If you like writers as diverse as Joseph Heller, Neal Stephenson, Douglas Adams, Kurt Vonnegut, or Charles Dickens, you’ll want to run to the novels of John le Carre’s son, Nick Harkaway. I can get away with that much name dropping in one sentence because Harkaway is that good.
His first novel, The Gone-Away World, takes place in a near future after some kind of event has left only a narrow band of land habitable, protected by the mysterious chemicals from a pipeline. In Harkaway’s tour de force first chapter, we discover that this pipeline has been breached and the refinery that fills it is aflame. A misfit crew of mercenaries, including the unnamed narrator and his lifelong friend Gonzo Lubitsch, is asked by a powerful bureaucrat to fix the problem.
After that, the story alternates between exploring the narrator’s adventures in the present and the past. Slowly, we discover the twisty story of how the world came to an end, how the narrator was rendered unreal, and how he attempts to recover his life. This plot is impossible to condense, but the astonishing thing is that although this story is halfway in fantasy, halfway in reality, half serious and half parody, and loaded with characters like pirates, ninjas, and mimes, in the end it all makes a perfectly bizarre kind of sense. There are plot twists you won’t see coming in a million years, enough eccentrics to populate a small country, and enough madcap but spot-on social observations to make every page an adventure.
This is a dense read. Expect a challenge. But whether you enjoy science fiction, literary fiction, or humor, I think you’ll find it truly rewarding, a book that’s worth the effort for vivid style, biting social commentary, audacious metaphors, and imaginative world building. Don’t expect a standard post-apocalyptic dystopia, expect a weird, bumpy ride through a surreal landscape. Strap in and enjoy!
Check the WRL catalog for The Gone-Away World