In many of director David Fincher’s films, there’s an aura of unease; the sense that what you’re seeing onscreen can’t be trusted and the real story is far more sinister than you’ve been led to believe. In The Game (1997), an investment banker is led down a nightmarish rabbit hole after signing up for a virtual reality game. In The Girl with the Dragon Tattoo (2011), based on Stieg Larsson’s novel, a disgraced journalist uncovers dark family secrets while investigating a mysterious disappearance. A similar sense of unease hangs over his latest film Gone Girl, a dark and haunting adaptation of Gillian Flynn’s equally dark and haunting bestselling novel.
Andrew has already reviewed Flynn’s book, so I will keep the plot description to a minimum. The film opens with Nick Dunne (Ben Affleck) heading to work at the bar he runs with his twin sister Margo (Carrie Coon). It’s Nick and his wife Amy’s (Rosamund Pike) fifth anniversary, but he’s not exactly celebrating. Once successful journalists in New York, Nick and Amy lost their jobs and moved to his hometown in Missouri to help take care of his mother, who was diagnosed with cancer. The move was difficult on a marriage that seemed, to outward appearances, perfect in every way.
Shortly after opening the bar, Nick gets a call from one of his neighbors, concerned that there may have been a disturbance at Nick’s house. Nick arrives home to find the cat outside and Amy missing. Worried, Nick calls the police, who discover ominous signs of a struggle. The subsequent investigation into Amy’s disappearance yields clues that the Dunne marriage had its secrets.
Gone Girl is a twisty and lurid tale that transfers well to film thanks to Flynn’s keen screenplay, a stellar cast, and Fincher’s savvy direction. Flynn preserves the structure of her novel, and the story is told from Nick and Amy’s points of view. The well-edited sequences are aided by great visual cues, like Amy using different colors of ink in her diary to reflect changes in the marriage.
The casting is spot-on. Ben Affleck delivers one of his best performances as a man whose attempts to be seen as the good guy often fall short of expectations. Rosamund Pike brings a cool detachment to Amy that serves her character well. The outstanding supporting performances include Tyler Perry as defense attorney Tanner Bolt, and Missi Pyle as Ellen Abbott, the outspoken host of a television crime show.
Fincher’s direction ties everything together. Gone Girl is long, but the pacing is never sluggish. He starts with the central mystery and uses flashbacks and shifts in perspective to provide the background and context. Music also plays an important role in setting the mood of Gone Girl. The score by Trent Reznor and Atticus Ross is effectively chilling and helps build tension throughout the film.
Taut and well-paced, Gone Girl is the perfect match of director, actors, and source material.
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