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hinterlandAnn Marie of the library’s Outreach Services Division shares this review of a television show.

A hinterland is defined as the often uncharted areas beyond a coastal district or a river’s banks, or an area lying beyond what is visible or known.  In the new Welsh detective series, Hinterland, the characters both literally and figuratively have to travel into the dramatic outlying areas of coastal Wales as well as into the outlying areas of Welsh society.

Hinterland is the first TV mystery series based entirely in Wales. The main detective is DCI Tom Mathias (Richard Harrington) who comes to the coastal town of Aberystwyth, Wales, after working for 10 years with the Metropolitan Police in London. His team consists of DI Mared Rhys (Mali Harries) a local woman who had wanted Mathias’ position, DS Sian Owens (Hannah Daniel) and DC Lloyd Ellis (Alex Harries).

The series begins with a murder of an elderly woman, and Mathias arrives at the scene where he first meets his team before he has a chance to even report to the police station. Mathias and the other detectives have to learn to trust each other and learn each other strengths and weaknesses while working the case.

Eventually the case leads the investigators to a former children’s home at the waterfall called Devil’s Bridge. Adding to the atmosphere of the dramatic waterfall, there’s also some intriguing folklore associated with the waterfall that involves an old woman, a loaf of bread, and Satan. Mathias discovers that the reasons for the murder lie in the past of the children’s home as he uncovers the home’s secrets.

The personal lives of the detectives are not explored, but there are intriguingly brief glimpses into their present and past. As the lead detective, the series spends the most time with DCI Mathias. The DCI is a loner who seems to have some issues in his personal life. The reasons for his transfer to Wales from London are not explained, at least in series one. The issues surrounding the cases often force the detectives to travel to their own personal hinterland as they deal with their own reactions.

Filmed entirely on location in the county of Ceredigion, Wales, the winter landscape provides a haunting backdrop to the gothic story lines. Whether it’s the stark rolling hills, the dense forests, or the crashing waves on the shoreline, the Welsh countryside is an important part of the series and helps to give the series an ominous and dark feeling. Each scene of the series was filmed in two languages—Welsh and English. The Welsh language version of the series aired in Wales in 2013 as Y Gwyll which means “The Dusk.” The BBC aired the English-language Hinterland this past winter, and series 2 is in production.

This Welsh crime noir drama will appeal to those who enjoy mysteries of the dark and complicated type. A different case is solved in each of the four episodes.

Check the WRL catalog for Hinterland, Series 1

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ellery1I am always on the lookout for good television shows to watch with my family. A few months ago, I decided to give this Ellery Queen Mysteries series a try, and boy am I glad I did. This rare gem of a mystery show is based upon the Ellery Queen mystery stories written by Frederic Dannay and Manfred Lee. It has everything you could want in a great TV series: great acting, a good plot formula, interesting stories, superb sets, and of course, a fun musical theme by Elmer Bernstein that you will find yourself humming for days after watching the show.

The cast of actors is excellent. Jim Hutton is great as the eccentric mystery writer Ellery Queen, who is brought in to solve difficult murder cases by his father, Inspector Richard Queen, played very well here by David Wayne. I liked the interplay between Ellery Queen and his father as they try to solve the cases together. Part of the fun was also watching Inspector Queen put up with his son’s eccentricities as they share an apartment together in New York City. I also liked Sergeant Thomas Velie  (Tom Reese), the Inspector’s right hand man, who will often assist Ellery Queen. This show has a long list of supporting actors that reads like a who’s who of famous actors in the 1970s, including Betty White, George Burns, Bob Crane, Larry Hagman, and another favorite of mine, Rene Auberjonois.

Ellery and his father are routinely hounded and challenged by two of my favorite characters, a pushy news reporter by the name of Frank Flannigan (Ken Swofford) and an amateur radio sleuth, Simon Brimmer (John Hillerman). Hillerman was my favorite actor on the show; his role as the the stuffy Brimmer, who always tries to one-up Ellery Queen by being the first person to solve the mystery on his radio show, was wonderful and brought to my mind the role he is most famous for, as the British snob Higgins in Magnum, P.I.

Set in New York City in the late 1940s, this show follows the same fun formula that made those stories so popular. Viewers are made aware that a murder is soon to be committed and they are introduced to the soon-to-be victim and the cast of possible suspects, who all have good reason for sending the victim to his or her untimely death. Once the person has been done in, Ellery Queen is brought in to help solve the murder by his long-suffering father and NYPD police Inspector, Richard Queen. Ellery finds clues that others usually miss, and right before solving the mystery, he will turn and look at the TV camera and remind viewers of the essential facts of the case, and then will challenge them to solve the crime. My favorite episode that you don’t want to miss is “The Adventure of the Comic Book Crusader” with guest star Tom Bosley. Ellery becomes a suspect in the murder of a comic book publisher when he goes to protest the use of his stories in comic book form. Every episode has an opening narration, and the one for this episode is classic:

In a few minutes, this famous cartoonist will be dead. Who killed him? Was it the ambitious lettering man? The layout expert? The background artist? The figure specialist? His disillusioned secretary? Or was it someone else? Match wits with Ellery Queen, and see if you can guess who done it!

The show was written and produced by Richard Levinson and William Link, who emphasized non-violent shows that depended on logic and deductive reasoning rather than weapons to solve a crime. They are best known for shows like Mannix, Columbo, and Murder, She Wrote. And speaking of Murder, She Wrote, there are many similarities between it and Ellery Queen Mysteries worth noting. Both have great stories and acting (Angela Lansbury as Jessica Fletcher is a real treat) and both feature a protagonist that is a mystery author. There is even an episode of season 9 of Murder, She Wrote (“The Dead File”) where Jessica finds herself ensnared in a comic murder mystery that rivals the fun of the Ellery Queen “Comic Book Crusader” episode.

The only real crime in Ellery Queen Mysteries is that this show only lasted for one season, for a total of 22 episodes. But if you haven’t seen it yet, you are in for a real treat. Highly recommended.

Check the WRL catalog for Ellery Queen Mysteries

 

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BTASWe round out Batman Week with Penelope’s review of the other Batman TV show.—Ed.

There is joy in Gotham! After decades of legal wrangling, the 1966 Batman TV show is finally coming to home video in November. Starring Adam West and Burt Ward as the Dynamic Duo, the series achieved pop-culture immortality thanks to its campy style and viral catchphrases, which need not be repeated here.

Confession: Adam West was my first Batman. I still love the show, but the parody wears thin, and Batman is a Batusi-dancing buffoon. For a more artistic and complex Batman experience on the small screen, I recommend that you turn your eyes and ears to Batman, The Animated Series, which aired on Fox in the 1990s.

The Animated Series was created by actual comics artists and writers, while the live-action series was not. It is stunning to look at. Don’t take your eyes off the screen, because you are bound to miss something beautiful. The 40s noir atmosphere is enhanced by the use of black backgrounds, against which Batman’s eyes are nothing more than white slits.  Lead artist Bruce Timm’s characters are drawn with stark angularity: Batman’s jaw is literally square. BTAS

Does the Joker’s voice sound familiar? It is Mark Hamill, going against his heroic Luke Skywalker type. Other members of the stellar cast include Kevin Conroy as Batman, Bob Hastings as Commissioner Gordon, Efram Zimbalist, Jr., as Alfred Pennyworth, and Adrienne Barbeau as Catwoman.  Adam West himself was invited on the show to play an aging superhero in the episode, “Beware the Gray Ghost.”

The storytelling is just as strong. The characters, especially the villains, are developed as real people who talk, feel and act like adults. This was not at all the norm for a kids’ cartoon show, which is how Batman was marketed. Take the Emmy-winning episode “Heart of Ice,” written by Paul Dini.  Underneath his refrigerated suit, the seemingly emotionless villain, Mr. Freeze, is a grieving husband bent on vengeance. Woven into this dramatic story is a humorous and clever side plot:  After being blasted by Mr. Freeze’s ice gun, Batman catches a cold, which Alfred treats with chicken soup… and if I told you what happened to the soup I would spoil the joke, so I won’t.

These episodes will keep everyone in your family happy for 22 minutes. Parents, never fear: the Bureau of Broadcast Standards scoured every scene to make sure it was suitable for children. You can read some of the creative team’s comments about the censors in the beautiful companion book to the series, Batman Animated. For example, “Censor wants us to figure out someplace for Catwoman to land other than on her face or breasts.” Or “We have to make it clear… that Batman’s kneeing the Walrus in the stomach.”

Check the WRL catalog for Batman, The Animated Series 

 

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danceacademyLike many little girls I took dance class as a child. Dressed up in my pink tutu, tights, and soft leather shoes, I would pirouette around the room until I would collapse in giggles on the floor from dizziness. Dance was a fun way to move around but never blossomed into a desire to be a dancer, plus I never had the passion or natural skill to commit to the endless hours of practice. Nevertheless, I remained fascinated by dancers and their dreams to pursue dance professionally, especially ballet. So when I came across the Australian television show Dance Academy, I had to check it out.

Tara Webster’s first dream is to fly, but since gravity gets in the way she takes up dancing instead, because in the moment dance feels like flying. So at age 16 Tara auditions for and is accepted to the prestigious National Dance Academy in Sydney. Little does she know that her education isn’t just about how to be a ballerina but also how to live away from home, work, love, and bounce back from disappointment. She’ll have to assess her dedication to her craft versus her desire to be a normal teenager.

Tara and her friends love to dance for various reasons and work hard to pursue their dreams. They are also typical teenagers living in a metropolitan city, testing their boundaries and their mettle to be professional dancers. The show includes the requisite girl next door, the bad boy, the catty nemesis, and the rebellious best friend, and they have the experiences of the first crush, first love, and first betrayal. But the show also illustrates the hard work and dedication it takes to succeed in dance, incorporating hours of repetitive practice and the drama of competition. Dance Academy doesn’t rely on profanity or shock tactics to navigate the challenges of adolescence. It’s a show that manages to be wholesome without being saccharine and dramatic without devolving into diabolical soap opera machinations. Enjoy this show with the dancers in your life or enjoy it for being a fun glimpse into the world of a professional dance school.

Check the WRL catalog for Dance Academy

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JeevesReading PG Wodehouse’s original Wooster and Jeeves stories is like eating a lemon meringue pie – underneath some light, fluffy, insubstantial sweetness, there’s a hint of acid which livens the palate.  So it is with Sebastian Faulks’s homage to Wodehouse, Jeeves and the Wedding Bells – with the exception of a couple of eggshells in the meringue.

This isn’t the first such recreation Faulks has had a hand in.  I wrote earlier (FSM, has it been five years?!) about his Devil May Care, a James Bond adventure that went straight back to Ian Fleming’s original style and sensibility.  This time around he approaches, with proper reverence, the world of a comic genius and nails the breezy tones that Wodehouse seemingly cast off without thinking.

For those who aren’t familiar with the original stories, they revolve around Bertie Wooster, scion of a family whose bank accounts have thrived as their gene pool has evaporated.  Bertie is a decent chap, though, with lots of time and few demands placed on him.  He spends much of that time evading the matrimonial clutches of the various women of his circle, or helping his friends slip up to the altar despite the disapproval of their parents and guardians.

Wooster’s gentleman’s gentleman is the unflappable Jeeves, the very model of a discreet servant.  Jeeves is also a master practitioner of psychology, and it is he who guides Wooster’s madcap schemes to their inevitable happy endings.  With marriage averted or achieved, angry aunts soothed, and some truculent old man reduced to a buffoon, Wooster and Jeeves blithely return to Bertie’s London home for tea, cocktails, and dining at the Drones Club.

Wooster is surrounded by similar young men with surnames so sophisticated and schoolnames so childish they become a mockery of privileged genealogy – Cyril Bassington-Bassington, “Catsmeat” Potter Pirbright, Gussie Fink-Nottle, and Bingo Little are the usual suspects.  In Jeeves and the Wedding Bells, Peregrine “Woody” Beeching is the stymied lover, and Wooster must plot to help him conquer the hand of his beloved, Amelia Hackwood.  Being a young though gifted lawyer, Woody has more prospects than assets, thus earning the disapproval of Amelia’s father.  At the same time, Amelia’s best friend Georgiana is Sir Henry Hackwood’s ward, and the impecunious baronet wants to marry her off to a wealthy man who might save the family manse, a circumstance that renders Bertie unaccountably jealous.

Due to unforeseen circumstances (and Wooster always encounters circumstances unforeseen), he and Jeeves must reverse roles at a country weekend with the Hackwoods.  Jeeves takes up the part of one Lord Etringham while Bertie becomes his manservant Wilberforce.  Too bad Bertie has never polished a pair of shoes, boiled a shirtfront, or served from the left.  Added to Bertie’s attempts to convince Amelia that Woody is faithful to her, his efforts to drive the wealthy suitor from Georgiana’s side, and to raise a cricket eleven for Sir Henry, it is small wonder that Bertie collapses into his servants’ quarters each night.  As always, Bertie’s plotting goes delightfully astray, Jeeves saves the day, and in this story accomplishes a little more than the reader expects.

Wodehouse somehow created a timeless feel to his stories, a kind of eternal English summer where the fields were planted, the trees in bloom, young lovers gazed adoringly into each others’ eyes, and the most damage the aristocracy could do was to the furnishings at their clubs.  There are cars, telephones and telegrams, jazz and  flashy theater which all signify the Roaring Twenties, but a kind of self-satisfied innocence that predates August 1914.  It seems to me that Wodehouse deliberately avoided bringing events from the outside world into the eggshell that encompasses his stories.  Faulks makes a couple of historical references that crack that shell and momentarily turn Wodehouse’s tartness into bitterness, but steers the rest of the story back to the bucolic.  All in all, Faulks does a masterful job bringing Wooster and Jeeves back to life for one final spin in the old two-seater.

Check the WRL catalogue for Jeeves and the Wedding Bells

And for a masterfully done light comic television series featuring Hugh Laurie and Stephen Fry, check out the PBS show Jeeves and Wooster

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coloradokidTime for a confession. I’ve been binge-watching the SyFy series Haven on Netflix.  Haven is a fictional small town in Maine where people are cursed with unusual gifts–like being able to conjure storms when they are stressed or make monsters attack when they are frightened. It’s not spells or demon powers–it’s what residents call “the troubles.” The series has an interesting (and attractive) cast, and I like the supernatural twist on the solve-the-mystery-in-an-hour format.

In the opening credits of every episode there’s a note that the series is based on The Colorado Kid by Stephen King.  So I read the book.

Newspaper intern Stephanie spends an afternoon with veteran newspaper men Vince and Dave discussing a cold case mystery. It’s a case the older men say isn’t really appropriate for a big newspaper like the Boston Globe because unlike many of the often repeated local stories–like the ghost lights or the mysterious shipwrecked boat–this one doesn’t have a clean “musta-been” explanation. For example, the ghost lights appearing above the baseball field “musta-been” a reflection off the clouds, or maybe it “musta-been” aliens. As Vince explains, the story of the Colorado Kid has too many unknown factors.

He and Dave proceed to tell Steff what little they know about how a man from Colorado went to work one morning and ended up dead on a little island off the coast of Maine only hours later. He was unidentified for months. But even when the police followed an initially  missed clue and identified him, they were no closer to understanding why he was found so far from home or why he had a Russian coin in his pocket.

Nothing fits together, and that can be frustrating for some readers, but I liked the interaction between Stephanie and the old timers. It was nice to see that she was beginning to fit in with the small town community. And I liked that Vince and Dave laid out all they knew about the Colorado Kid and accepted there are just too many things still unknown to be able to give a guess, a “musta-been” explanation, as to what happened. The newspaper can’t print the story because there’s nothing but questions left at the end.

So what’s all this have to do with Haven the TV series? Some character and place names are the same, and some facts about the mystery of the “Colorado Kid” are mentioned in earlier episodes, but you really get to the meat of it in the author notes at the end of the book. King explains that not all mysteries are solvable, and “it’s the beauty of the mystery that allows us to stay sane.” Nicely put, Mr. King. And I think the reminder that everything doesn’t always have an answer is the inspiration for the television show.

Check the WRL catalog for The Colorado Kid

Just for fun, check the WRL catalog for season 1 of Haven

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Orphan BlackA young grifter unwittingly stumbles upon a dangerous conspiracy in the first season of BBC America’s edgy and mind-bending sci-fi series Orphan Black.

Sarah Manning (Tatiana Maslany) is trying to escape an abusive boyfriend and a criminal past. Following a train ride home, she finds herself alone on the platform with a distraught woman who sets her purse down before taking off a pair of stylish high heels. The woman turns and stares at Sarah, who is struck by the uncanny resemblance between her and the stranger. The woman then walks off the edge of the platform and into the path of an oncoming train. In the aftermath of the stranger’s suicide, Sarah makes a split-second decision that puts her in the center of a mystery. With emergency personnel focused on the stranger, Sarah sees an opportunity for a quick score, and she walks away with the woman’s purse. Sarah learns her doppelgänger’s name is Elizabeth (Beth) Childs. Beth shares an expensive house with her boyfriend. She also has a large sum of money in the bank. Sarah decides to use her resemblance to Beth to her advantage and assume Beth’s identity. Once she has emptied Beth’s bank account, she’ll use the money to start a new life with her daughter, Kira, and foster brother, Felix.

Sarah believes she will be able to pull off the scam and quietly slip out of town; however, Beth’s life is far more complicated than she originally thought. First, there are calls from a man named Art and texts from an unknown number. There is also the matter of a safety deposit box containing copies of the birth certificates and photographs of other women who bear a striking resemblance to both Sarah and Beth. As additional secrets from Beth’s life surface, Sarah learns that the women—Beth, Alison Hendrix, Cosima Niehaus, and Katja Obinger (also Tatiana Maslany)—are all clones and she is a clone as well. This discovery is the gateway to a mystery involving a scientific movement called Neolution, led by the charismatic Dr. Aldous Leekie. Will the women unlock the secret of their connection to this group before they become the next victims of a killer who’s on a mission to eliminate the clones?

Orphan Black is a thoughtful and complex show that deftly balances questions of personal freedom and what it means to be an individual with a delightful streak of dark humor. The acting is first-rate. Tatiana Maslany succeeds at giving each clone her own distinct personality and unique set of characteristics. My favorite clone is Alison Hendrix, a conservative wife and mother whose sense of self is completely upended by the discovery she is a clone. The fine supporting cast includes Kevin Hanchard as Beth’s partner Detective Art Bell; Maria Doyle Kennedy as Sarah’s foster mother Mrs. S; Dylan Bruce as Beth’s boyfriend Paul Dierden; and Jordan Gavaris as Sarah’s foster brother Felix Dawkins. In a clever bit of casting, Dr. Aldous Leekie is played by Matt Frewer, who became famous in the mid-‘80s playing a character named Max Headroom.

Fast-paced and well-plotted, Orphan Black quickly builds momentum and maintains it throughout the season. Now is a good time to catch up with the show—or discover it—before the second season starts in April.

Check the WRL catalog for Orphan Black.

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