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Archive for the ‘Readers’ advisory’ Category

jacket.aspxYes to the Mess introduced an entirely new model among leadership and business titles, and Frank J. Barrett, a jazz musician himself, brilliantly succeeds at utilizing real-life examples to illustrate that the risk-taking and improvisational mentality practiced by jazz musicians is akin to what successful business leaders do. One example is the accidental invention story of Play-Doh (and its patent), resulting from letting Cincinnati school kids fool around with a sticky wallpaper cleaner and finding it the perfect modeling clay for youngsters. Practicing the art of jazz improvisation through risk-taking in today’s unclear, complex, evolving universe can reap innovative benefits that more linear thinking and traditional top-down leadership can hinder.

The media and public opinion are unfairly harsh on those who take the risks that produce innovation. It often takes a lot of failure to produce brilliance. Barrett shows that leaders can instill trust in others by revealing vulnerabilities and the human capacity to make mistakes just like the rest of us, being open to correction and feedback that can improve things throughout the team’s efforts. Jazz “fallibility models” inherently accept this sort of model that allows the leader to sometimes be taught by underlings—as Ellis Marsalis reportedly learned a few new things from his son Wynton.

Good musicians, like competent executives, have learned how to learn…

A key component of learning is hanging out with good mentors. With our intranets, databases, shared servers and software programs that make everyone’s files searchable within an organization, we get a false sense that it’s all there for efficiently taking and using or that we need less of the human connection (jamming). But the real-life face-to-face jam session is what it’s really all about. Best business practices today demand the inclusion of leaders and philosophies that are actively

nurturing spontaneity, creativity, experimentation, and dynamic synchronization…

Barrett emphasizes the need to be storytelling and brainstorming and roleplaying in order to discover the unexpected and the unplanned solutions, and for just doing: hands-on learning experiences, not just knowing what’s in the rule books. Some skills simply are “not easily articulated, codified, or stored.”  Serendipity (one of my favorite things!) means that solutions are not always straight from some manual.

Jazz improvisers and great scientists and innovators alike know the value of keeping at it: making guesses, trying things out (sometimes repeatedly), tinkering with incremental adjustments, all with an open spirit of curiosity and wonderment.

This jazzy attitude reminds me of experiences I’ve had with the iterative process of beta-testing databases built from scratch when I was in library school. It taught me to appreciate the inevitable shortcomings of most end products we encounter as consumers—there really is no such thing as perfection. More than a few databases could have used a bit more tweaking before release, such as the “very public beta test” of Healthcare.gov.  On the other hand, can you imagine not having Amazon’s database, or IMDB? How about not being able to search the library’s online catalog database and returning to the old days of the handwritten card catalog? Today’s librarians could only step up to that plate after crash courses in penmanship!

Barrett annotates  a set of “eleven practices and structures that can help your organization emulate what happens when jazz bands improvise.” My two favorite take-aways are that we should all get a chance to solo now and then and that play flows into learning. This book should have widespread appeal far beyond the jazz music fans most likely to notice it first.

Check the WRL catalog for Yes to the Mess.

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Latin for Bird Lovers00_Birdwatching has been a passion of mine for many years, and I have been fortunate to see some amazing birds in exotic locations that include South Africa and Tanzania. I saw this book on the library’s new book shelf, and I was immediately interested. Very few popular birding books are based on the scientific names of birds, which are usually in Latin. Most guides are based on common names and classes of birds, with the scientific name coming after the common name and listed in smaller print. I was intrigued by this approach, which uses the binomial system of genus and species, which scientists use to classify and study birds. These scientific names can be based on several things, including the features of the bird, places where they are found, and even the names of people. The authors hope that this approach will deepen your understanding of birds and make your birdwatching more fascinating.

I was pleasantly surprised at how much I enjoyed this book, though I have a few quibbles with the actual listing of names which makes up the bulk of the book. The listing is actually a compilation of both genus and species names. But you only get one of the names, so if you have a specific bird you are looking up, you have to look up both names to get a full understanding of the scientific name of the bird. I also think an index of common names of birds matched to their scientific names would have been helpful. Without it, those of us who are Latin-deficient either have to browse through the list (which can be fun, but…) or we can grab a bird guide like Birds of North America by Ken Kaufman, find the Latin name of common birds we like, and then use this guide to find their scientific meaning in English. I like woodpeckers, so I did a search for some common woodpeckers I see around my bird feeder. The red-bellied woodpecker is Melanerpes carolinus, a black creeper from the Carolinas, whereas the Northern Flicker is Colaptes auratus, a golden chiseler. I could not find the complete scientific names for the downy woodpecker (Picoides pubescens) or the pileated woodpecker (Dryocopus pileatus), but I did find that picoides means “likeness of a woodpecker” and pileatus means “capped,” so you get at least a partial understanding of their names. And any new knowledge of the birds you love to see is a good thing.

This book is packed with special features, including profiles of 20 genera of birds, including my favorite, Melanerpes, the largest genus of woodpeckers (with 22 species); Corvus, the genus of about 40 species of crows or ravens (known as the smartest birds in the world, they can make tools, play games and find hidden objects); and the beautiful but odd Phoenicopterus, which is made up of 6 species of flamingo. There are also 8 different bird themes covered in this book, including bird beaks, the color of birds, and feathers and the important role that they play in the life of birds. There are also brief biographies of 11 famous birders, including the well-known John Gould and the birder with the famous name, James Bond, whose book, Birds of the West Indies, was read by Ian Fleming, who decided to use his name for the hero of his novels.

I highly recommend this book for people who are interested in knowing more about birds. And, if you like this book, you should definitely check out some of the other excellent birding books in the WRL collection, some of which I have reviewed for Blogging For a Good Book, including Angry Birds: 50 True Stories of the Fed Up, Feathered, & Furious by Mel White, Hand-Feeding Backyard Birds, by Hugh Wiberg, and Why Don’t Woodpeckers Get Headaches? And Other Bird Questions You Know You Want to Ask by Mike O’Connor.

Check the WRL catalog for Latin for Bird Lovers.

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Grumpy CatFor the few people who haven’t yet heard of Grumpy Cat, let me enlighten you. Grumpy Cat, whose real name is Tardar Sauce, is a small cat of indeterminate breed who became an internet sensation in 2012 because of her particular puss. The kitty’s mouth turns down, her eyes are large and the markings on her fur make her appear to be perpetually frowning. Not scary frowning, mind you, but endearingly funny frowning. From this facial peculiarity, the Grumpy Cat was born and launched a thousand memes, two books and a holiday movie.

The two books, Grumpy Cat: A Grumpy Book and The Grumpy Guide to Life, are novelty tomes that feature pictures and commentary by the grouchy grimalkin. The comments are all amusingly sour observations such as:

Next time you’re feeling pretty good about how things are going in your life, remember that the dinosaurs were probably feeling that way, too, before that meteor fell.

And:

Don’t Forget: Every silver lining is part of a larger, darker cloud.

Of more interest are the plentiful photographs of the telegenic tabby, with my particular favorite being “The Frown File,” featuring several classic crabby snapshots with advice that “If you master each of the following looks, you can effectively ruin anyone’s day.” Indeed, a laudable goal to aspire to.

In the Lifetime TV movie, Grumpy Cat’s Worst Christmas Ever, we get to see the frowning feline in action as the disgruntled denizen of a mall pet shop. Grumpy spouts a non-stop stream of snappy snark as she begrudgingly helps a lonely teenager foil a robbery and rescue a kidnapped dog. This self-mocking film will never win an Oscar, but it is good cheesy fun and something the whole family can watch. Hey, Lifetime, how about a follow-up film, maybe, Grumpy Cat vs. The Turkey: A Tale of Thanksgiving Grousing, or Heartburn: A Grumpy Cat Valentine’s Day, or The Case of The Sourpuss: a Grumpy Cat Mystery.

The library’s entire Grumpy Cat oeuvre is recommended for people of all ages who have a sense of humor and low expectations.

Check the WRL catalog for Grumpy Cat: A Grumpy Book.

Check the WRL catalog for The Grumpy Guide to Life

Check the WRL catalog for Grumpy Cat’s Worst Christmas Ever

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MangleStThis is a completely serendipitous discovery which I feel fortunate to have stumbled across. This is a new Victorian-era murder mystery series, set in London, featuring a brilliant, eccentric detective with few social skills and his feisty young ward who gives him a run for his money. The most obvious comparison is with Arthur Conan Doyle’s Sherlock Holmes, especially Laurie King’s version with Mary Russell. The author does not shy away from this but rather seems to take great pleasure in inserting sly references here and there—such as a suggestion that Grice is Conan Doyle’s inspiration for Holmes!

With all of the obvious similarities, I found this a refreshing, funny read and a good mystery to boot. It has more of a modern feel to it than King’s, or Conan Doyle’s, narratives. The great detective, Sidney Grice, is not nearly as likeable a character as Sherlock Holmes. He is rude, unkind, contemptuous and heartless. Loathsome as he is, the reader becomes quite attached to him (and his glass eye, which becomes a surprisingly successful running gag). His new ward, March Middleton, gives it right back to him without flinching, making their interactions entertaining and very often humorous.

When the unfeeling Sidney Grice refuses to take the case of a penurious woman whose son-in-law stands accused of murdering his wife, March takes pity on her and offers up shares in a portfolio inherited from her father to pay the fee, provided she is allowed to co-investigate the case. Thus an uneasy and contentious alliance begins. March finds herself at odds with the conclusions drawn by Grice, and a battle of feminine logic and intuition versus cold reason and science marks most of the narrative. In the end both are right and wrong; it’s an auspicious beginning for this formidable team.

Kasasian illustrates the poverty, desperation and griminess of London in this era with a brilliant blend of mordant humor and poignancy. He also hints at a tragic secret in March’s past, of which the reader hopes more will be revealed in further series entries. More loose ends remain to be addressed as well, such as how Grice came to be March’s guardian after the death of her father, and—last but not least—

“I have not seen him this way since…” Molly said, but could not finish her sentence. “Oh, I do hope he is not indulging in his secret vice.”

The idea of my guardian having a vice was rather appealing.

“But what is this vice?” I asked.

“I can’t say I know, miss.” Molly screwed up her pinafore. “For it is a secret.” Her eyes filled and she scurried off.

Check the WRL catalog for The Mangle Street Murders.

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AsUWishFor many people it is inconceivable to not feel a true love for the giant movie The Princess Bride. This memoir, authored by the Man in Black himself (a.k.a. Westley, the Dread Pirate Roberts, and Cary Elwes), is a tribute to the people who took William Goldman’s The Princess Bride from page to screen. If ever you told someone to “have fun storming the castle,” introduced yourself as Inigo Montoya, or whispered “as you wish,” this book is for you.

While Elwes takes center stage through the telling of how they made The Princess Bride, he dedicates much of the book to heaping laudatory remarks on those with whom he worked. Again and again, Elwes writes about how wonderful it was to make the movie with these people. Robin Wright was perfect in every way. Mandy Patinkin brought a competitive spirit that made everything better. Billy Crystal and Carol Kane, only on set for three days, were extraordinary. André the Giant (and this has been corroborated by many others) was the sweetest, kindest, gentlest giant who ever walked this Earth. Elwes unleashes unreserved praise and adulation for director Rob Reiner.

Among the entertaining features of As You Wish are the commentary boxes. Throughout the pages are brief observations from Elwes’s colleagues relating to whatever topic is being written about at that point. The reader gets to hear from Wright, Reiner, Patinkin, Shawn, Guest, Crystal, and others about their experiences on set. For anyone who has enjoyed one of the greatest on-screen fencing scenes ever filmed, Elwes dedicates a whole chapter to how he and Patinkin trained for it. Elwes wants the reader to understand that the beauty of the movie is largely a result of the beauty of those who made it (although he also is quick to state that the book and screenplay are brilliant).

For anyone not familiar with The Princess Bride, “as you wish” is synonymous with “I love you.” Given how Cary Elwes waxes poetic about the delightful experiences of making the movie, the phrase is apropos. He loved everything about The Princess Bride except the food and the weather. After reading As You Wish I felt a strong urge to re-watch the movie. If that is the case for you, be sure to check it out from the library.

Check the WRL catalog for As You Wish

Check the WRL catalog for the movie, The Princess Bride

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Blizzard“No-one knew THEN that this was the day which was to be remembered when all the days of 70 years would be forgotten.”

If you’ve spent any time in the last few weeks watching the Weather Channel, you’re accustomed to the long lead-in we have to any winter storm. Plenty of time to gas up the generator, run to the grocery store for more milk, or double- and triple-check the school closings. This riveting and often heartbreaking look at a 19th-century blizzard reminds us that once, the only warning of a deadly cold front was the wall of fast-approaching clouds and a plummeting thermometer.

In January 1888, an unprecedented winter storm swept across Nebraska, the Dakotas, and southern Minnesota, freezing cattle in their tracks, freezing farmers and their children where they fell, or sometimes even where they stood. (Yes, Jim Cantore, there was also “thunder snow.”) It became known as the “Schoolchildren’s Blizzard” because it struck on a clear, fine day when many youngsters were at school, and it was their attempts to reach the safety of home that ended in so many tragedies. Laskin’s history draws on memoirs and oral histories from pioneers who lived through the blizzard, and he notes that even the most taciturn, uncomplaining immigrants wrote about this storm as being unlike anything they had lived through before.

Just like any modern weather event, there’s a lot of talking before the weather actually hits. Laskin spends the first half of the book describing the lives of the Swiss, German, and Norwegian immigrants who came to the great prairies in search of land and freedom. He surveys the 19th-century weather service, run by officers in the U.S. Army Signal Corps. The scandal-ridden weather service was surprisingly entertaining: it depended on staff like the fellow who took all of his weather observations at the local pawn shop, where he had hocked his barometers to pay off a poker debt. Laskin is actually quite poetic in describing the atmospheric dance of high and low pressure areas that builds to a winter storm. Then, finally, the blizzard itself arrives: blowing in at 45 mph, temperatures and visibility plummeting. Across the prairies, students and schoolteachers take stock of the situation and decide whether to shelter in place or strike out for the warmth of nearby homesteads. And you, the reader, want to warn them, just like we warn characters in horror movies not to head to the basement… don’t leave the schoolhouse.

The narrative follows several individuals and groups who walked into the storm and were blinded and disoriented by the wind’s intensity. They were assaulted not by the “lacy star-patterned crystals” of Christmas-card snow, but a fine, choking, blinding dust of nearly microscopic ice crystals. Disoriented, travelers wandered from their paths. The lucky ones found shelter in haystacks. Others died within sight of their destinations—if only they had been able to see. Hundreds died that night, although some survived, like schoolteacher Minnie Freeman, “Nebraska’s Fearless Maid,” who roped her charges together on their walk to safety, or so goes the song. In telling these stories, Laskin explains the physiology of hypothermia and frostbite and why some survived a night of exposure only to drop from cardiac failure as soon as they stood up the next day.

If you enjoy tales of survival and disaster like Erik Larson’s Isaac’s Storm, The Children’s Blizzard is a sad but fascinating winter read.

Check the WRL catalog for The Children’s Blizzard

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WestmarkThis trilogy of children’s adventures is a longtime favorite of mine, but I find it difficult to categorize. Libraries shelve it in juvenile fiction, which is misleading, as it has more tragic deaths than Game of Thrones, plus an ironic style that would likely whoosh over the heads of most children. It certainly did mine. On the other hand, it made me cry like a kid when I was in my thirties…

Three volumes with a Dickensian ensemble cast, from monarchs to street urchins, cover several years of political upheaval in the imagined countries of Westmark and neighboring Regia. Theo is the viewpoint character, a printer’s assistant who is driven from his livelihood by an increasingly despotic government bent on censoring the press. He takes up first with a traveling ensemble headed by showman and charlatan “Count” Las Bombas, where he meets Mickle, a streetwise apprentice thief, ventriloquist, and (unknown to anyone, including herself) missing princess. The escapades grow more serious when Theo falls in with a cell of student revolutionaries headed by the charismatic pragmatist Florian, a dashing figure in a soldier’s greatcoat. Now Theo is loyal both to the next monarch of Westmark and to the soldier-philosophers who want to abolish the monarchy.

Theo’s adventures present him with several moments of split-second decision making followed by self-doubt—is his hesitation to take a life a moment of conscience or of cowardice? Ideals are tested to the breaking point in the second book of the trilogy, The Kestrel. As Regia invades, the young are betrayed by the old, and fighting in the countryside intensifies, conscience seems ever more a luxury. Readers who thought this would be a light and fast-paced adventure will instead be traumatized by the sharp turn the series takes into harrowing warfare. The third book, The Beggar Queen, sees the survivors dealing with the legacy of their decisions, their lives further complicated as former enemies and worshipers of fallen heroes try to shape their country to different ideals.

The Westmark books are crowded, packed full of characters and events, and yet they aren’t long books. Alexander’s style is so streamlined, not a word is wasted; like a caricaturist, every line counts either to sketch a character or further the action. The books are fast-moving and dramatic, with characters and situations reminiscent of the French revolution, the Three Musketeers, or other Ruritanian adventures like The Prisoner of Zenda.  There’s a lot of overlap between devotees of this series and fans of the gallant, doomed student revolutionaries of Les Mis. With well-drawn characters and moral complexity, it’s also a natural choice for readers of Megan Whalen Turner’s Attolia series, starting with The Thief

Check the WRL catalog for Westmark.

The series continues with The Kestrel and The Beggar Queen

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