Williamsburg resident Will McIntosh is on his way to the a-list of science fiction writers, and Love Minus Eighty is a great entry point to his work.
The title refers to the temperature at which “bridesicles” are kept. In the horrifying, but believable, dystopian future McIntosh imagines, the most desirable women are put on ice at the time of their deaths. It’s possible to revive them, but only the wealthiest individuals can afford the expensive procedures required to bring themselves or someone else back to life. So the women are kept in stasis, revived only briefly by a wealthy client who pulls them into brief consciousness for a speed date in which the woman must make a big impression if she hopes to rejoin the living.
We begin the story with Mira, a woman with a lesbian partner who may still be living, forced to pretend to like the creepy but wealthy men who occasionally come to visit. But her poignant tale is an aperitif to the larger story, which follows several characters whose lives have converged. Rob is a musician whose climb into the wealthy world of the haves ends suddenly. In this future, instead of reality television, people follow the “celebrities” of their choice directly through electronic means, and Rob’s girlfriend dumps him viciously and dramatically in a move calculated to gain more followers. Distraught, Rob runs over a jogger. So begins a downward cycle that he decides he can only stop by working a grueling manual job sorting old electronic components until he can save up enough money to thaw Winter out for long enough to apologize to her. When he does, there’s an odd, awkward connection, and Rob begins saving for another encounter. There’s also Veronika, a virtual dating coach who follows her clients electronically, telling them what to say in real time to make themselves more attractive to others. The irony is that Veronika’s love-life is non-existent, consisting almost entirely of fantasies about Nathan, another virtual coach who views her more as a friend and colleague.
The plot is hard to explain briefly, but easy to follow in the book, as McIntosh finds many plausible ways to keep a great set of characters bouncing off of each other in an ever-deepening sequence of plot twists. McIntosh takes our current world, with the widening gap between the wealthy and poor, our obsession with superficial digital culture, and our technological leaps that are often not grounded in adequate forethought or morals, and follows this thread to its “logical” conclusion. The result is terrifying, but only because it is so plausible. When he stirs in some unlikely heroes and a romance blossoming amid the rubble, you’ve got a captivating novel.
If you like this, consider going on to his other novels, Soft Apocalypse, Hitchers, and Defenders. In a world of speculative fiction series, McIntosh has written stand-alone novels to date, but with movie options on a couple of his books and his creative mind, he’s an author you’re sure to hear more about in the future.
Check the WRL catalog for Love Minus Eighty