Have you watched The Shining? Did you notice the placement of cans of Calumet Baking Powder in the hotel pantry? The disappearing chair, the impossible window, the reversal of the hexagonal carpet pattern? Danny’s hand-knit Apollo 11 sweater? If you’re like me, you were too busy recoiling from scenes of ax murders and blood gushing from elevators to pay attention to the carpeting. But for some obsessed fans, every piece of set decoration, every line of dialogue, every camera shot in The Shining is a potential clue to the film’s hidden meaning.
Stanley Kubrick’s 1980 horror classic, adapted from the Stephen King novel, is ostensibly about a family isolated in a haunted mountain hotel while the father (played by Jack Nicholson) gradually becomes murderously insane. But Kubrick included so many weird scenes and omens not found in the book that an entire subculture grew up around analyzing and interpreting the film. Room 237: Being an Inquiry into The Shining in 9 Parts is a documentary narrated by five members of that subculture who are convinced that they have cracked Kubrick’s secret code.
Is the Calumet baking powder can a reference to the massacre of American Indians? Are a German typewriter (which changes color!) and the number 42 signs that the film is about the Jewish Holocaust? Do you have to run the film backwards to find its true meaning? Or perhaps the whole thing is a cloaked confession by Kubrick that he was involved in faking the video of the moon landing.
Room 237’s director, Rodney Ascher, found an unusual and rather brilliant way to tell his story. We never see the five narrators; we just hear their voices expounding their various theories. The visuals consist almost entirely of thousands of movie clips—from The Shining, naturally, but also from Kubrick’s other movies as well as a huge number of familiar Hollywood films.
While the theories may sound loony when I describe them, actually they’re not. Most of the signs and portents that the narrators see in The Shining really are there—although I’m pretty sure that the guy who insists you can see Kubrick’s face in the clouds above the hotel is making it up. It’s not crazy to believe that every detail of the movie exists for a reason, since Kubrick was a legendary control freak. So there are no bad edits, no continuity errors, and you’re off down the rabbit hole, trying to find out what it all means. Maybe Kubrick had a secret message, or maybe he was just messing with your mind. Trying to interpret The Shining is like entering the haunted Room 237 in the movie’s Overlook Hotel: go there, and you are marked for life. If you love movies and pop culture, watch Room 237, but take warning from its tagline: “Many ways in, no way out.”
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Interesting! Although, I often find that many documentaries looking into the ‘hidden meaning’ of movies end up throwing out a lot of absurd theories, twisting the smallest detail into a huge conspiracy. Still, many theories are very plausible, and directors often and openly include hidden meanings in films, but I can’t help but feel some people are often clutching at straws (Disney movie subliminal messages come to mind), desperate to discover the Big Secret, and just like in real life, the ‘secret’ often ends up being nothing more than a product of hysteria. I enjoy watching documentaries such as these, but am often put off half-way through, rolling my eyes as I switch the channel. Perhaps this one will be different..!
Okay I’m interested, fire up the popcorn and pass the Red Rum…but I’ll have to turn ALL the lights on! :)
I do really need to see this – sounds fascinating!
Many ways in, no ways out – brilliant – wish I’d written that!
As always, Penelope has offered an insightful, humorous take, this time on reactions to a cult classic. Although this dates me, I remember the excitement that built around what Kubrick might do with King’s best seller. There was lively debate among film aficionados about the “symbolism” in the film. At the time, some folks thought it was a protest against the carnage in Vietnam. Penelope’s blog shows the debate hasn’t slowed down.
Reblogged this on Patrice legoute's website.
[…] Room 237 (2013) […]
I tried to watch this but I couldn’t get into it. The whole idea about alternate meanings really threw me for a loop. Probably because I can’t see why you would make a film based upon a book when really you want to talk about American history or the Holocaust.
Maybe I’m missing something??