In the first decade of the new century, urban fantasy went from a blip on the genre map to a big part of the fantasy fiction market. That success was built on kick-ass heroines modeled after Buffy the Vampire Slayer, quirky casts of characters such as those found in Charlaine Harris’s Sookie Stackhouse series, or glib modern magicians standing in for the classic noir detective, as in Jim Butcher’s Dresden Files series. The novels featured the creatures of classic horror films–vampires, werewolves, and other monsters–and/or the traditions of the English faerie story–the battle of the seelie and unseelie court beneath the noses of regular mortals–all given a modern twist. At the time, these tropes were fun, and fresh, a great variation on the fat doorstops of epic fantasy.
But like any publishing phenomena, the pattern has been repeated so many times that it’s not so fresh anymore. After reading five or six series that follow the same approach, most readers feel like they had been there, done that.
That’s why it’s such a pleasure to see new takes on contemporary fantasy, and Alex Bledsoe has done just that with his novels about the Tufa people of the east Tennessee mountains. Yes, it’s another variation on the fairy courts, but by displacing the fey into the heart of the Appalachians, casting a wounded American woman soldier as the protagonist, bathing the story in mountain music, and putting Hatfield/McCoy-style feuding at the center of conflict, Bledsoe makes something entirely new.
The story concerns Bronwyn Hyatt, a young woman who went into the Army to escape the pressures of a close-knit family, her reputation as a trouble-making girl, and in particular her dangerously wild ex-boyfriend. But now she’s back from Iraq, a war hero with a shattered leg, knowing instinctually that she has to come to grips with her past and find a way to balance her own needs with her family obligation and destiny.
Two outsiders figure prominently. Craig Chess is a young Methodist preacher trying to build a congregation in the midst of people who don’t take to outsiders. There’s chemistry between him and Bronwyn, but that comes with the danger of provoking Duane, the hair-trigger violent ex-boyfriend who doesn’t want to believe that their relationship is over. Don Swayback is a reporter sent to cover Bronwyn’s return who rediscovers his forgotten family history and his own musical gift.
All of this is set in the mysterious Cloud County, a locale where roads seem to disappear or re-arrange for unwanted strangers. Family traditions run deep, with most divided into one of two feuding camps, united only in their dislike of the outside world. Music lovers will love this world, as the magic is intrinsically connected with its playing.
The story continues in Wisp of a Thing, from 2013, and Long Black Curl, due out this year.
Check the WRL catalog for The Hum and the Shiver