Approximately five years ago, I read Jane Austen’s Pride and Prejudice as well as her other five novels after receiving an all-in-one collection as a gift. Having only truly read Pride and Prejudice once (I can’t count the Cliff Notes I used in high school), it’s a wonder that I am reviewing this festive micro-history which delightfully illustrates why Jane Austen’s perfect Regency romance has remained so untouchable since its publication in 1813, even as her style and subject matter are profusely imitated, now more than ever!
Reading Susannah Fullerton’s pleasant homage to the timeless novel upon its 200-year anniversary provided me with all sorts of intriguing details, historical background, and gossipy tidbits about its creation and legacy that enhance my appreciation of the novel. Fullerton, president of the Jane Austen Society of Australia, effectively demonstrates the reasons for the novel’s perfection and its ever-increasing appeal for readers of either sex, of all ages, in nearly every community worldwide. She cheerfully describes her analysis of individual characters, Austen’s style, and the famous opening sentence on which an entire chapter is devoted.
It was especially amusing to learn of all the various editions, versions, translations, sequels, retellings, mash-ups, adaptations, film interpretations, and other assorted Austen-inspired endeavors that have fueled a sort of Pride-and-Prejudice mania. Darcy-mania culture took off on the tails of the sexy 1995 BBC film version, starring Colin Firth (of the infamous lake scene), and kindled much new interest in the reading of the novel.
Fullerton pretty much concludes that no sequel author or film producer has ever really matched Jane Austen’s masterful style and that what lovers of the novel should really ever do is just keep reading and re-reading Pride and Prejudice. I agree that the masterpiece stands alone, but Austen did very effectively infect most of her readers with a desire to continue knowing Elizabeth and Darcy and to learn ever more about each well-drawn character’s future. Imagine if she’d lived long enough to write her own sequels, or to taste the fame her novels eventually gave her!
Check the WRL catalog for Celebrating Pride and Prejudice : 200 years of Jane Austen’s Masterpiece
A 2013 Alex Award

For the scientists at Little Cam, a top-secret research compound hidden deep within the Amazon rainforest, immortality is no longer an ambition but a reality. With the creation of Pia seventeen years ago, the scientists achieved their dream after more than a hundred years of experimentation. Hidden away from the world at Little Cam, Pia has always considered her life to be perfect and absolute. But one night curiosity takes over, and she dares to venture outside the facility through a newly created opening in the fence. Once on the other side, Pia is so transfixed by the freedom of the jungle that she fails to notice a native boy, Eio, and runs right into him. Soon, Pia is discovering a new community of people, a different way of life and emotions that she never knew existed. The tropical forest and its native Ai’oan inhabitants along with handsome Eio all call to Pia in a way the compound never has. As the story progresses, the history and happenings at the research facility become strikingly more disturbing, and shocking secrets about Pia’s creation are revealed. When every ounce of her morality and humanity are questioned, Pia is torn between the life she is expected to live and the one that speaks to her heart.
If you’ve ever picked up a book by Mike Mignola, author of the Hellboy series, you will know what to expect: a Victorian gothic adventure set against crumbling ruins with elements of steampunk and the supernatural. This is the second book Mignola has co-authored with Christopher Golden. The first,
If you asked people what they think of when they hear the term “American mythos” many would undoubtedly call to mind Cowboys and Indians and other aspects of the Wild West, unaware of the vibrant and complex stories and traditions of Southern Folklore. Bayou is a beautifully-rendered Alice in Wonderland-style fairytale set in Mississippi during the Depression. It is a uniquely Southern world, filled with mud and Spanish moss, concurrently embracing and fighting against the legacy of slavery.


Global warming has caused the melting of Antarctica and the rise of sea levels across the globe. The once prosperous, show stopping city of Manhattan now finds itself a series of submerged buildings and canal-lined streets. The city is divided between those who live in the Aeries (enormously tall high-rise buildings) and those forced to live down below, in the Depth, existing on raised sidewalks and dilapidated abodes. The Aeries is home to the wealthy elite, including all those in positions of political power. The Depth is the refuge of mystics, those with supernatural abilities, who once helped to build the incredible city itself. After a “mystic spurred bombing” the mystics were forced out of the Aeries for the protection of those without power. What remains is an uncomfortable and unwelcome balance between those above and those below, each fearful of what the other’s actions could bring.
Fans of Will Hill’s first book, Department 19, will not be disappointed by The Rising. In this exciting and fast-paced sequel, the Operators of Department 19 are tested beyond measure when their director, Admiral Seward, reveals that the world’s oldest and most powerful vampire, Dracula, has risen once again. As the disturbing news sparks more vampire attacks and a higher level of secrecy between department members, Jamie, Kate and Larissa all struggle to keep their bond intact. Subplots abound throughout Hill’s 600-page novel, and familiar characters such as Frankenstein and the Rusmanov brothers reappear at center stage. But there are plenty of new mysteries to be solved with the introduction of a seemingly friendly, genius scientist and a wandering desert man who knows all about vampires and the inter-workings of Department 19. Readers will find many of the aspects they loved from the first book here as well, including technological super weapons, intense battle scenes, a good level of descriptive gore and moral dilemmas that call human nature into question. The Rising is written in an almost movie script-like fashion that allows the reader to visualize the story in exceptional detail. There is no doubt that Hill is once again able to captivate readers and leave them begging for more.










