Bayou, Volume 1 by Jeremy Love

If you asked people what they think of when they hear the term “American mythos” many would undoubtedly call to mind Cowboys and Indians and other aspects of the Wild West, unaware of the vibrant and complex stories and traditions of Southern Folklore. Bayou is a beautifully-rendered Alice in Wonderland-style fairytale set in Mississippi during the Depression. It is a uniquely Southern world, filled with mud and Spanish moss, concurrently embracing and fighting against the legacy of slavery.

The story centers on Lee, a young black girl, who is friends with Lily, the white daughter of the woman who owns the farm where Lee and her father live. Lily is snatched and swallowed by a monster from the bayou, named Cotton-Eyed Joe, and Lee’s father makes a convenient suspect for the local law officers when she is reported missing by her mother. In an effort to get her friend back, and free her father before he gets lynched, Lee follows the monster into the brackish water, and finds herself in an alternate but parallel world. The inhabitants of this world are human-like, but their physical bodies have been replaced by various characters drawn from Southern myths. She meets Bayou, a swamp dweller who, despite his giant stature, is cowed into submission by the Bossman and his lackeys through their brutal enforcement of the law. Despite his fear, Bayou sees the need and determination of Lee to find her friend Lily and decides to help her, although not without trepidation.

Any story that starts with a lynching and exposes the varied responses of people to such brutality isn’t going to pull punches. But what is most chilling about its narrative is that Bayou doesn’t make the humans into caricatures. The people in the normal world are just that: normal. They are all believable products of their time and environments, and that is clearly reflected in the social interactions between the characters. Young and old, black and white, rich and poor, everyone seems to know who is in power and the potential consequences of any action that might upset the current balance. In the parallel world, characters are taken to their extreme with Jim Crows, Golliwogs, and Confederate officer hounds, but it’s the similarities rather than the differences between the two worlds that are most striking.

Bayou’s injections of race, religion, poverty, and the blues contribute to an important and uniquely Southern voice in fantasy and graphic novels. The storyline and imagery can be disturbing and unsettling, but these aspects give meaning and power to the book’s message. Both written and drawn by Jeremy Love, the use of color enhances the atmosphere, bathing the images in deep gold, dusky pink, and brownish-green. Recommended to readers of fantasy, graphic novels, and southern fiction.

Check the WRL catalog for Bayou