On this week’s Blogging for a Good Book, I’m posting about four authors who are coming to the Williamsburg Library Theatre on Monday, March 31. We’ll be having a relaxed conversation with Margaret Coel, David L. Robbins, and Jacqueline Winspear, led by Willetta L. Heising. The event starts at 7 pm in the Theatre at 515 Scotland Street, and will be followed by light refreshments and a book-signing.
An Indian reservation. Culture clashes with whites. Murder mysteries that center on Native history. Tony Hillerman, right?
Wrong. Margaret Coel.
The comparisons are inevitable, and Coel’s Wind River series offers much to Hillerman’s readers. Hillerman readers will appreciate another author who deals with Native Americans both accurately and with sensitivity. But where Hillerman uses Jim Chee and Joe Leaphorn as our guides, Margaret Coel gives us John O’Malley, a Catholic priest, as our observer. He is trusted, but in a world not his own.
Father John has bridged many of the gaps between white and native cultures by his simple presence on the Wind River Reservation. His long service as a priest to people who value their Catholicism and blend it with their old ways makes him a integral part of reservation life. His willingness to advocate for the Arapaho in the white world, and to push criminal investigations on his own are the backbone of much of the series. O’Malley is also imperfect in many ways – an acknowledged alcoholic who struggles to stay on the wagon, a relationship builder estranged from his own family, a man of God with strong feelings for attorney Vicky Holden. And as a Boston kid, he is still developing a feel for the wide-open West.
A full-fledged Arapaho, Vicky Holden is also an outsider. Called Woman Alone by the Arapaho elders, she walks a nontraditional path after leaving her abusive husband, giving her children to family to be raised, and putting herself through law school. Holden is torn between serving her people and earning lots of money in distant places; her own feelings for Father John make it difficult for her to sustain relationships with more eligible men. She is a fascinating character – strong and driven on the outside, lonely and self-doubting on the inside.
Like any good author who has chosen to work in a series, Margaret Coel deepens relationships among her characters – not just Vicky and Father John – as the series develops. Readers also become more familiar with the seemingly infinite world of the Wind River Reservation through Coel’s powerful descriptions of the landscape and its impact on its inhabitants. Those two elements alone are enough to bring readers back time and again to these books.
These are Mystery stories, though, and their real test is the quality of the puzzles. And Coel does a great job with that, setting up red herrings, misdirecting our attention, but giving us clues to work with. Unlike Tony Hillerman, who bases many of his storylines on the spiritual world of the Navajo and other Southwestern Indians, Coel draws from all aspects of Arapaho history and modern experience as starting places for her stories. Tensions between Arapaho, Shoshone, and the whites who want to hold and exploit the resources of the reservation (including the people) boil over into murder. These are not especially violent stories – not as cozy as Jacqueline Winspear, nor as detailed as David L. Robbins, but there is a real sense of the action and danger in her stories.
I was lucky to be introduced to these Mysteries, and am very much looking forward to meeting Margaret Coel on March 31.
Check the WRL catalog for the first book in the series, The Eagle Catcher.
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