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Archive for the ‘Audiobook’ Category

inside the obriensThe O’Briens are an ordinary Boston family. Catholics of Irish descent, they have Sunday supper together every week, and the four early-twenties children still live in their parents’ house. The father, Joe, is a life-long, dedicated Boston cop while mother Rosie raised the children and now works part-time. Into this steady but satisfying existence is thrown deadly, hereditary, debilitating, degenerative Huntington’s Disease.

Lisa Genova’s many fans will be thrilled to learn that she is back with another dramatic and wrenching tale of a family battling a disease. Like Genova’s first book, Still Alice, with its portrait of early onset Alzheimer’s Disease, the disease portrayed here is entirely inherited. Children have a fifty percent chance of inheriting the genes from a gene-positive parent, but gene-positive people will always develop the disease. It is a cruel disease that some people don’t know they have until they get symptoms in their forties.

Huntington’s Disease drives the plot of Inside the O’Briens, but the deeper story is the love, strength and resilience of the O’Brien family. Keep the tissues handy for scenes when Joe is painfully aware of his own disintegration, such as when he stops being able to hug his wife because his chorea (involuntary movements) mean that he might hurt her.

Inside the O’Briens is a must-read for fans of Lisa Genova’s earlier books such as Left Neglected, as well as other compelling, but wrenching, family stories such as The Light Between Oceans.

Check the WRL catalog for Inside the O’Briens.

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The Antagonist, by Lynn Coady

Gordon “Rank” Rankin, Jr., is incensed when he starts to read a novel by a college friend, Adam Grix, whom he hasn’t seen in twenty years, and finds himself unmistakably but very imperfectly portrayed in the novel. He sits down at his computer and fires off email after angry email to his old friend, over a three month period, trying to set the record straight, trying to put into words the events of his life that led to the fateful night in their second year of college when Rank left their circle of friends and never went back.

Rank is particularly incensed that Adam mentions, in the early part of his novel, that the character’s mother had died. “It did nothing,” Rank writes to Adam. “[i]t was just a thing that had happened to this guy – his mom died, by the way. Background information. It’s mentioned once and never again.” Rank is furious that his mother’s death could be portrayed as no big deal.

Rank was always big. His size led those around him to see him more as an intimidating physical presence than as a deeply thinking, caring soul. When he was young, everyone perceived him to be older. Inside the body of a man, his teenage self hadn’t matured into someone who could stand up to those who wanted to use his bulk for their own purposes. His “tiny screaming lunatic” father, hopping around and complaining about the “punks” who frequented his Icy Dream ice cream parlor, got Rank to intimidate older classmates who would, simply by being teenagers, scare off family type clientele.

One of Rank’s punches in the Icy Dream parking lot, when Rank was fifteen, resulted in brain damage to a “smart-ass town punk” he’d known all his life. That moment, when Rank heard the sound of Mike Croft’s head crack against the pavement, was the beginning, he realized later, when the gods started messing with him. His life became like the board game from the seventies, Mouse Trap, where a “series of random plastic doodads” were “set up to interact with one another in frankly stupid and unlikely ways (the boot kicks the bucket, out of which falls the ball, which rolls down the ramp), and at the end of this rickety and dubious process, down comes the mousetrap.”

Rank’s emails to Adam are at times hilarious, but often, and in the long run, downright heart-breaking. Rank can’t escape his body and can’t escape how people react to his bulk. He gets a hockey scholarship to college – based on his bulk and on a letter from his high school coach and social worker, Owen Findlay, the social worker assigned to him after he busted Mike Croft’s head – and still his life seems scripted by uncaring gods playing around to see what he would do. He feels forced to give up that scholarship when he’s asked to butt heads with the opposing team; he will not relive the experience with Croft. He falls in with a group of friends — geeky, frail Adam in particular — with whom he shares stories from his life. He tells Adam about Mike Croft, about his mean little father, about his mother and about her death. He now writes to Adam: “I pulled off hank after bloody hank of flesh and just handed them over and you were so coy, you averted your eyes and pretended to be embarrassed like the rest of them when really you were squirreling away all those hanks and secretly stitching them together and building Frankenstein’s monster.”

We never read what Adam writes back to Rank, but we know he stops replying soon after Rank starts. It’s okay, though. We let Rank write his life’s story to his once-friend, and read the “bloody hanks of flesh” that make up his life. Rank gets it all out, all the anger, all the history. It’s tempered with love, but you don’t notice it until you’re finished and you sit there stunned and almost in tears.

I listened to this book as an audiobook download. The narrator, Macleod Andrews, is a perfect reader for the book. The book itself lacks some of the normal punctuation one would normally expect in a novel, but this is a series of emails – relatively well-punctuated and correctly-spelled emails — but still emails where the tense and voice may change depending on the tone. On second listening, and in skimming the text, I have to say this has become one of my favorite books of all time. It’s probably one of the most entertaining and raw portrayals of a character I’ve ever encountered.

Check the WRL catalog for The Antagonist (Book) and OneClickDigital The Antagonist (Downloadable Audiobook).

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TaleofHilltopFarmWhy does the name Dimity appear only in a certain sort of British cosy?* I have never met (or even heard of) a real person named Dimity but one so-named occurs in Miss Read’s Thrush Green series, the Aunt Dimity series by Nancy Atherton, and Susan Wittig Albert’s series The Cottage Tales of Beatrix Potter (starting with The Tale of Hill Top Farm). I view it as a kind of code. If I read the name Dimity then I promptly make my hot chocolate, put on my dressing gown and slippers, and curl up in my over-sized armchair for a cosy treat.

And for those readers interested in a cosy interlude The Cottage Tales of Beatrix Potter are indeed a treat. Beatrix Potter is of course a real person and Susan Wittig Albert researched her extensively and followed her life events as they are known. Beatrix Potter really purchased Hill Top Farm in the village of Near Sawrey in England’s lovely Lake District and spent increasing amounts of time there away from the overwhelming presence of her parents. But the series is highly fictionalized even though some of it reads as a travelogue as the reader learns about charming Hawkshead, and some reads as a romance as Beatrix Potter’s affection grows for lawyer Will Heelis whom Beatrix Potter married in 1913.

On the shelves of the Williamsburg Regional Library these books have a small purple magnifying glass sticker showing that they are classified as mysteries, although nothing disturbing or gory happens. In The Tale of Hill Top Farm the mystery arises from the death of elderly local spinster Miss Tolliver. Could it possibly have been foul play and is it related to the inheritance of desirable Anvil Cottage? Beatrix Potter has a trained artist’s eye and is soon in the thick of village affairs to solve the mystery.

Fans of Beatrix Potter’s famous books will be thrilled to recognize many animal characters such as Tom Thumb mouse, Mrs. Tiggy Winkle the hedgehog, and Kep the farm dog. Like Beatrix Potter’s famous children’s book creatures, the animal characters in The Cottage Tales of Beatrix Potter can talk, but only to each other as the Big Folk generally don’t understand them. They also wear clothes, use furniture, and Bosworth Badger XVII is even writing a badger genealogy, but like Beatrix Potter’s animals they follow their animal natures in personality and appetite.

The books are nicely rounded out by a map, a cast of characters, a list of resources, and recipes (I highly recommend the Ginger Snaps!).

The Tale of Hill Top Farm is the first in the series that continues on with eight titles, the most recent of which, The Tale of Castle Cottage came out in 2011.

These books are great for fans of cosy British series like Miss Read.
I listened to The Tale of Hill Top Farm on audio and I can only say that narrator, Virginia Leishman, did a lovely job with just the right sort of British voice.

*And “cosy” not “cozy” is most appropriate since they are Very British.

Check the WRL catalog for The Tale of Hill Top Farm.

Check the WRL catalog for The Tale of Hill Top Farm on CD.

 

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whistlingHere’s another fantastic book I read based on my colleague Nancy’s suggestion.  Like her last recommendation, The Supreme’s at Earl’s All-You-Can-Eat, this one takes a look at friendships and race relations in the South.

Starla Claudelle is an impetuous, spunky 9-year-old kid who learns a lot about the world during a two-week adventure in the summer of 1963.

Her mother moved to Nashville to be a country music star when Starla was just 3 years old.  She has vague memories of a beautiful woman with a lovely voice, and her most prized possession is a demo record her mama sent her a few years ago.

Starla rarely sees her dad who works on an oil rig in Biloxi. She is growing up under the care of her grandmother, Mamie, who doesn’t have a lot of patience with Starla.  Maybe Mamie is just worried that Starla won’t grow up into a proper young lady without the restrictions and high demands, or maybe she’s just got a mean streak…

After losing the privilege of attending her favorite holiday festivities because she was defending a younger girl against a bully, Starla decides to sneak out for the 4th-of-July parade and get her share of candy. When she is caught by one of Mamie’s friends, Starla reasons that she might as well run away to Nashville and live with her famous mother instead of staying in Cayuga Springs and being sent to reform school.

There aren’t many cars on the road on the holiday, and Starla is beginning to rethink her impulsive action when a black woman pulls up and offers her a ride.  You know from the start that Eula doesn’t believe Starla’s story about why she’s on the road alone, but Eula takes her home anyway and eventually helps her get to Nashville to find her mother.

Through the course of the story Starla learns about kindness and meanness, justice and injustice, truth and lies. And the reader learns it, too, through her eyes.

I loved the way the reader, Amy Rubinate, handled the narration of the audiobook.  I particularly enjoyed Eula’s voice – soothing and calm. I looked forward to hearing what she had to say, especially after hearing Starla go on about something she was upset about. Rubinate received AudioFile’s Golden Earphones Award for her work on this book.

When I got nervous that Starla was going to get in a heap of trouble, what Starla referred to as getting a “red rage,” I had to turn off the CD and pick up the book.  It sounds silly, but I cared about the characters too much to listen to something bad happen to her or Eula.  And no, I won’t spoil the story by telling you whether my fears were unfounded.

I’d recommend this one to book groups looking for a something like The Help or as Nancy suggested, The Sweet By and By. There is a lot to discuss about friendship, family and racial tensions. A reading group guide is available online at the publisher’s website.

Check the WRL catalog for Whistling Past the Graveyard

Check the WRL catalog for the audiobook of Whistling Past the Graveyard

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Life ItselfIf you discovered movies as I did, coming of age in the late 70s and early 80s, then you probably also had a love/hate relationship with Siskel and Ebert. Delivered from a darkened theater balcony, first on PBS and then in syndication, their television reviews brought us news of the latest films, but both critics could infuriate us with a snarky comment or an inappropriate thumbs up or thumbs down. While other great film journalists had come before them, Siskel and Ebert brought criticism into the mainstream of American culture.

As a young film buff, I was never a huge fan of the reviews, but over the years, I couldn’t help but come to respect the two, both because they were passionate advocates for film and because both battled premature health problems nobly before succumbing to too early deaths in 1999 (Siskel) and 2013 (Ebert). Before his death, Ebert wrote a memoir, Life Itself, which is destined to become a classic of the form.

Life Itself follows Ebert from his youth in the 40s and 50s, through his rise in the world of Chicago journalism, into his battles against alcoholism, his surprising journey into television and fame in the film world, the blossoming of a late-life marriage, and his struggles with the cancer that took first his jaw and ability to speak, and ultimately his life.

This is a book that even those who don’t care much about film will find worthwhile. Ebert approached life with self-effacing humor and a healthy sense of his own good fortune. Running in circles of big egos and beautiful people, Ebert was full of a sense of his own abilities, but also with a sense of humor about his own shortcomings. He was a regular guy with a great journalistic talent who made the most of the opportunities life gave him, and over the course of his autobiography, you’ll come to appreciate his quirky outlook, his work ethic, and the way in which he learns from his experience. Life Itself is full of charming diversions: Ebert isn’t afraid to spend a few pages describing the merits of his favorite fast food restaurants or London streets. He weaves other familiar names into his narrative but always in a bemused way that can’t help but make you grin. His descriptions of the most important relationships in his life —his difficult mother, his rivalry with and deep respect for Siskel, and his connection and love with wife Chaz Hammelsmith — are each moving in a different way.

Try Ebert’s book and you too will end up with a greater respect for an unusual man and for Life Itself.

Check the WRL catalog for Life Itself

Or try Life Itself as an audiobook on CD

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signatureAlma Whittaker is born into a life of privilege just outside of Philadelphia, PA in 1800. Her mother is a wealthy, practical, highly educated Dutch woman. Her father is an uneducated, unrefined Englishman who rose from poverty to become one of the wealthiest men in the United States. Together they raise Alma as a highly educated, practical, scientific, and lonely woman. Both fiercely independent in her thinking and loyal to her family, Alma continues in the family trade of botany with her own unique focus of studying mosses. Alma doesn’t sound too interesting, does she? Don’t be deceived.

Alma both anchors and drives The Signature of All Things and as a reader I was vested in her well-being. However, this book is so much more. It is a book about science and faith. It is a glimpse at history in England and the United States in the seventeenth and eighteenth centuries. It is a fascinating travelogue of Tahiti and adventurous ocean voyages. It is a story of how the world can change so quickly and so slowly all at the same time. It is a story about love, grief, and personal growth. It is a story that is well worth the time to read and moves so swiftly you’ll wonder how you breezed through 499 pages (or listened to 18 discs) so quickly.  I’ll admit that in the middle of the book the plot took a turn that I didn’t expect, and I almost quit reading. I wondered how anything could possibly be resolved in a satisfactory way. But if you persevere, it will all come together, just have a little faith.

Juliet Stevenson narrates the audio version of The Signature of All Things, and her narration brings to life the myriad of characters with authenticity. The characters had distinct voices, and the animation in her voice made you feel like you were right in the midst of the vigorous debates that take place in the novel. I loved her accents and especially appreciated how well she brought the men to life without making them sound too feminine or artificial. Whether you read or listen to The Signature of All Things it will be an experience that you are sure to enjoy.

Check the WRL catalog for The Signature of All Things

Check the WRL catalog for The Signature of All Things audiobook on compact discs or downloadable audio.

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CallTheMidwifeCall the Midwife is a fascinating mix of social history and medical memoir, as well as a vivid portrait of a time and place, but that description (glowing as it is) hardly does justice to a book that made me laugh out loud one minute and sob in sorrow the next, and even look forward to my commute so I could enter the book’s world and hear what happened next.

Jennifer Worth (known as Jenny) was a young nurse in the 1950s and she became a midwife with a order of nuns in the slums of the East End of London. Her memoir was published in 2002 so, from the distance of five decades she is in a good position to talk about how medicine and the world have changed. Some of the changes are bad, like the breakdown of families that she has seen among poor people in London, but so many things changed for the better, like medical knowledge and standard of living (plumbing for one thing!). When she started as a midwife most births were at home, attended only by a midwife and as a 23-year-old nurse who was often the only professional present. This was a great step up from no antenatal or birth care, which she says was common prior to 1950 for the poor people of London.  If you are squeamish, this may not be the book for you: many births are described in detail. A glossary of medical terms is included at the end to help the uninitiated.

The humor throughout comes from the hijinks of young nurses and foibles of the nuns, several of whom had nursed through World War I. Worth expresses deep sorrow at the devastating conditions of the workhouse or the fourteen-year-old Irish runaway who is manipulated into working as a prostitute. Jennifer Worth is a memoirist who doesn’t put herself at the center of her story, but tells the stories of others who she came to as an outsider: a non-Catholic living with nuns and a middle-class woman among the Cockneys. She always strives to understand their lives on their terms, rather than imposing her views and even creates a 14-page appendix “On the difficulties of writing the Cockney dialect.” Her talent is capturing the diverse characters on the page, and making the reader care about them.

This book should appeal to watchers of Downton Abbey for the historical domestic British connection. For those like to hear about the lives of real and everyday people it will grab readers of Below Stairs, by Margaret Powell; Nella Last’s War, edited by Richard Broad and Suzie Fleming; or a new book, Minding the Manor: The Memoir of a 1930s Kitchen Maid, by Mollie Moran. I also recommend it for anyone who is interested in memoir, medical history, women’s lives or social problems.

Check the WRL catalog for Call the Midwife.

Check the WRL catalog for Call the Midwife on CD read wonderfully by Nicola Barber.

I haven’t had a chance to view the BBC series adapted from the book, but it has great reviews, so it is on my list. Check the WRL catalog for the BBC adaptation of Call the Midwife.

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