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Archive for the ‘Memoir’ Category

The World's Strongest LibrarianI’ve read several librarian memoirs. For the most part, they didn’t capture my profession as I experience it.

I’ve read many inspirational stories of overcoming health problems, and for the most part, they seem either to be self serving, to promote some hidden agenda, to be laden with false cheeriness, or just to fail to capture the experience in terms that others would understand.

And finally, I’ve ready many descriptions of growing up in the Mormon faith, and they either haven’t matched my experience, or again, have been tainted by  hidden agendas.

That’s why I found it remarkable that Josh Hanagarne’s memoir, The World’s Strongest Librarian: a Memoir of Tourette’s, Faith, Strength, and the Power of Family, proved successful on all three fronts. Hanagarne grew up in a somewhat unusual but loving family, but he encountered an obstacle early in life, when all of the tics associated with Tourette’s Syndrome began to manifest in him.

The book is the story of his family life, his many struggles to keep his illness in check, and how his connection to his religion, his discovery of an occupation in librarianship, his love of weightlifting, and his relationships with his parents and wife all helped him in his struggle. Each chapter begins with a story from his library work, then follows the strand of that experience to connections in the rest of his life and personal history. It’s an odd construction, and an odd combination of personal traits, but Hanagarne makes it work, and in the process really captures the daily experience of working with the public in a library.

This is the kind of story that could easily become maudlin, but Hanagarne’s easy use of humor, finding laughs in the most embarrassing of situations, overcomes any note of false sentiment. He’s also refreshingly honest, willing to embrace life’s contradictions, his own failures, and his moments of doubt. This combination of humor and honesty left this reader with a strong sense that Hanagarne would be a great acquaintance: insightful, but not so stuck in his own experience or so full of himself that he couldn’t admit when he didn’t have the answer. Those are great qualities for a memoir writer, and Hanagarne shows them plentifully.

Check the WRL catalog for The World’s Strongest Librarian

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TheBestThis memoir is the third in a series written by Chris Jericho. The full title, The Best in the World: At What I Have No Idea, gives a sense of the many facets of the author. He does lots of things. In addition to performing in the ring, Jericho is a musician, actor, dancer, comedian, showoff, father, and husband. Like his previous books, A Lion’s Tale and Undisputed, Jericho regales his readers with his adventures and misadventures, chronicling the highs and lows during the past few years.

First and foremost, Chris Jericho is a professional wrestler. His career spans more than two decades. Since 2010 he’s helped create some of the most entertaining wrestling angles (storylines) in history. In The Best in the World, Jericho highlights his recent wrestling “feuds” with Shawn Michaels, Ricky Steamboat, and CM Punk. He recounts his altercations with Mike Tyson and Mickey Rourke, being fined for various in-ring antics, and becoming world champion no fewer than three times. His ability to capture an audience’s imagination makes him among the best professional wrestlers everrrrr.

A consummate self-promoter, Jericho not only uses The Best in the World to playfully plug his previous books and his many wrestling successes, he also uses this latest memoir to showcase his life outside of the squared circle. Jericho has a passion for heavy metal music, and a significant portion of this book talks about his career as a musician, touring with the band Fozzy. When not working for World Wrestling Entertainment (a.k.a. WWE), Jericho sang lead vocals with his band. Fozzy toured Europe, played music festivals, and cemented their fan base. Within the heavy metal world, Jericho stood in awe of the top tier acts, always striving to improve his performance and be the best in the world.

When he was not singing or wrestling, Jericho became a household name as a competitor on Dancing With The Stars (DWTS). He notes the experience was physically and mentally exhausting. He didn’t win DWTS and basically admits he was not the best dancer in the competition. Still, he suggests he was robbed and should not have been eliminated when he was.

Although Jericho takes his endeavors seriously, he nearly always pokes fun at himself. He knows he is a living caricature. He is extremely self-confident, yet quick to admit missteps he’s made along the way. Jericho’s stories can be funny, although they are sometimes a bit disturbing. More often than not his errors are compounded either by too much alcohol or too quick a reaction (Jericho’s temper comes out more in this memoir than in the previous books). Despite his flaws, Chris Jericho may well be the best in the world at something. When he figures it out, he will be the first to let us know.

Check the WRL catalog for The Best in the World

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girlThroughout their 30-year history, the band Sonic Youth won critical acclaim for their distinctive dissonant, guitar-driven sound. Led by the husband and wife team of Kim Gordon and Thurston Moore, the band enjoyed commercial success in the early ‘90s with the release of Goo (1990), featuring the single “Kool Thing,” and as a headlining act with the 1995 Lollapalooza festival.

Sonic Youth continued to release records and tour until the announcement in 2011 that Kim Gordon and Thurston Moore were divorcing after 27 years of marriage. Fans were shocked. How could a marriage and musical partnership that seemed solid dissolve so suddenly and publicly? Kim Gordon offers thoughtful, well-balanced insight into her career and personal life in her candid memoir, Girl in a Band.

Gordon opens with Sonic Youth’s final concert at the SWU Music and Arts Festival in Itu, São Paulo, Brazil. A month prior to the show, Sonic Youth’s record label issues a press release announcing Gordon and Moore’s divorce. While the band members try to remain professional as they complete their South American tour, the tension is evident. Gordon observes that for a couple and a band who embraced artistic and musical experimentation while maintaining a stable family unit, the end was “another cliché of middle-aged relationship failure—a male midlife crisis, another woman, a double life.”

Gordon’s path to musical success was a bit unconventional. The daughter of a sociology and education professor at the University of California, Los Angeles (UCLA) and a homemaker, she grew up interested in visual arts, eventually attending York University in Toronto, Canada and the Otis Art Institute in Los Angeles. She had one sibling, an older brother named Keller. Of all the relationships Gordon discusses in her memoir, her relationship with Keller is the most complex. Growing up, Gordon adored her brother, despite his constant teasing, which occasionally turned cruel. After a troubled adolescence, Gordon and her parents learned that Keller suffered from paranoid schizophrenia. According to Gordon, Keller and his mental illness “shaped who I was, and who I turned out to be.”

Gordon moved to New York in 1980, intending to become part of a thriving art scene that included Cindy Sherman and Jean-Michel Basquiat. I’m more familiar with Kim Gordon’s music than her art, and I especially enjoyed reading her recollections of the New York art world in the late ‘70s and early ‘80s.

Gordon was asked to write an article about music, and she chose to focus on the onstage interactions between men. Her article was well-received and inspired her to start making music herself. After meeting Thurston Moore, they formed a band that eventually became Sonic Youth. Their early years were a bit of a struggle as they balanced day jobs with the process of recording, touring, and developing an audience. From the beginning, Sonic Youth had a distinctive musical and artistic aesthetic that carried over into fashion in 1993 when Gordon co-founded the clothing line X-Girl with Daisy Cafritz.

Rather than delve into the minutiae of every Sonic Youth song or album, Gordon focuses her discussion of Sonic Youth’s music on songs and albums that are especially meaningful to her. Along the way, she includes fascinating stories and anecdotes about the musicians she toured or worked with, including Public Enemy’s Chuck D and Nirvana’s Kurt Cobain.

Told in short, fast-paced chapters, Girl in a Band is an engaging memoir and an entertaining account of an influential period in American alternative music.

Check the WRL catalog for Girl in a Band.

 

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AsUWishFor many people it is inconceivable to not feel a true love for the giant movie The Princess Bride. This memoir, authored by the Man in Black himself (a.k.a. Westley, the Dread Pirate Roberts, and Cary Elwes), is a tribute to the people who took William Goldman’s The Princess Bride from page to screen. If ever you told someone to “have fun storming the castle,” introduced yourself as Inigo Montoya, or whispered “as you wish,” this book is for you.

While Elwes takes center stage through the telling of how they made The Princess Bride, he dedicates much of the book to heaping laudatory remarks on those with whom he worked. Again and again, Elwes writes about how wonderful it was to make the movie with these people. Robin Wright was perfect in every way. Mandy Patinkin brought a competitive spirit that made everything better. Billy Crystal and Carol Kane, only on set for three days, were extraordinary. André the Giant (and this has been corroborated by many others) was the sweetest, kindest, gentlest giant who ever walked this Earth. Elwes unleashes unreserved praise and adulation for director Rob Reiner.

Among the entertaining features of As You Wish are the commentary boxes. Throughout the pages are brief observations from Elwes’s colleagues relating to whatever topic is being written about at that point. The reader gets to hear from Wright, Reiner, Patinkin, Shawn, Guest, Crystal, and others about their experiences on set. For anyone who has enjoyed one of the greatest on-screen fencing scenes ever filmed, Elwes dedicates a whole chapter to how he and Patinkin trained for it. Elwes wants the reader to understand that the beauty of the movie is largely a result of the beauty of those who made it (although he also is quick to state that the book and screenplay are brilliant).

For anyone not familiar with The Princess Bride, “as you wish” is synonymous with “I love you.” Given how Cary Elwes waxes poetic about the delightful experiences of making the movie, the phrase is apropos. He loved everything about The Princess Bride except the food and the weather. After reading As You Wish I felt a strong urge to re-watch the movie. If that is the case for you, be sure to check it out from the library.

Check the WRL catalog for As You Wish

Check the WRL catalog for the movie, The Princess Bride

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PioneerLaura Ingalls was my first heroine. Despite her tales of crop-destroying grasshoppers and bitter winters and wolves howling outside her door, there was something in her spare, vivid writing that made me want to live in a log cabin in the Big Woods of Wisconsin.

Pioneer Girl is a handsome volume, compiled with love and scholarship by the South Dakota Historical Society Press. It presents Laura Ingalls Wilder’s first, handwritten memoir, which was later reworked by the author and her daughter, Rose Wilder Lane, into the beloved “Little House” series.

Many of the episodes will be familiar to readers who followed the Ingalls’s westward migration from Wisconsin to De Smet, South Dakota. Other incidents, memorably the death of a nine-month-old baby brother, never made it into the children’s series.

The manuscript has been annotated with microscopic attention to detail, cross-referencing Wilder’s recollections with census records, land records, old family photographs, and news articles. Footnotes sift fact from fiction and fill in some historical context: why were Indians hanging out in Ma’s kitchen, helping themselves to the food? Because the Ingalls were homesteading illegally on land still belonging, by treaty, to the Osage tribe.

You may not need to know the exact species of leech from the infamous incident in which Laura led her nemesis, Nellie Oleson, into the bloodsucker-infested waters of Plum Creek (Erpobdella punctata). You may not want to know that Nellie Oleson herself is a fiction, a composite character made into a villain to give the narrative a stronger structure. (Life, so frequently, lacks a strong narrative structure.) But if you are interested in these details, or in the process by which a novel is made out of memories, then this is a worthwhile book to browse through on a cold winter day.

Check the WRL catalog for Pioneer Girl.

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marchCongressman John Lewis has spent almost the entirety of his life fighting for justice and civil rights in America. March is a trilogy that brings to life his experiences and struggles in a deeply personal account that is both inspiring and riveting. The first volume was published in August 2013, and the second was just released in January 2015.

The story bounces back and forth in time between the inauguration of President Barack Obama and Congressman Lewis’ own history, starting when he was a young child in Alabama, the son of a sharecropper. This serves as an effective juxtaposition between how far African-Americans have come and where they were just a short lifetime ago. Congressman Lewis weaves his narrative adroitly, using stories like his experience being in charge of his family’s chicken coop to build a foundation for his ongoing dedication to non-violence. His eagerness for education sometimes chafed against the needs of his family’s farm, but Lewis pressed on in his quest for learning. Along the way, he also got an education on the social injustice that tried to keep the worlds of blacks and whites separate.

Early on, his path crossed with the older, more established Dr. Martin Luther King, Jr. The reader knows what the young John Lewis does not: that this initial meeting is between two men who will become icons. This part is intentionally quiet; the reader silently follows Lewis on the journey to King’s church for the meeting, feeling their nerves get tighter and tighter in anticipation along with the narrator’s. It is an exceptionally well-executed scene.

Lewis eventually joins a local pacifist group committed to non-violence in their quest for desegregation. A larger group, the Fellowship of Reconciliation, had published a comic book called Martin Luther King and the Montgomery Story which helped serve as guidance and inspiration for their work. Although this item is no longer available in print, it is obtainable in full-text online through Stanford University’s Martin Luther King Jr. Papers Project. As an avid reader of graphic novels, this was a fascinating piece of literary history.

Nate Powell is a talented illustrator and took up the daunting challenge of depicting major historical figures with particular sensitivity. He is a previous winner of the Eisner Award for his book Swallow Me Whole and his work is always worth a look just on its own merits. March, was named a Coretta Scott King honor book in 2014 for co-authors John Lewis and Andrew Aydin.

Recommended for readers of American history, social justice, African-American history, and biography.

Check the WRL catalog for March, Book One.

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handI work on a public service desk, so I see lots of people from all walks of life and economic classes. When they ask for computer help, or to use the phone, it is impossible not to see or hear what they’re doing. (The cardinal sin of librarianship is denying them service based on those observations.) But when I hear someone reeking of cigarettes negotiating a payday loan, or see a woman with a toddler and a baby bragging about her sexual adventures on Facebook, it’s hard not to mentally question their choices. Linda Tirado has given me 191 pages of smackaround for my presumption in asking those questions.

Tirado came to international attention when her essay on the bad decisions many poor people make went viral. Based on that attention she was able to get a book deal to expand on the post, and to share the experiences of other people she knows. Those people might as well be the ones I see coming in the door of the library, because they face the same problems: minimum wage jobs where they rarely get 40 hours, second jobs that frequently conflict with the first, unreliable cars, uncertain housing, lack of resources or time to buy and cook fresh food, and difficult choices about prioritizing the little money they earn.

So why do poor people smoke? Wouldn’t you, if it cut down on hunger, gave you a jolt of energy, and allowed you some break time at work?  Why do poor people live in such lousy housing? Wouldn’t you, if you had to come up with first and last months’ rent plus a security deposit on a place that goes for more than a few hundred bucks a month? Why do they pay sky-high interest rates on short term loans? Wouldn’t you, if your car broke down and it was still a week until payday? Why are they so poor at planning for the future? Wouldn’t you be if a supervisor, a manager, a district supervisor, and corporate policy all dictated when you could go to the bathroom?

Our prejudice towards the poor is enshrined in our public policy, which begins with an automatic suspicion that poor people can be divided into the worthy poor and those who are to blame and ought to pay the price.  And I’d bet you couldn’t get 10 regular people, much less the 21 senators, 51 delegates and 1 governor in Virginia to agree on who is worthy. Tirado’s writing is conversational and often funny, but her humor doesn’t negate the anger in her voice when she talks about those policy-making individual and political prejudices. And her name couldn’t be more perfect for this book – it’s a cross between a tirade and a tornado, demanding that we listen and pay attention.

Check the WRL catalog for Hand to Mouth

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veniceIt’s the dream of a lifetime for so many – pick some wonderfully historic city or region and move there for an extended time. Live elbow to elbow with the locals, find the hidden restaurants and best shops and become one with the people who lived there since the city was founded. Learn the byways and hidden jewels and play host to the friends who visit you bearing their not-so-secret envy.

That’s what Polly Coles thought she was headed for when she and her partner packed up their four children and moved from England to Venice. Ahhh, Venice, Queen of the Adriatic, hub of world trade, cosmopolitan, her ancient canals filled with … human and animal waste, garbage, enormous cruise ships, and lollygagging tourists taking all the seats on the vaporetti. A city not designed for moving your household unless you have both Atlas and Charles Atlas to carry your valuables. And when the seasonal high tides (the acqua alta) come in, your wellies had better come over your knees or you’ll be slopping through who knows what.

Perhaps worst of all is the attitude of the Venetians. There is a definite pecking order, starting with the people whose families have lived there for hundreds of years, to the newcomers who’ve only been there around a hundred years, to the people who live there but weren’t born there. Bottom of the heap, of course, are those who are only visiting for a few hours.  On the other hand, there is an egalitarianism within the city itself – rich or poor, you have to walk the streets to get anywhere, and the woman in the subdued colors next to you might be a Baroness. (When you go out to the Lido, where all Venetians holiday, it’s another story. A beachfront capanna goes for around $20,000 for the season, or you can go in with your neighbors for around $7000. And the beachgoers know exactly where everyone belongs.)

There are also other currents in the social stream, including the foreign workers who commute from the mainland to the beggars who crouch humbly on the pavement and wait for alms. Coles makes an effort to understand these people, and does a wonderful job portraying the tragedies and small victories of their lives. She also delves into the culture of the common spaces, precious in a place that can’t grow outward or upward, and to the fabulous interiors hidden behind fortress-like walls and doors. And forget Carnival. Real Venetians have a much more varied festival season to mark the long history of the city, including a thanksgiving for deliverance from the Black Plague which killed 50,000 people.

There are some shortcomings: Coles frequently talks about the Venetian dialect, which is different enough from “standard” Italian to make it difficult for non-natives, but she never really explains the difference. She also repeats some of the regular complaints about tourists, which can start to grate on the reader. But her strengths shine through, from her description of the obstinate bureaucracies to some beautiful descriptions of the setting and the residents. She also follows the debate about who is a “real” Venetian, and comes to an insightful answer. Still, it makes me rethink wanting to go to a place that has become a caricature of itself, at least until I can worry about where to hang my laundry.

Check the WRL catalogue for The Politics of Washing

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good bookIn a recent Gallup survey, 75% of the respondents said that the Bible is the inspired word of God; about half of those said it was literally the word of God.  However, even the most generous estimates are that perhaps 10% of Americans report reading the Bible cover to cover. (I’d be willing to bet that some of those who said they did were violating the Eighth or Ninth Commandment.)

Regardless of your motive, reading the entire Bible (and Plotz, a nonobservant Jew, limited himself to the Old Testament) is a taxing and enlightening project. 26 books filled with the movements of a nomadic people constantly fighting with their neighbors,  begetting generation after generation, and laying down precise rules about who and what could actually approach God can get pretty tiring. Besides, your Sunday School teacher or Hollywood took the important parts and left all the rest behind, right?

One of the first things Plotz discovers is that those stories aren’t quite as straightforward as most people would like to think. Two versions of the creation story? A parade of liars, cheats, dastards and worse as the Lord’s Chosen?  Wrathful and genocidal zealots committing mass murder in His name? And that’s just the first book.

It gets worse as God continually writes and rewrites the Covenant, punishes the innocent and gives passes to the guilty, and accepts child sacrifice in violation of His own law. When the Israelites come into their own in Canaan, the fun really starts. Instead of a land flowing with milk and honey, the Israelites created a land flowing with blood. (That’s according to the Bible – it’s highly unlikely that the area could have supported the hundreds of thousands of Canaanites and Israelites cited in the various stories.)

The best part of the book is that Plotz doesn’t indulge in exegesis. He’s not qualified, as he himself says. Instead, he gives a chapter-by-chapter (OK sometimes he groups chapters together when they’re related) account of the Bible as he’s reading it. His tone varies from flip to bemused to outraged to wonder-filled as he works his way through the stories, poetry, inspiration and contradictions of a book which has provided continuity to the Jewish people and has influenced Western history for 2000 years.  But he also finds that knowing how the stories fit together equips him to continue a tradition of doubting and challenging a world where righteousness is no guarantee of happiness or even survival.

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mayesFrances Mayes nurtures a sense of home wherever she travels and writes, frequently envisioning herself buying the rented house and settling in even while just visiting. Literal homes seem to blend and expand with a myriad of temporary residences as she reflects upon flavors, tastes, scents, scenes, poetry, cultures, and histories. She and husband Ed explore a rich variety of exotic as well as ordinary destinations, sweeping a wide radius from their Tuscan epicenter through a European, Mediterranean, Asian, and African playground.

Everything I pick up seems to lure me away. … A desire to go runs through me equally with an intense desire to stay at home.

The memoir hints that this year’s travel in the world is a means for Frances and husband Ed to escape the dust and chaos of the ongoing contracted work at their perpetually-being-restored ancient Tuscan home named Bramasole. Or maybe it’s the growing sense of danger, with the possibility of random violence invading their domicile in northern California that pushes them away from home.

I didn’t know how deeply refreshing the landscape could be. The place does seem familiar, perhaps at a genetic level, but in a a nourishing way. Or maybe I’m just familiar with these friends, and when one is at home with friends, the surrounding world becomes friendly, too.

Whether traveling with newly made friends or rendezvousing with dear old friends, Mayes reflects on their friendships and fond memories, predicting potential relationships with new acquaintances or expressing relief that she won’t have to sit next to such boors as some of the cruise ship passengers at each meal. I found her most humorous when describing the absurdities of cruise ships and their tendency to transform passengers into cattle, driven through crowded tourist traps. Mayes’ first choice for travel is definitely not the cruise, preferring to rent homes and literally plant roots for a while in one village.

My early impressions of A Year in the World were tainted by my annoyance with what seemed constant obsession with food, especially meat and meat by-products, all forms of dairy and excessive indulgence in pastries on the part of Ed. I could assume he is quite rotund, despite his apparent energy and enthusiasm for daily excursions, even long strenuous walks in extreme heat such as their daily hikes to see the architectural and earthly wonders along Turkey’s Lycian coast. Could they possibly eat such meals while at home and shouldn’t they be more cautious with regard to health? My perspective did begin to soften once I reached the chapter on the British Isles—as they romped through English garden after English garden, I became so interested in garden tours. I love, and now wish to adopt, their habit of taking notes for use in the improvement of their home veggie, fruit, and flower growing techniques and varieties of plants. She describes serendipitous moments, such as finally coming across roses similar to a mystery species thriving in their Tuscany garden that was inherited after 30 years of neglect.

The book comprises about a dozen or so travel essays. Each may be dipped into separately or in sequence, yet it’s not the type of book you’ll read straight through. I started it months ago and picked the book up for just a chapter or two at a time, escaping to fascinating travel spots such as Andalucia, Scotland, and Mani. Mayes’ brief yet insightful reviews of books she travels with tempt me to add her inspired selections to my personal reading list. You may find it surprising that the title belies the format; you’ll seldom be aware of the month or year of her travels, and it’s never clear whether each of these trips occurred within a single year. That doesn’t matter, since you will be mesmerized by the poetic and lyrical way in which she transports you to a place and a moment, enveloping you in her experiences.

Check the WRL catalog for A Year in the World.

WRL also owns this title as an e-book.

 

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Children are from HeavenMore than any other parenting book that I read and used while raising my now teens and young adults, this classic title made the most impact on my family’s life. Because of communication techniques learned from John Gray, my children commonly ask, “Mom, what may I do to help you?” Better yet, I often return home to find delightedly that the dishes are washed, the laundry done and put away, and the floors vacuumed or swept without even having asked the children to do it! They have learned to observe what needs to be done and to proceed to take ownership of the task. A household then becomes more efficient much in the same way a business may foster efficiency through employee ownership. Furthermore, I have found that my children love to be of service to other individuals and organizations without expectation of rewards or reciprocation, just for the joy of giving their time and effort for the benefit of others.

Something very significant in child rearing can be achieved simply by respecting kids’ opinions and viewpoints in the manner you would like to be treated, accepting who and what they truly are, listening to them well, and regarding them as innately benevolent beings who want to behave well and do the right things in a positive atmosphere. Most people realize that negative parenting can harm kids and may only achieve temporary control over children who learn to anticipate the age of 18 with a vengeance so that they can finally live the life they want! On the other hand, Children are from Heaven helps parents guide children toward a better quality of life and healthy relationships through encouragement, clearly described expectations, and positive statements that never shame, order, or demand in unreasonable tones. Children just cannot bear yelling without slipping toward rebellion. They’d truly rather be in your good graces.

A great example of how Gray’s book can help parents to elicit cooperation from their kids: “Ask but do not order.” This translates to avoiding a command such as “Don’t leave that there” by replacing it with a more positive request such as “Let’s now put our things away. Would you please put that away?” Instead of demanding, “Stop talking,” to gently say, “Let’s be quiet and listen to your mother. Please stop talking,” elicits a more enduring and peaceful compliance. Little by little, this style of communication becomes highly effective. Gradually, you discover that you no longer have to ask for good behavior as often; you simply witness it in action and will be praising your amazing children frequently! You find that this sort of gentle guidance works to develop children who begin to think on their own about how to live more peacefully and helpfully without waiting to do what they are told.

John Gray, a very experienced family counselor, happened to become a father and shares examples from the challenges of raising his children. The lovingly effective communication techniques he applies to parenting utilize much of the same psychology found in his bestselling marriage and relationship book, Men are from Mars, Women are from Venus. In fact, using some of the advice I read in Children are from Heaven proved quite effective in improving communication with my spouse too! There are a few tricks found here that really work well when you have a “honey-do” list and want life-changing results. I am confident that this parenting book can help you to realize the great joys of parental involvement and to enjoy a higher quality relationship with your precious children.

Check the WRL catalog for Children are from Heaven

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salingerToday’s review is from Mandy.

Author Joanna Rakoff recounts the year she spent working as the assistant to J.D. Salinger’s literary agent in her new memoir, My Salinger Year.

Rakoff’s memoir opens in late 1995, when she decides that she’d rather write her own poetry and not “analyze other people’s poetry.” After making that fateful decision, she leaves her college boyfriend and drops out of her graduate program in London, England, and returns to New York, where she moves in with an aspiring writer named Don. A chance encounter with a friend of a friend at a Christmas party leads to a referral to a local placement agency. Rakoff visits the agency and soon lands an entry-level job as the assistant to a well-established and well-respected literary agent.

She is unfamiliar with the Agency, as she refers to it throughout the book, but she’s quickly enchanted by the peculiar and archaic office atmosphere. At a time when computers, email, and the World Wide Web were becoming ubiquitous, the Agency still relied on Selectric typewriters and Dictaphones, and kept submission records on pink index cards. Rakoff’s early assignments are unremarkable, consisting mainly of transcribing her boss’s letters to clients and publishers. Then comes the day when her boss tells her, “We need to talk about Jerry.” Jerry is a special client who fiercely guards his privacy. Joanna’s boss warns her that she will receive calls from students and reporters or producers trying to speak to Jerry or secure the film rights to his work. Joanna is admonished that no matter how persuasive the caller is, she must never give out Jerry’s address or phone number. At first, Joanna thinks that “Jerry” is the comedian Jerry Seinfeld, but on her way out of her boss’s office she spots a bookshelf containing The Catcher in the Rye, Franny and Zooey, and Nine Stories and realizes that her boss represents the reclusive author J.D. Salinger.

Although Joanna was familiar with Salinger’s work, she had never actually read any of his books. Over the course of her year at the Agency, she not only falls in love with Salinger’s work, she also becomes fascinated by the letters Salinger receives from fans around the world, including a teenage boy from Winston-Salem, N.C., whose letters mimic the narrative voice of Holden Caulfield; a World War II veteran from Nebraska; and a girl whose teacher tells her she’ll raise her failing grade if she writes to J.D. Salinger and receives a response from him.

In addition to handling Salinger’s correspondence, and the occasional phone call from Salinger to her boss, Joanna also becomes involved in a curious chapter of Salinger’s publishing history. In 1996, much to the surprise of his agent, Salinger agreed to let Roger Lathbury, a professor and owner of a small publishing house called Orchises Press, publish his short story Hapworth 16, 1924 as a stand-alone book. Salinger developed an instant rapport with Lathbury, and publication of Hapworth was scheduled for January 1997; however, the deal fell apart as quickly as it came together.

Rakoff’s narrative deftly balances descriptions of the Agency and the publishing world of the late ‘90s with her own experiences as a young adult adjusting to life after college and her first real job. Her longtime friends are getting married and moving out of the city; she’s dealing with the fallout of leaving a secure relationship for one that’s a bit more tumultuous; and she’s also learning about the limits of an entry-level salary once you factor in student loan repayment and credit card bills.

Fast-paced and often poignant, My Salinger Year is an engaging look at first jobs, the publishing industry, and the powerful lure of literature.

Check the WRL catalog for My Salinger Year

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CallTheMidwifeCall the Midwife is a fascinating mix of social history and medical memoir, as well as a vivid portrait of a time and place, but that description (glowing as it is) hardly does justice to a book that made me laugh out loud one minute and sob in sorrow the next, and even look forward to my commute so I could enter the book’s world and hear what happened next.

Jennifer Worth (known as Jenny) was a young nurse in the 1950s and she became a midwife with a order of nuns in the slums of the East End of London. Her memoir was published in 2002 so, from the distance of five decades she is in a good position to talk about how medicine and the world have changed. Some of the changes are bad, like the breakdown of families that she has seen among poor people in London, but so many things changed for the better, like medical knowledge and standard of living (plumbing for one thing!). When she started as a midwife most births were at home, attended only by a midwife and as a 23-year-old nurse who was often the only professional present. This was a great step up from no antenatal or birth care, which she says was common prior to 1950 for the poor people of London.  If you are squeamish, this may not be the book for you: many births are described in detail. A glossary of medical terms is included at the end to help the uninitiated.

The humor throughout comes from the hijinks of young nurses and foibles of the nuns, several of whom had nursed through World War I. Worth expresses deep sorrow at the devastating conditions of the workhouse or the fourteen-year-old Irish runaway who is manipulated into working as a prostitute. Jennifer Worth is a memoirist who doesn’t put herself at the center of her story, but tells the stories of others who she came to as an outsider: a non-Catholic living with nuns and a middle-class woman among the Cockneys. She always strives to understand their lives on their terms, rather than imposing her views and even creates a 14-page appendix “On the difficulties of writing the Cockney dialect.” Her talent is capturing the diverse characters on the page, and making the reader care about them.

This book should appeal to watchers of Downton Abbey for the historical domestic British connection. For those like to hear about the lives of real and everyday people it will grab readers of Below Stairs, by Margaret Powell; Nella Last’s War, edited by Richard Broad and Suzie Fleming; or a new book, Minding the Manor: The Memoir of a 1930s Kitchen Maid, by Mollie Moran. I also recommend it for anyone who is interested in memoir, medical history, women’s lives or social problems.

Check the WRL catalog for Call the Midwife.

Check the WRL catalog for Call the Midwife on CD read wonderfully by Nicola Barber.

I haven’t had a chance to view the BBC series adapted from the book, but it has great reviews, so it is on my list. Check the WRL catalog for the BBC adaptation of Call the Midwife.

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Liars ClubMary Karr’s family was the family in your neighborhood that your parents warned you away from when you were a child. They’re volatile people, emotionally toughened one and all. Still, to get to know them through youngest daughter Mary’s 1995 memoir is a bittersweet pleasure for readers who can handle a walk on the dark and gritty side.

The Liar’s Club takes place in the 1960s in the Texas oil town of Leechfield and a few months in Colorado. Mary is nine and she and her twelve-year-old sister Lecia are wise beyond their years. They’ve been through some rough stuff: watching a sanctimonious grandmother die from cancer, sexual abuse from playmates and babysitters, and endless fights with other kids in their tough town.

Dad, doesn’t help. He’s an oil man who can be a wonderful father, but when life gets the most challenging he often turns into a distant, hard-drinking man known as the most dangerous man in town. He hangs out with the titular Liar’s Club (although by implication, this title also applies to the whole Karr family), men who tell tall stories with hard truths hidden inside them.

But Mom is the most problematic of all the Karrs. She’s a creative, independent, city woman trapped as a housewife in the 1960s in a small town. She’s carrying secrets from a painful past, details that aren’t revealed until later in the book. She tries to mask her pain with alcohol abuse, but that isn’t enough to dull her dark streaks. Her relationship with her husband alternates between passionate romance, sullen distance, and outright ugliness. For her daughters she is sometimes like a streetwise older sister, sometimes just plain dangerous.

As you can tell, this isn’t an easy book, but the lives feel authentic, and Karr leavens the pain with some hard-bitten humor. I’m often skeptical of childhood memoirs: Can authors really remember their youth in that much detail? I was at times dubious of a somewhat similar book, Jeanette Walls’ The Glass Castle, which I enjoyed but took with a grain of salt. There’s a subtle difference in Karr’s approach that makes me trust this book more. She admits at times that her memories differ from those of her sister’s, or sometimes she just tells us when recall fails and she’s working from after-the-fact speculation. And don’t forget, this is The Liar’s Club; even when the absolute truth is stretched, there is painful but sparkling and hard-won honesty at the core of the story. Read the scenes where Mary’s mother starts to burn the contents of the house or where she fails to cope under the combined pressure of a hurricane and the last days of her mother, and you’ll understand what I mean. If you like this, go on to her other memoirs, Lit and Cherry, both of which have also received high critical praise.

Check the WRL catalog for The Liar’s Club

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ChrisHadfield You forget, sometimes, that there are people living in space.

During his 146-day sojourn on the International Space Station in 2012-2013, astronaut Chris Hadfield reminded me, and many others, about life in space, as well as the natural beauty of life on earth. While his crew carried out a record number of science experiments, Hadfield was also spreading curiosity and enthusiasm about life on the ISS through savvy use of social media.

He traded tweets with fellow Canadian William Shatner (“Standard Orbit, Captain. And we’re detecting signs of life on the surface”). He posted YouTube videos about working without gravity (why you can’t wring out a washcloth in space, for instance). And he used his enviable perspective from the ISS cupola to share photos, including a Valentine’s Day heart for the planet.

Hadfield’s post-retirement memoir is loosely organized around three missions in space: from his first flight to Mir on the Atlantis, both now retired; through a spacewalk from Endeavor, installing a giant robotic arm on the ISS; to his last landing, after five months on the ISS, in the Russian Soyuz—”a wild 54-minute tumble to Earth that feels more or less like 15 explosions followed by a car crash.” Mission anecdotes are mixed with advice on how to think like an astronaut, much of which boils down to extreme, obsessive preparation and attention to detail. Canada didn’t even have a space agency when 9-year-old Hadfield decided that he wanted to be an astronaut, but he set himself to acquire the flight and engineering skills that he would need, spending years as a fighter pilot and test pilot until reality caught up with his dreams.

I am too hard-headed to benefit from most self-help books, but apparently I will listen to motivational pep talks from people who have been in space. And Hadfield does have a gift for presenting his career of extreme competence without coming across as a braggart. He’s easy to relate to and has a clear calling for sharing his passion for the space program and involving readers in the sheer “wwooooww” factor of a spacewalk.

If you enjoyed Mary Roach’s Packing for Mars, you’ll appreciate Hadfield’s wry descriptions of peeing for science. Astronauts on the ISS perform scientific experiments, but also they are scientific experiments—in how the human body reacts to long sojourns without gravity.

Check the WRL catalog for An Astronaut’s Guide to Life on Earth.

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WorldsStrongestLibrarianThis sometimes ludicrous, but always poignant memoir is in part a love poem to public libraries and in part a moving account of living with Tourette’s Syndrome. Josh Hanagarne is a librarian in Salt Lake City Public Library who starts his book by describing  his workplace as “a giant pair of glass underpants” and pointing out that in the collection of a public library “there’s something to offend everyone.” He keeps up the literary theme with chapter headings labelled with Dewey Decimal Numbers and a sprinkling of the names of books to make his points.

At the same time that is is a celebration of libraries, Hanagarne’s book is also the story of a life lived with the involuntary tics, movements and vocalizations of Tourette’s Syndrome. Hanagarne’s tics started when he was a small boy and made a misery of his teenage years as he dealt with a a difficult and–above all–visible disease. His early adulthood was a story of  never being able to settle as he went in and out of jobs and school programs. As the subtitle points out this is also the story of the Power of Family and Josh’s family–parents, siblings, and wife–always supported him through Tourette’s Syndrome, schooling, life, struggles with infertility, and the various types of physical training which he attempted in order to control his tics. He is a large man who works his way up to a 590-pound dead lift (I am not sure what that is, but it sounds incredibly impressive), but from reading his memoir his true strength isn’t physical, rather it is his strength of character and strength as a human being that shines through.

Try The World’s Strongest Librarian: A Memoir of Tourette’s, Faith, Strength, and the Power of Family if you like memoirs about overcoming adversity. Other books in our library about living with Tourette’s Syndrome include: Front of the Class: How Tourette Syndrome Made Me the Teacher I Never Had, by Brad Cohen with Lisa Wysocky or Against Medical Advice: a True Story, by James Patterson and Hal Friedman.

Don’t assume this is  a dark book, because Hanagarne is able to bring humor even to the description of library patrons throwing up in trash cans or his classmates jeering at him for his Tourette’s tics. And best of all for a librarian is the paean to public libraries: “I had faith in the library long before he walked in and told me what I already knew: A library is a miracle.”

Check the WRL catalog for The World’s Strongest Librarian: A Memoir of Tourette’s, Faith, Strength, and the Power of Family.

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Priceless is a memoir about the true crime undercover investigations carried out by FBI Agent Robert K. Wittman. Since the late 1980s, Bob Wittman was the original solo art crime investigator for what became the FBI’s Art Crime team in 2004, now numbering 14 agents who are well-versed in the fine arts, skilled with undercover work, and are prepared to rapidly deploy to any worldwide site for art theft recovery work and sting operations, often in cooperation with international law enforcement agencies. The FBI updates an online top-ten listing of art crimes and maintains a database of stolen art.

The book is arranged so that you’re following developments in FBI Agent Wittman’s career as well as some pivotal events in his personal life throughout the book. However, each chapter neatly portrays a particular case and its wrap-up. There is one thread running from the beginning through the end, the notorious unsolved 1990 case of the Isabella Stewart Gardner Museum theft. Wittman’s frustrating battle with the restrictions under which he had to work in the FBI’s bureaucracy, including power struggles with senior officials, seems to provide some clues as to why this case might have been solved long ago had it not been so botched by red tape.

The stories truly bring the high-stakes investigations of art theft to life for the lay reader, and open up our eyes to the realities of art crimes. The biggest revelation in this book is the fact that those who steal art are seldom glamorous, handsome and powerful art connoisseurs, as they have been portrayed in films such as Dr. No or The Thomas Crown Affair. That characterization may be true in some cases, although they are usually your typical thugs who can’t resist taking something that seems incredibly valuable yet easy to steal for even the dumbest of crooks. Some of the book’s photos of captured thieves make that contrast startling. As security systems and staffing have become more sophisticated today, even better organized art theft rings have staged some thefts on the level of Ocean’s Eleven style drama, but most of the crimes investigated by Wittman and told in Priceless are more a case of your average guy taking advantage of an opportunity to get away with something for money.

These are very interesting and sometimes thrilling tales.  They’ll take you behind the scenes of the FBI and around the world to exotic locations and scenarios, and I hope you enjoy them as much as I did.

Look for Priceless in the WRL catalog.

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keithBeatles or Stones? Yes! This fall, about 50 years after the founding of the two bands, we’re seeing a new crop of books about their early years, including Tune In, the first volume of Mark Lewisohn’s planned mega-biography of the Beatles, and Beatles vs. Stones, a historian’s look at the public images of the two groups. But I doubt that any book published this year will have the impact, or the sales, of Keith Richards’s autobiography, which came out in 2010.

Life has to be one of the best books ever about the cultural and political explosion that happened in the mid 1960s—witnessed from the epicenter by a kid who just wanted to play blues guitar and ended up a pop superstar in the Rolling Stones. The book is raw and rude. Keith disses a lot of well known people, and reveals without apology the depths of his bad behavior: the groupies and girlfriend-swapping, the endless hard drugs and booze, the arrests and trials, the wild parties and trashed hotel rooms.

“Some of my most outrageous nights I can only believe actually happened because of corroborating evidence…  The ultimate party, if it’s any good, you can’t remember it.”

Fortunately, Keith is just as revealing about his music, documenting how he created his epic guitar riffs, and almost effortlessly wrote hit song after hit song with Mick Jagger. He has collaborated with everyone who is anyone in music, and tells good stories about his encounters with Muddy Waters, Chuck Berry, Little Richard, George Jones, Tom Waits, and many others.

If possible, don’t read Life in print; listen to the audiobook version instead. Its offbeat, somewhat laid-back production is oddly suited to the story and to Keith’s distinctive style. There are three narrators, each taking a turn at reading in the voice of Keith : Johnny Depp (a close friend and admirer of Richards), the Irish rocker Joe Hurley, and Keith himself.  This is disorienting for the listener, since the narration switches without warning from Depp, reading quite neutrally in his American accent, to Hurley, who does an over-the-top interpretation of Keith: slurring words, chuckling, and mumbling in a South London accent. At first I was put off by Hurley’s reading, but it grew on me and eventually I settled in to enjoy it. Keith narrates the final section of the book, covering his recent years, which are comparatively uneventful—oh, except for the time he fell out of a tree in Fiji and suffered a life-threatening brain injury.

Some parts are better than others, but the book, like a good album, opens with its strongest number. Superbly narrated by Depp, this is the story of the 1975 arrest of Keith, fellow band member Ronnie Wood, and two friends while driving a Chevrolet Impala packed with illegal drugs and weapons through Fordyce, Arkansas. This legendary culture clash between rural southern law enforcement types and long-haired British rockers can be read as hilarious farce, complete with a drunken judge and a victory parade for the bailed-out musicians. But there’s a dark heart to the story, a reminder that this was the Vietnam Era, the always-present backdrop of songs like “Street Fighting Man” and “Gimme Shelter.”

What a drag it is getting old… For years now, the Stones have endured writings in the press making fun of their withered appearance and calling on them to retire, for decency’s sake. So far, neither the band nor their fans are ready to pack it in. In the summer of 2013, the Stones rocked out in electrifying sets in Hyde Park and at the Glastonbury Festival before screaming crowds spanning three generations. You know what they say, baby: listen to your elders.

Check the WRL catalog for the audiobook version of Life

Check for the print version

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