The man who thinks of himself as Daniel Hayes isn’t sure of his real name. All he has to go by is the insurance card he finds in a BMW he discovers after crawling onto a rocky beach. Some clothes in the trunk fit him, the cash in an envelope fits him (plus it’s the right color), and he knows all about the gun in the glove compartment. Based on the trash in the car and the California license plate, he figures whoever left it there (himself?) had driven a long way.
Adopting that persona, “Daniel Hayes” tries to reconstruct a possible life. Was he a carpenter? A butcher, a baker, a candlestick maker? Tinker, tailor, soldier, spy? One faint clue comes from a television rerun and the connection he feels to one of its characters. But before he has time dig deeper, he’s on the run from the cops and heading to the West Coast.
At the same time, a woman in Los Angeles is interrupted in her shower by a coolly vicious character asking for Daniel Hayes. A young woman is staking out Hayes’ house, watching for a chance to break in and search the place. And an LA Sheriff’s detective is searching for Daniel Hayes to question him in the disappearance of his famous wife. When–if– the cross-country traveler shows up, he’s going to be a very popular man, but he won’t have a clue why.
As “Daniel Hayes” begins to unravel the truth behind his memory loss, he is tormented by dreams that convict him of some horrible crime, but in the unsettling way of dreams, they provide him no explanations. He also learns that the man he believes himself to be is not the man others know him to be. Sakey uses that gap to explore the concept of identity, but always within the context of a story of increasing complexity and tension.
I had first read Sakey’s The Amateurs, a fun book in its own right, and really liked the character Bennett. Perhaps not “liked,” but “knew I’d remember as a bad guy capable of anything.” Bennett makes a follow-up appearance in this story, right back in the role he had in the earlier book– as Sakey describes him, the man who knows people sin, and who makes it his business to be there when they do. The leverage he holds, and his chilling readiness to use it, gives him any number of frightened but useful tools wherever he goes.
The Two Deaths of Daniel Hayes is a perfect summertime read– fast and nimble, but with enough insight into people and places to give it a noir sensibility. It’s the kind of writing that makes it more memorable than the usual mass-produced suspects on the bestseller list, and one you’d really like to recommend to discerning thriller readers. It is unfortunate that Sakey and his friends Brett Battles and Gregg Hurwitz (whom he acknowledges in the book) are better writers than the brand-name guys. With their talents, all three should be sitting on top of those lists.
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