BBC while his mother writes an Agony Aunt column for her Problem people. His only ally is his mongrel dog, Zero, although he sometimes collaborates with his foppish Uncle Parker. Capricious and stubborn Grandma, Selectively Deaf Grandpa, along with precocious and out-of-control cousin Daisy round out the family. Other characters, like the put-upon cleaning lady Mrs. Fosdyke come in and out of the stories. Helen Cresswell managed to take the mickey out of over-scheduled children and helicopter parents before the terms were invented, because Ordinary Jack is the hero and the rest of the Bagthorpes are obnoxiously pretentious.

The humor is both dry and slapstick and relies a lot on wordplay. These books manage to be laugh aloud hilarious and also make comments about human nature.

I was surprised to discover that my library owned this older British series at all, and I was delighted to discover that we own three of the series on CD. I was even more delighted with Clive Mantle’s dry delivery. His sonorous and grave voice was a wonderful foil to the books’ over-the-top humor. In fact, I often thought he sounded like a commentator for a BBC nature documentary—ponderous, serious and reverberating.

Try Ordinary Jack or any of the Bagthorpe Saga for a quick and light read that may make you laugh out loud. Although it is a children’s series, I recommend it for fans of the absurd British wit of The Hitchhiker’s Guide to the Galaxy or Monty Python.

Check the WRL catalog for Ordinary Jack in book form.

Check the WRL catalog for Bagthorpes Unlimited in book form.

Check the WRL catalog for Ordinary Jack in CD form.

Check the WRL catalog for Bagthorpes Unlimited in CD form.

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I Could Pee on This: And Other Poems by Cats, by Francesco Marciuliano

In ancient Egypt

We cats were gods

We ruled the heavens…

So kneel before me

I have long suspected that cats are utterly self-centered and only interested in their human companions for what the felines can finagle out of them.  I Could Pee on This: And Other Poems by Cats proves it!

This little book is told from the point of view of various cats.  The poems often start with an enchanting description of normal cattishness, with a surprising twist:

Sometimes when I lie on your warm chest /  And wonder, ‘Who is that?’

Just in case all the cat lovers out there accuse me of slander (and perhaps even that I may be a dog person) I asked three fat cats of my acquaintance what they thought of the book.  Mushroom and Pimpernel sniffed it hopefully, I suspect for food.  Bandit was a bit more proactive and tried to bite it and then batted it with his paw. But all three are shocked at such a slur on their characters.  Or, at least they would be if they had time to consider it -  if it wasn’t time for food, or maybe a nap, or maybe to chase the long-suffering dog’s tail…

If you need a fun little book to brighten up these winter days, I Could Pee on This: And Other Poems by Cats could be just the thing to make you laugh out loud.  It is illustrated throughout with dozens of cat photos, many with extreme awwww qualities.  It may be a bit late to gift this book for the holiday season, but bear it in mind for special occasions for the cat-lovers in your life as it captures the utter and complete, but endearing, selfishness of cats.

Check the WRL catalog for I Could Pee on This: And Other Poems by Cats

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The Secret Garden, by Frances Hodgson Burnett

I was listening to Unbroken : a World War II Story of Survival, Resilience, and Redemption in my car for my book club, and like many people I was shocked and horrified on many occasions.  I knew I needed to listen to The Secret Garden next to regain my equilibrium, even though it is a book that I have read at least six times.  I listened to the audiobook on CD.  The reader, Flo Gibson, wasn’t who I would have picked as she has an American accent and a kind of scratchy voice but I soon settled into the old story like sliding down into a warm bubble bath.  I had previously come to the conclusion that many of the children’s books that I enjoy reading over and over are “cozy,” so I was surprised to discover when I started working in this library that “cozy mystery” is an official designation.  It makes sense, as sometimes we all need a cozy and comforting read.

In The Secret Garden Mary Lennox is a neglected and spoiled child  who has spent her entire ten years being over-indulged by Indian servants.  After her parents die in an epidemic she is sent to another dysfunctional household, the home of her uncle at Misselthwaite Manor on the Yorkshire Moors.  There she meets the sturdy Martha and Dickon, representatives of a family of fourteen.  She makes friends with an elderly and crabby gardener, Ben Weatherstaff, through her interest in a friendly robin.  There are also also mysterious noises and howlings down the corridors of the huge house.  And of course, she discovers a hidden and secret garden.

In this story, the Yorkshire Moors themselves, as well as the Secret Garden, are characters just as much as the people.  As the season changes from winter to spring and on into summer, Mary changes, the garden and the Moors change, and so too does everyone at Misselthwaite Manor.

This book was first published in 1911 and what I find intriguing 100 years later is the psychology of Mary and other characters.  Despite Dickon and Martha’s material poverty they are well loved and looked after and it shows in their steady, kind ways.  Mary, on the other hand, starts the book emotionally impoverished but gains a purpose and learns to love and live under the influence of attention.  The book is also full of gentle humor, especially in the character of Ben Weatherstaff.

One aspect of The Secret Garden that I missed as a child and can see as an adult is the Christian symbolism, for example, when they recite the Doxology while sitting in a circle with a fox and a lamb.  Other aspects are less overtly Christian as when  the children call the life force that helps them to heal “Magic.”  The Magic makes the Moors and garden change for spring, and when the children and other characters allow it, the Magic also changes them. Towards the end one previously stunted, but blossoming character announces,  ”Being alive is the Magic!”

When I was talking about cozy children’s books, a colleague at the library recommended an out-of-print book, The Golden Name Day by Jennie D. Lindquist.  It captures the joy of being a child, that many adults are yearning to regain.  “Oh, anything can happen in this world, just anything. That’s why life is so exciting,” says Nancy towards the end of that book.  Other out-of-print (and sometimes obscure) books in this category that I love include: World’s End series by Monica Dickens, Green Smoke by Rosemary Manning, The Blow and Grow Year by Margaret Potter and Longtime Passing by Hesba Brinsmead.

For those who have read The Secret Garden before, perhaps years ago as a child, I highly recommend a second look through the eyes of an adult.  For those who have never tried it, it is a deeply hopeful story about redemption through the natural world and redemption through love.

Check the WRL catalog for The Secret Garden in book form.

Check the WRL catalog for The Secret Garden on audiobook CD.

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Losing Clementine, by Ashley Ream

Each chapter in this entertaining, dark yet humorous debut novel counts down the 30 days pop-artist Clementine Pritchard has given herself to set her affairs in order before her suicide. She starts by crashing into the annoying car that blocks her driveway daily, tossing a teapot she never wanted anyway out of her apartment window, and flushing her medications for various psychoses–freeing her body from the numerous side effects she’s suffered from most of her life. The complex details of Clementine’s troubled history are revealed slowly with each day. I don’t want to reveal too much that will spoil the suspense for potential readers, but I quickly became fascinated with this flawed but loveable protagonist’s compelling story. I was not able to assume what had happened to her in the past or predict what she might do next, so the pages just kept turning.

It was uncomfortable but also quite funny watching her live her last days on the edge without the usual fear of consequences for her rash actions, eating her lovingly described extravagant last meals, and fearlessly speaking her mind. I found myself fearing for how she might pick up the pieces if for any reason she were not to have the courage to go through with her planned death. It all seems very considerate, how carefully she prepares so that no one will be terribly inconvenienced or have to go to any expense for her loss, yet she has falsely assumed that her death would cause no harm.  Clementine may have gravely underestimated her worth to significant others in her life. In the course of her last month, it turns out that some are not who they had seemed, and new people have entered her life unexpectedly.

I found this to be a very touching story and a quick read that was well worth my time. Anyone who’s ever contemplated suicide, even for just a moment, can relate to Clementine’s state of mind and the fact that suicidal thinking creates distance in relationships. Older teens may find appeal in this book’s emotionally intense themes of childhood abandonment, but recommenders should be aware that it contains adult sexual and drug-related content. I look forward to more contemporary fiction titles from Ashley Ream.

Look for Losing Clementine in the WRL catalog.

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