From its arresting cover to its fantastic photographs to its quirky animal facts, Animal Architecture is a winner for art lovers, photographers, and nature lovers.
The term “architecture” usually means buildings. In this book the term can mean structures made of materials from outside of an animal’s body, such as a bird’s nest or beaver dam. It can also mean structures made with materials from animal’s bodies such as webs, or even ones that stay on their bodies such as shells.
Some of the featured animals are very small, such as the caddis fly, but the sparkling photographs with black backgrounds show every hair-like appendage on the tiny creature’s body and every minute piece of wood, stone, leaf, shell or straw in the amazing cases that they build to protect their soft bodies. The photograph with the largest scale goes to another of the smallest animals. The compass termite in northern Australia builds 3 meter (10 feet) high mounds and the aerial photographs taken at dawn and dusk show a flat semiarid field with long shadows highlighting hundreds of aerie gravestones. On any scale, we are not the only creatures who can mold our environment. The changes can be destructive for the host like the galleries of the bark beetle larvae or cause great changes to the entire local environment like beaver dams, termite mounds, or coral reefs.
The photographer, Ingo Arndt, has won numerous awards and been published by National Geographic and it’s easy to see why. These photographs are immediately arresting but also bear long study to examine the intricacies of the galleries of the bark beetle larvae, the bower bird’s opus, or the staggering variety of corals. The text by Jurgen Tautz takes up less space but it provides clear and digestable chunks of information about these spectacular architects.
Try Animal Architecture if you like the spectacular nature photography of The Oldest Living Things in the World, by Rachel Sussman, The Songs of Insects, by Lang Elliott and Wil Hershberger or Sea, by Mark Laita. Or if you are interested in the substances that these creatures use try Stuff Matters: Exploring the Marvelous Materials that Shape Our Man-Made World, by Mark Miodownik.
Check the WRL catalog for Animal Architecture.
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Posted in Adventure, Characters, Children's, Coming of Age, Fantasy, Fast-paced, Graphic novel, Humor, Jan's Picks, Movies, Plot, Quirky characters, Readers' advisory, Superhero, Television shows, Young Adult on March 24, 2015 |
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I know that having children is a life-enriching experience but I didn’t expect my almost-grown children to get me hooked on an initially unappealing children’s T.V. show; Nickelodeon’s Avatar: The Last Airbender. At first the cartoons and martial arts action seemed cheesy, but the show delivers a compelling story filled with friendship, family (good and bad), coming of age, and sympathetic but realistically flawed characters.
The story is set in a fascinating universe where certain people have an innate ability to move and control physical matter, called bending. All benders can move only one element: either earth, water, air or fire. All, that is, except the Avatar who can bend all four, and this power is meant to be used to keep balance and harmony in the world. The Avatar disappeared over one hundred years ago which allowed the Fire Nation to wage a war to take over the world. In the first episode our heroes Katara and Sokka discover that the Avatar, Aang, has been frozen in an iceberg for a hundred years as a twelve-year-old boy. The three of them set off on journeys and adventures all around the world, gathering friends and enemies, such as plump, kindly General Iroh who dispenses sage advice and cups of tea, or short, blind Toph who seems helpless, but is much tougher than everyone else. The situation often looks dire, but as Katara says in the opening sequence, “I believe Aang can save the world.”
The well-developed universe includes real martial art systems as the basis for each type of bending and buildings, costumes and cultures based on real ancient Asian cultures (although sometimes mixed). But the best invention may be the chimeric animals! Aang has a huge, furry, guinea-pig-shaped Flying Bison named Appa that you can’t possibly see without wanting one.
There are many spin-off works such as the sequel The Legend of Korra which expands on the story of the Avatar. It occurs seventy years later than Avatar: The Last Airbender and features that show’s character’s children and grandchildren. They live in Republic City which bears an uncanny resemblance to 1920s New York City. There are also graphic novels some of which are drawn by the same artists and include original stories that are not in the original show like Avatar the Last Airbender: The Promise.
Like Doctor Who or Spirited Away this is great for the whole family to watch together. The stories are simple enough (and active enough) to appeal to the youngest set while the geopolitical wrangling and character development is enough to keep adults coming back for more.
Check the WRL catalog for Avatar: The Last Airbender.
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Posted in Books, Food, Historical Nonfiction, Jan's Picks, Microhistories, Nature writing, Nonfiction, Photo-essay, Quick read, Readers' advisory, Science writing, Sense of place, Setting, Travel on March 23, 2015 |
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It can be fun working right next to Colonial Williamsburg, the world’s largest living history museum; not only do we get to see Thomas Jefferson wandering along the street texting, but we also get to walk past old-fashioned zigzag, split rail fences and see fields of farm animals in the middle of the city.
Link to the Past, Bridge to the Future: Colonial Williamsburg’s Animals is a great way to learn about these animals. It includes sections on cows, sheep, pigs, chickens, pigeons, fish, horses and pets, with simple, clear descriptions of animal management and use, in both colonial times and the present day. It points out that in colonial times animals shared people’s daily lives in a way that they don’t often do today. Of course the colonists used the meat, milk, eggs, and wool from their animals but there were also surprising uses such as including animal hair in plaster for house building, which Colonial Williamsburg brickmakers still do, as they always strive for authenticity.
Modern farm animals have been bred for specific traits over the last several hundred years so to be authentic, Colonial Williamsburg has researched, bought and raised rare breeds such as the Leicester Longwool Sheep. Their research includes works written by the colonialists so Link to the Past, Bridge to the Future has several quotes from George Washington about how he managed his animals.
The text explains and complements the pictures, but like the other books about Colonial Williamsburg Link to the Past, Bridge to the Future is an enjoyable and worthwhile book just for the photos. Every page includes wonderful photographs of the interpreters in costumes performing their farming tasks by hand, as well as photographs of the animals as they go about their lives.
This book is great to read with other Colonial Williamsburg titles: Vegetable Gardening the Colonial Williamsburg Way: 18th Century Methods for Today’s Organic Gardener, by Wesley Greene, or The Colonial Williamsburg Tavern Cookbook, by The Colonial Williamsburg Foundation. It also includes the history of chickens which you can learn about in greater depth from Why Did the Chicken Cross the World?: The Epic Saga of the Bird that Powers Civilization, by Andrew Lawler.
Check the WRL catalog for Link to the Past, Bridge to the Future.
Baa-bara who came to meet children at Williamsburg Regional Library’s “Sheepish Storytime” on February 21.
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I am always on the lookout for academic fiction. I love novels set in English departments and featuring an amusing cast of characters—David Lodge, Michael Malone, James Hynes, Richard Russo, and Jon Hassler are among my favorites. Now I can add Julie Schumacher to the list.
Told as a series of one-sided letters of recommendation, this novel is both funny and poignant. The protagonist, and writer of recommendations, is Jason Fitger, a tenured English professor at Payne, a not so highly rated Midwest university. The letters here are for students, some of whom he has never taught but who are desperate for a recommendation for a job or a fellowship, and for fellow faculty members and college staff.
Fitger’s voice is the only one we hear, and he is in turn cranky, sarcastic, and petulant, but he is also concerned about his students’ well-being and clearly cares deeply for his friends and colleagues, even those with whom he has fallen out over the years. At first the book seems mostly a satire, but as you get into the story, the letters reveal the story of Fitger’s life, his struggles as a writer, and his contention with the human condition. He becomes a character for whom the reader cares, and the end of the novel is both somber and redemptive.
Check the WRL catalog for Dear Committee Members.
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Charlotte’s post about Lloyd Alexander got me thinking about books for younger readers that are also of interest to adults. I think that Cornelia Funke’s Inkheart and its sequels, Inkspell and Inkdeath fill the bill here. Although they are marketed as young adult fiction, they will work equally well for anyone who is a fantasy fan.
These are very literary stories, premised on the ability of the some characters to read people in and out of fictional tales while reading aloud. It sounds like a great idea at first, but the problem is that when something is read out of a story, something present in the real world is read into the story. Meggie, our heroine, is the daughter of a bookbinder named Mo, and she wonders why he will not read her stories from books. We discover that Meggie lost her mother when Mo accidentally reads her into a dark tale. Worse, Mo has read out of the story its arch villain, Capricorn, who is bent on getting back into his story and uses Meggie as a tool to coerce Mo into once again reading aloud.
As Meggie and Mo are pursued, captured, and attempt to escape, they meet with unexpected help, are betrayed by some that they thought true, and must rely on the power of language to face Capricorn and his men. Funke tells a delightful though dark tale about the power of words and the love of books and reading. It is a great story for anyone who shares that love.
Check the WRL catalog for Inkheart
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At first, it sounds like some sort of NPR show or something, but All Things Reconsidered is actually a delightful collection of essays that Roger Tory Peterson published in Bird Watcher’s Digest over the last decade and a bit of his life. Peterson’s name is a household word among birders, and his Field Guide to the Birds can be found all over the country, often in tattered, field-worn condition (my personal copy is taped together and dates from ornithology class at William and Mary ca. 1982).
In addition to being an excellent illustrator, Peterson is an engaging writer, with an obvious affection for and appreciation of the natural world. Whether writing about confusing fall warblers, birding in Kenya, or the renaissance of the Peregrine Falcon, Peterson’s clear prose style and narrative line are a delight to the ear, and the photographs and drawings are a delight for the eye. These are personal stories, introducing the reader to many of the characters of the bird world, both avian and human. They also are a fascinating look at the environmental and citizen science movements over the years, as seen through Peterson’s life and work.
Another great collection of stories to prepare you for observing spring migration.
Check the WRL catalog for All Things Reconsidered
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