When it first arrived in 2008, Tana French’s In the Woods, the first book in her Dublin Murder Squad series, won many awards: the Edgar, Anthony, Macavity, and Barry Awards for First Novel. I’m happy to report that it’s good enough to merit all that praise.
The story concerns two young partners on the Dublin Murder Squad, Rob Ryan and Cassie Maddox. The story is told from Ryan’s perspective. In his childhood, in the 1980s, Ryan and two friends were the victims of a crime near their home in the Dublin suburbs. The three went into the woods on a summer day, and two were never heard from again. Rob was found clutching a tree and unable to remember what had happened. He moved away, made a new life, and has become a relatively normal adult, a police detective hiding an important secret about his past. As the novel opens, over twenty years later, a call comes into the station. Another victim, a young girl, has been found at an archaeological dig near the same woods where Rob’s friends disappeared. Despite the danger to his hidden past, Rob convinces Cassie (who is the only one in the department who knows) that they should take the case.
The story goes two directions, alternating between the investigation into the contemporary crime and explorations of the past. Both are delicate affairs. Family may be involved in the new girl’s death, and political powers want the case cleared quickly so that property development can take place. Rob is fascinated by the possibility that the current crime is connected to his past, but must investigate gingerly for fear of being recognized by elderly and middle-aged locals who might recognize the current detective as the boy left digging his nails into a tree trunk. It’s a complex plot, but French handles it gracefully, presenting a plethora of well-drawn characters and interweaving story lines without confusion.
The relationship between Rob Ryan and Cassie is fascinating. They are professionals, and so close as partners that they haven’t quite registered that there is a romantic spark as well (or at least he hasn’t). But readers will pick up on it, and spend most of the book wondering whether the spark will ignite or the relationship will explode from all the tension.
Each book in French’s series (the fifth entry was recently released, and all have had strong reviews) is told from the perspective of a different member of the Dublin Murder Squad. It’s an approach I haven’t seen used since Ed McBain wrote his 97th Precinct series many years ago. I know that I, for one, will have to go on at least to book two, The Likeness, to hear Cassie’s side of the story.
Check the WRL catalog for In the Woods
Or try In the Woods as an audiobook on CD