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Archive for the ‘Historical Nonfiction’ Category

Bud here with a few mini reviews of some good non-fiction books.

Helter SkelterHelter Skelter: The True Story of the Manson Murders, by Vincent Bugliosi & Curt Gentry

The fascinating story of Charlie Manson, his fanatically loyal hippie followers and the savage Tate-LaBianca murders is engrossingly recounted by the author Vince Bugliosi, who was directly involved as a prosecuting attorney in the case. Forty-one years after its original publication, it deservedly remains one of the best, and most popular, True Crime books of all time.

Sample sentence: “It was so quiet, one of the killers would later say, you could almost hear the sound of ice rattling in cocktail shakers in the homes down the canyon.”

Check the WRL catalog for Helter Skelter

 

The Indifferent Stars Above: The Harrowing Saga of a Donner Party Bride, by Daniel James BrownIndifferent Stars Above

The story of the tragic Donner party expedition in 1846 is vividly recounted in this fine history book. Told primarily through the experience of one young woman, the narrative is grim and occasionally heartrending but also educational. You learn a lot about what everyday life was like for pioneers on the overland trail and, in particular, about the astonishing ability of people to endure great suffering and survive. A tragic tale eloquently and engrossingly re-told.

Sample sentence: “When she first looked into the survivors’ eyes, Eliza Gregson was startled by what she saw looking back at her, and she later marveled at it. ‘I shall never forget the looks of those people, for the most part of them was crazy and their eyes danced and sparkled in their heads like stars.’”

Check the WRL catalog for The Indifferent Stars Above

 

Empire of the Summer MoonEmpire of the Summer Moon, by S.C. Gwynne

The lifestyle, battles with white settlers, and eventual decline of the Comanche Indians in late 19th century Southwest America are detailed in this extensively researched and elegiac history. In particular the lives of white Indian captive Cynthia Ann Parker and her mixed-blood son Quanah, last war Chief of the Comanche are poignantly recounted.   A remarkable story graphically brought to life by a skilled writer. A good choice for anyone who thinks history is boring.

Sample Line: “What was she (Cynthia Ann) in the end? A white woman by birth, yes, but also a relic of old Comancheria, of the fading empire of high grass and fat summer moons and buffalo herds that blackened the horizon.”

Check the WRL catalog for Empire of the Summer Moon

Or try Empire of the Summer Moon as an audiobook on CD

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Island on FireSome volcanoes are world famous; everyone has heard of Mount Vesuvius, which destroyed Pompeii in the time of Pliny. Iceland’s volcanoes are less known, although they were in the news a few years ago when unpronounceable Eyjafjallajokull spewed out enough ash to disrupt European air travel for weeks. Eyjafjallajokull may be more present in modern consciousness but it isn’t the only, the largest, or even the most dangerous of Iceland’s many volcanoes. Recently, scientists and historians have been focusing their attention on Iceland’s fissure volcano Laki, which evidence suggests may have disrupted world climate for years after it started erupting in 1783.

Island on Fire’s long subtitle, “The Extraordinary Story of a Forgotten Volcano the Changed the World” sums up the problem with its history: this eruption occurred in a sparsely populated part of the world before the advent of easy international travel or communication. Nonetheless new research using techniques such as ancient ice cores suggests Laki’s eruption affected the climate all over the world. This lead to crop failures and famine and, depending on how you calculate it, may have killed millions of people. In a long eruption that continued over months Laki spewed out enough toxic gases to poison the entire lower atmosphere, especially over Europe. From all over Europe numerous newspaper accounts from the summer of 1783 report a “dry fog” that made it difficult for people to breathe.

Much of the surviving eyewitness account from Iceland comes from Jón Steingrímsson the ‘fire priest’ who famously gave a sermon while lava was bearing down on his village church. His journal reports unbelievable devastation and destruction, including the horrific symptoms in people and livestock from months of exposure to fluorine gas.

A compelling, if sometimes disturbing read, Island on Fire includes plenty of maps and black and white photos. The interested reader can also find color visuals of Iceland’s wonderful landscape, and the story of Laki’s eruption in the documentary Doomsday Volcanoes. For those interested in volcanoes in general try the documentary series Mega Disasters.

For another fascinating book about the historic effects of a major volcanic eruption try Tambora, by Gillen D’Arcy Wood. And for a gripping teen trilogy about the worldwide effects of an apocalyptic eruption of the Yellowstone supervolcano I heartily recommend Ashfall by Mike Mullin.

Check the WRL catalog for Island on Fire.

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uglowBig social histories can seem forbidding with their blocks of print, lots of footnotes, and, too often, turgid writing style. In the hands of Jenny Uglow, though, history is anything but pedantic. I have been a fan of Uglow’s history writing since I read The Lunar Men, a collective biography of five men who, as Uglow posits, were “the inventors of the modern world, 1730-1810.” Here, Uglow brings her fluid writing style and attention to detail to the lives of the inhabitants of the Great Britain at the end of the 18th and beginning of the 19th centuries.

In many ways, these times do not seem so far removed from our own, as social unrest, sectarian violence, fear of war and invasion, and income inequality set the tone. Napoleon’s military successes on the European continent led to his increasing power in France and heightened fears that his next target would be the English coast. Uprisings in Ireland only exacerbated these fears. Food shortages across England left many starving and taxation to pay for the war proved unpopular, leading to civil unrest that in light of the recent deposition and execution of Louis XVI left King George concerned not only for his crown but for his neck.

In telling these stories, Uglow moves easily and with mastery from the general to the specific. She makes exceptional use of diaries, letters, and journal entries to indicate how individuals responded to circumstances and then puts those reactions into the broader picture.

With the 200th anniversary of the Battle of Waterloo coming in June, anyone interested in the Napoleonic period will find something to enjoy here.

Check the WRL catalog for In These Times.

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jacketStrange that on a fine afternoon I’m thinking of death. Especially the death that killed whatever hope remained of a free Roman Republic—not that much hope existed. Julius Caesar had crossed the Rubicon, civil war wracked Rome, and the provinces were restive under the thumbs of local governors bent on earning glory on the backs of the locals. Caesar’s hollow gestures gave the discontented Senate little public reason to oppose him. He had the power to elevate or destroy the ambitious, he controlled both the public purse and a private fortune, and he was insulated by the support of his troops.

And so, over the course of a few weeks, senators conspired (I love that word—it literally means breathed together, conjuring up images of whispering figures close enough to smell each other’s breath) to test the waters and find the like-minded who believed Caesar had to go in order for the Republic—that is, the already-powerful—to rule. And on the Ides of March, gathered in the Theatre of Pompey, the conspirators struck.

Shakespeare’s famous scene compresses events that actually took place over a period of weeks as ordinary Romans tried to figure out which faction was either in the right or stood the best chance of winning the civil war everyone saw coming. Gladiators served as bodyguards for the conspirators, while army veterans swarmed into the city to ensure their land and pensions weren’t at risk. Both sides sculpted their public events to create drama and win support, but in the end it came down to money. Who could both fulfill Caesar’s will and pay the troops who would fight the actual battles?

Strauss pulls out of the wings a number of characters who are not featured in Shakespeare’s version. One of the most interesting is named Decimus, whom Shakespeare cast in a minor role as Decius Brutus. In fact, he was one of a trio—Marc Antony and Octavian being the other two—honored in one of Caesar’s triumphs, and was widely considered a rising star. It was Decimus, not Brutus, whose betrayal was more likely to have shocked Caesar, and Decimus whose post-assassination indecisiveness cost the conspirators their opportunities. Strauss also introduces us to the politically powerful women who pushed, pulled, financed, and slept their way to positions of influence. Far from the passive skirt-clutching simps that popular imagination consigns pre-Friedan women to, these were tough, astute players who had a vision of Rome’s future and who did all but carry swords into the battle.

Shakespeare can take credit for making this the most famous assassination in history, and his drama explores deeper themes than are found in the history. But the history is fascinating, and Strauss makes it read as a drama just as wonderful as Shakespeare’s.

Check the WRL catalog for The Death of Caesar.

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3MinutesThis is a powerful history. It is a story of survival, loss, atrocity, renewal, guilt, luck, sadness, and hope. Three Minutes in Poland is a painstakingly-researched book that grew out of a home movie made by David Kurtz, the author’s grandfather. In 2009, Glenn Kurtz happened upon the movie in a family closet. Having emigrated to the United States years before, David, his wife, and friends toured Europe in 1938, just before the outbreak of World War II. David Kurtz, with his 16 mm movie camera, sporadically recorded the excursion, including three minutes documenting a small Polish town from which the family had come.

The significance of those three minutes in 1938 was immediately clear to the author. Within a year the Holocaust had started. By 1942 most of the 3000 Jews from the town had been murdered. This short record offered a rare pre-war snapshot of the Jews of Poland, happy and thriving. With unrelenting determination, Glenn Kurtz undertook a project to identify the faces captured in his grandfather’s home movie. He wanted to learn more about the small town, what it meant to his grandfather, his extended family, and the Jews who lived there. Kurtz’s book not only chronicles that research, it brings to life again some of the lost souls who died during the Holocaust.

In writing this book Kurtz traveled around the globe. He followed leads throughout North America and made friends and discoveries in Israel, Poland, and England. Despite how few people survived, Kurtz assembled an extensive network to identify and interview individuals with first-hand knowledge of the town and its people. He focused on the survivors to reconstruct this town documented in his grandfather’s home movie. In particular, the author spent many hours talking with Morry Chandler (whose granddaughter identified him as one of the waving children in the home movie).

Three Minutes in Poland is an intimate portrait of how many Jewish families were devastated, and yet some managed to survive. Throughout his well-crafted book, Kurtz weaves a story of past, present, and future that engages the reader. The personal element of reconstructing his heritage notwithstanding, much of Three Minutes in Poland also is a reminder to never forget the victims of the Holocaust. Through intelligence, perseverance, and skill, Kurtz presents a compassionate history that will move and inspire almost any reader.

Check the WRL catalog for Three Minutes in Poland

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Justinians FleaFive centuries after the birth of Christ the ancient Mediterranean world was booming; architecture, literature, trade, and philosophy, were experiencing great leaps in development. In Constantinople, Justinian was trying to hold together the Roman Empire despite inroads from barbarians from all directions. By all accounts he was an able (if at times brutal) leader, but he was unable to fight the first pandemic of Bubonic plague. From 541-542 it is estimated to have killed 25 million people, depopulating cities and perhaps leading to the shape of the modern world from the European nation states to the rise of Islam.

Justinian’s Flea tells this story with sections ranging from the biology of rats, and their passengers of fleas and Yersinia pestis (the bacterium that causes Bubonic plague), to the political intrigues of Justinian’s Court. The author has brought together disparate disciplines and facts including climate estimates from tree rings, the technological advances of ancient warfare, grave sites, and notarized wills. The book is fleshed out with wrenching quotes from contemporary accounts such as the prolific Procopius who said “there was a pestilence by which the whole human race came near to being annihilated.”

Justinian’s Flea is a weighty but readable tome and since I don’t usually read nonfiction history, I learned an enormous amount.  I lean towards science nonfiction and this book is a great companion for other books about the role of diseases in human history such as The Ghost Map by Steven Johnson, Rabid: a Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy,  Plague: A Very Short Introduction by  Paul Slack or The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee.

For fiction readers, Year of Wonders: A Novel of the Plague by Geraldine Brooks, which is set in the time of the Black Death (Bubonic Plague 600 years later), includes harrowing descriptions of the disease and the effects on people even if they survived. For those interested in visuals you could also try the History Channel DVD The Dark Ages.

Check the WRL catalog for Justinian’s Flea.

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Link to the Past CoverIt can be fun working right next to Colonial Williamsburg, the world’s largest living history museum; not only do we get to see Thomas Jefferson wandering along the street texting, but we also get to walk past old-fashioned zigzag, split rail fences and see fields of farm animals in the middle of the city.

Link to the Past, Bridge to the Future: Colonial Williamsburg’s Animals is a great way to learn about these animals. It includes sections on cows, sheep, pigs, chickens, pigeons, fish, horses and pets, with simple, clear descriptions of animal management and use, in both colonial times and the present day. It points out that in colonial times animals shared people’s daily lives in a way that they don’t often do today. Of course the colonists used the meat, milk, eggs, and wool from their animals but there were also surprising uses such as including animal hair in plaster for house building, which Colonial Williamsburg brickmakers still do, as they always strive for authenticity.

Modern farm animals have been bred for specific traits over the last several hundred years so to be authentic, Colonial Williamsburg has researched, bought and raised rare breeds such as the Leicester Longwool Sheep. Their research includes works written by the colonialists so Link to the Past, Bridge to the Future has several quotes from George Washington about how he managed his animals.

The text explains and complements the pictures, but like the other books about Colonial Williamsburg Link to the Past, Bridge to the Future is an enjoyable and worthwhile book just for the photos. Every page includes wonderful photographs of the interpreters in costumes performing their farming tasks by hand, as well as photographs of the animals as they go about their lives.

This book is great to read with other Colonial Williamsburg titles: Vegetable Gardening the Colonial Williamsburg Way: 18th Century Methods for Today’s Organic Gardener, by Wesley Greene, or The Colonial Williamsburg Tavern Cookbook, by The Colonial Williamsburg Foundation. It also includes the history of chickens which you can learn about in greater depth from Why Did the Chicken Cross the World?: The Epic Saga of the Bird that Powers Civilization, by Andrew Lawler.

Check the WRL catalog for Link to the Past, Bridge to the Future.

Baa-bara
Baa-bara who came to meet children at Williamsburg Regional Library’s “Sheepish Storytime” on February 21.

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Blizzard“No-one knew THEN that this was the day which was to be remembered when all the days of 70 years would be forgotten.”

If you’ve spent any time in the last few weeks watching the Weather Channel, you’re accustomed to the long lead-in we have to any winter storm. Plenty of time to gas up the generator, run to the grocery store for more milk, or double- and triple-check the school closings. This riveting and often heartbreaking look at a 19th-century blizzard reminds us that once, the only warning of a deadly cold front was the wall of fast-approaching clouds and a plummeting thermometer.

In January 1888, an unprecedented winter storm swept across Nebraska, the Dakotas, and southern Minnesota, freezing cattle in their tracks, freezing farmers and their children where they fell, or sometimes even where they stood. (Yes, Jim Cantore, there was also “thunder snow.”) It became known as the “Schoolchildren’s Blizzard” because it struck on a clear, fine day when many youngsters were at school, and it was their attempts to reach the safety of home that ended in so many tragedies. Laskin’s history draws on memoirs and oral histories from pioneers who lived through the blizzard, and he notes that even the most taciturn, uncomplaining immigrants wrote about this storm as being unlike anything they had lived through before.

Just like any modern weather event, there’s a lot of talking before the weather actually hits. Laskin spends the first half of the book describing the lives of the Swiss, German, and Norwegian immigrants who came to the great prairies in search of land and freedom. He surveys the 19th-century weather service, run by officers in the U.S. Army Signal Corps. The scandal-ridden weather service was surprisingly entertaining: it depended on staff like the fellow who took all of his weather observations at the local pawn shop, where he had hocked his barometers to pay off a poker debt. Laskin is actually quite poetic in describing the atmospheric dance of high and low pressure areas that builds to a winter storm. Then, finally, the blizzard itself arrives: blowing in at 45 mph, temperatures and visibility plummeting. Across the prairies, students and schoolteachers take stock of the situation and decide whether to shelter in place or strike out for the warmth of nearby homesteads. And you, the reader, want to warn them, just like we warn characters in horror movies not to head to the basement… don’t leave the schoolhouse.

The narrative follows several individuals and groups who walked into the storm and were blinded and disoriented by the wind’s intensity. They were assaulted not by the “lacy star-patterned crystals” of Christmas-card snow, but a fine, choking, blinding dust of nearly microscopic ice crystals. Disoriented, travelers wandered from their paths. The lucky ones found shelter in haystacks. Others died within sight of their destinations—if only they had been able to see. Hundreds died that night, although some survived, like schoolteacher Minnie Freeman, “Nebraska’s Fearless Maid,” who roped her charges together on their walk to safety, or so goes the song. In telling these stories, Laskin explains the physiology of hypothermia and frostbite and why some survived a night of exposure only to drop from cardiac failure as soon as they stood up the next day.

If you enjoy tales of survival and disaster like Erik Larson’s Isaac’s Storm, The Children’s Blizzard is a sad but fascinating winter read.

Check the WRL catalog for The Children’s Blizzard

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PioneerLaura Ingalls was my first heroine. Despite her tales of crop-destroying grasshoppers and bitter winters and wolves howling outside her door, there was something in her spare, vivid writing that made me want to live in a log cabin in the Big Woods of Wisconsin.

Pioneer Girl is a handsome volume, compiled with love and scholarship by the South Dakota Historical Society Press. It presents Laura Ingalls Wilder’s first, handwritten memoir, which was later reworked by the author and her daughter, Rose Wilder Lane, into the beloved “Little House” series.

Many of the episodes will be familiar to readers who followed the Ingalls’s westward migration from Wisconsin to De Smet, South Dakota. Other incidents, memorably the death of a nine-month-old baby brother, never made it into the children’s series.

The manuscript has been annotated with microscopic attention to detail, cross-referencing Wilder’s recollections with census records, land records, old family photographs, and news articles. Footnotes sift fact from fiction and fill in some historical context: why were Indians hanging out in Ma’s kitchen, helping themselves to the food? Because the Ingalls were homesteading illegally on land still belonging, by treaty, to the Osage tribe.

You may not need to know the exact species of leech from the infamous incident in which Laura led her nemesis, Nellie Oleson, into the bloodsucker-infested waters of Plum Creek (Erpobdella punctata). You may not want to know that Nellie Oleson herself is a fiction, a composite character made into a villain to give the narrative a stronger structure. (Life, so frequently, lacks a strong narrative structure.) But if you are interested in these details, or in the process by which a novel is made out of memories, then this is a worthwhile book to browse through on a cold winter day.

Check the WRL catalog for Pioneer Girl.

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marchCongressman John Lewis has spent almost the entirety of his life fighting for justice and civil rights in America. March is a trilogy that brings to life his experiences and struggles in a deeply personal account that is both inspiring and riveting. The first volume was published in August 2013, and the second was just released in January 2015.

The story bounces back and forth in time between the inauguration of President Barack Obama and Congressman Lewis’ own history, starting when he was a young child in Alabama, the son of a sharecropper. This serves as an effective juxtaposition between how far African-Americans have come and where they were just a short lifetime ago. Congressman Lewis weaves his narrative adroitly, using stories like his experience being in charge of his family’s chicken coop to build a foundation for his ongoing dedication to non-violence. His eagerness for education sometimes chafed against the needs of his family’s farm, but Lewis pressed on in his quest for learning. Along the way, he also got an education on the social injustice that tried to keep the worlds of blacks and whites separate.

Early on, his path crossed with the older, more established Dr. Martin Luther King, Jr. The reader knows what the young John Lewis does not: that this initial meeting is between two men who will become icons. This part is intentionally quiet; the reader silently follows Lewis on the journey to King’s church for the meeting, feeling their nerves get tighter and tighter in anticipation along with the narrator’s. It is an exceptionally well-executed scene.

Lewis eventually joins a local pacifist group committed to non-violence in their quest for desegregation. A larger group, the Fellowship of Reconciliation, had published a comic book called Martin Luther King and the Montgomery Story which helped serve as guidance and inspiration for their work. Although this item is no longer available in print, it is obtainable in full-text online through Stanford University’s Martin Luther King Jr. Papers Project. As an avid reader of graphic novels, this was a fascinating piece of literary history.

Nate Powell is a talented illustrator and took up the daunting challenge of depicting major historical figures with particular sensitivity. He is a previous winner of the Eisner Award for his book Swallow Me Whole and his work is always worth a look just on its own merits. March, was named a Coretta Scott King honor book in 2014 for co-authors John Lewis and Andrew Aydin.

Recommended for readers of American history, social justice, African-American history, and biography.

Check the WRL catalog for March, Book One.

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Cover art, Satchel Paige on baseball moundThis week I have selected titles in honor of Black History Month. For other recommended titles that I have already reviewed, please check out Bayou, Incognegro, and African-American Classics.

Calling the life of Leroy “Satchel” Paige remarkable seems an understatement unworthy of its subject. But how else could you describe a man who, though held back by the bitter shackles of Jim Crow, embarked upon a baseball career that lasted six decades and earned accolades from fans and competitors alike. Joe DiMaggio called Paige “the best and fastest pitcher I’ve ever faced.”

Rather than a straightforward biography of Paige, the author chooses to present the story through the eyes of a man named Emmett, an African-American sharecropper from Alabama who has baseball aspirations of his own. Emmett’s story overlaps with Satchel Paige’s every few years, starting in 1929 with Paige’s early days in the Negro leagues through 1944, which is four whole years before Paige becomes one of the oldest rookies ever in Major League Baseball at age 42.

Emmett’s life and experiences as a sharecropper are filled with reminders of his place in society: daily doses of disrespect and not-so veiled promises of violence if he steps out of line. He watches Paige, a talented, cocky, showboating athlete who doesn’t seem to show the weight of society’s injustice on the mound. In this biography, Paige lets his pitching do the talking for him, tightening up his form and getting strikeouts when it matters most, whether it is in a Negro League game or a white team vs. black team barnstorming game.

This story is a well-paced, easy read, and although categorized as a children’s book, it is approachable by readers of all ages. The art is clean, although the characters aren’t particularly expressive; this serves to keep the emotional focus of the story on the narration.

Recommended to readers of history, specifically sports history and civil rights history.

Check the WRL catalog for Satchel Paige: Striking Out Jim Crow

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WhyDidtheChicken

The title of this book poses an interesting question: why do chickens occur all over the world, and have for a long time? The short answer is that people took them around the globe because they are useful and noble birds.

Penguins (which I blogged about yesterday) are relatively rare birds and are considered cute, while chickens are so ubiquitous as to be thought boring. Andrew Lawler has done a great job of convincing me that chickens are not in the least bit boring, and hopefully the photo below of Henny Penny and Co. (wondering if my iPad is edible) will convince you that they are cute. Readable, surprising and captivating, this book will make you want to immerse yourself to find out more about this fascinating bird of contradictions.

Why Did the Chicken Cross the World? is dense with facts, including many surprising ones such as that there are more chickens in the world than cats, dogs and rats put together, in fact, so many chickens that they outnumber people. Andrew Lawler argues that chickens are far more useful and important to human history than they are generally given credit for. They have been significant for religions from Zoroastrianism to Christianity for thousands of years and, because of the rooster’s habit of crowing just before dawn, they have frequently been seen as symbols of light and resurrection. As small animals that will eat scraps, they have always been economically important to poor or marginalized populations such as American slaves. They are important to medicine and scientific research in areas from growing vaccines to chick embryo development.

Chicken1

The chicken’s own history is somewhat murky. They are almost certainly descended from Asian Jungle Fowl (probably Red), but whether it was once or multiple times, and exactly where, is still controversial. We know why the chicken crossed the world, but how is not as clear, because chickens are small animals with tiny, easily eaten, scattered or rotted bones. Archaeological evidence of chickens is scarce, but it does suggest that Polynesians took chickens on their remarkable Pacific voyages, and that Tandoori Chicken recipes may have been invented in Indus Valley civilizations around 5000 years ago!  For local history buffs, in 1752 the College of William and Mary banned their students from attending cockfights, but that didn’t stop George Washington attending one in nearby Yorktown!

One thing I found missing from this book was illustrations. When the author talked about the Red Jungle Fowl or Queen Victoria’s many exotic breeds, I wanted to see what they looked like, so I used a copy of Storey’s Illustrated Guide to Poultry Breeds by Carol Ekarius with its great illustrations.

This book will appeal to readers who are interested in the intersection between humans and animals such as  Some We Love, Some We Hate, Some We Eat, by Hal Herzog, or the effects of animals on human history like Spillover, by David Quammen.

Check the WRL catalog for Why Did the Chicken Cross the World.

WyandotteChicken

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TheOldestLivingThings

Several months ago a group of us here at Williamsburg Regional Library presented The Top Five of Five for Non Fiction at the Virginia Library Association Conference. I was assigned science books, and one of the trends I reported on was “Guide Books Plus.” Over the next three days I will be reporting on some science Guide Books that are Plus, Plus, Plus! I think they expand the definition of guide book and that they are superbly readable, informative and visually stunning books. The first one is the loveliest book I have seen for a long time with a quirky and fascinating angle on nature: The Oldest Living Things in the World.

Rachel Sussman spent a decade travelling around the world finding, researching and photographing these enchanting, odd, and sometimes poignant organisms. Everything in the book is over 2000 years old and they go up to tens of thousands of years old. Animals, apart from primitive ones like sponges, simply don’t live that long, so most of the photographs are of plants, but there are also fungi, lichens and coral. Sadly, as the author says, “being old is not the same as being immortal,” so some of the organisms, like Florida’s Senator Cypress tree, are listed as “Deceased.”

Some of these organisms have become so old by using unusual survival techniques, or in everyday language by being very strange, for example the underground forest of southern Africa. The landscape is so dry and devastating fires so common that most of this plant grows underground. The photograph shows reddish desert dirt with an unassuming low-spreading plant with olive green oval leaves—just your average weed, except that the part showing is just the crown peeping through. If a fire rips through, it is only like having your eyebrows singed off and the tree will survive.

This is a large format book (27 x 30 cm according to our catalog) that is worthy to grace any coffee table. The exquisite photographs of varied landscapes from the fjords of Greenland to the rain forest of Eastern Australia to African deserts are dazzling enough to attract the attention of an art photographer, while the text about the organisms is personal and engaging. Rachel Sussman often describes how she heard of some of the more obscure organisms, how she traveled and what adventures she had in all corners of the world. About 3000-year-old Chilean desert plants she says: “Every once in a while you see something so ludicrously beautiful that all you can do is laugh.” Armchair travelers will thrill at seeing some little-visited parts of the world.

This is a great book for readers who like unusual science books with beautiful photographs like The Snowflake, by Kenneth Libbrecht  or quirky guidebooks like The Songs of Insects, by Lang Elliott and Wil Hershberger. And read it if you find yourself ruminating on the brevity of our allotted three-score and ten.

Check the WRL catalog for The Oldest Living Things in the World.

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Shocked“Witty” and “entertaining” are not words I would expect to use to describe a book mainly about resuscitation, but Shocked: Adventures in Bringing Back the Recently Dead is definitely both. Author David Casarett manages to be droll even about death: “I’m watching his respirations (nil), heart rate (zero), blood pressure (zip), and EKG tracing (flat). It’s a textbook case of someone who is undeniably and incontrovertibly deceased.”

Casarett is a medical doctor who explored historical resuscitation techniques (good and bad) and interviewed doctors, researchers, and cryogenics enthusiasts among others to bring us up to date on modern research and techniques. Laugh-aloud moments include when he tries an old resuscitation technique of lying face down on a trotting horse and nearly suffocates himself.

The book tells stories about many individual people who have been brought back for a second chance at life after being resuscitated, such as “The Ice Woman” who was submerged under ice for eighty minutes in Norway but survived. For those interested in the idea of never dying there is a section on cryogenics. Casarett’s verdict is mostly negative, because the problem with freezing a living thing is that ice damages the cells. Some animals, such as wood frogs, can manage to survive a type of freezing but “science has yet to adequately preserve anything much bigger than an acorn.”

The book is at times hilarious even as it imparts solid scientific information about things like the electrical rhythms of a beating heart. It also raises important philosophical, ethical, and even religious questions about dying and end-of-life care. Casarett concludes that resuscitation techniques have changed all of medical practice because: “The most exciting thing about this safety net is that most of us have been affected by it. If you’ve undergone any procedure as an outpatient, for instance, that procedure was possible because of advances in life-saving technology. Procedures like wisdom tooth extractions or endoscopy or even hernia repairs that used to be conducted in the operating room can now be conducted in an outpatient surgical suite.”

Shocked: Adventures in Bringing Back the Recently Dead will be a hit with readers who enjoy quirky science books like Mary Roach’s Packing for Mars or Bonk: The Curious Coupling of Science and Sex, or What If?: Serious Scientific Answers to Absurd Hypothetical Questions, by Randall Munroe.

Check the WRL catalog for Shocked: Adventures in Bringing Back the Recently Dead

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Ebola“The current scientific understanding of Ebola viruses constitutes pinpricks of light against a dark background.”

Knowing that David Quammen was such a great science writer I wanted to read his timely update about Ebola. In the introduction, Quammen acknowledges that this book is adapted from his 2012 book Spillover that I blogged about yesterday but Ebola is a much quicker read. It is still well worth reading even if you have read Spillover because of the updates. In early December as I write this, the current Ebola outbreak has killed over 6000 people (CDC – 2014 Ebola Outbreak in West Africa – Case Counts). This means that this outbreak has killed more people than all previous outbreaks combined. Quammen’s expert and readable style is very matter of fact and it paints Ebola as a terrifying and largely unknown disease, even if it doesn’t spread much to countries outside the continent of Africa. It has “a case fatality rate ranging from 60 to 75 percent. Sixty percent is extremely high for any infectious disease (except rabies); it’s probably higher, for instance, than fatalities from Bubonic plague in medieval France at the worst moments of the Black Death.”

Ebola is currently being studied furiously but there is still much that scientists don’t know. For one, they are not sure what causes “the transitory nature of the disease within human populations. It disappears entirely for years at a time. This is a mercy for public health but a constraint for science” and why “Ebola viruses barely showed themselves anywhere in Africa for fifteen years (1976-early 1980s).” Quammen concludes that “We don’t even know if the past is a reliable guide to the future–that is, to what degree history and science can illuminate the Ebola events of 2014.”

There is sobering information like, “The higher the case count goes, the greater the likelihood that Ebola virus as we know it might evolve into something better adapted to pass from human to human, something that presently exists only in our nightmares.” This is terrifying when coupled with information like “the virus was mutating prolifically and accumulating a fair degree of genetic variation as it replicated within each human case and passed from one human to another.” We can only fervently hope that Quammen’s apt metaphor doesn’t come to pass: “Every spillover is like a sweepstakes ticket… Sometimes the bettor wins big.”

Oddly, even Ebola has facts that I found quirky: apparently when an Ebola patient develops the commonly annoying but harmless condition of hiccups, it usually means death is near.

Try reading Ebola if you like the history of science and history of disease books that I mentioned yesterday. If you previously read the bestseller The Hot Zone, by Richard Preston, Ebola is a good update. Sadly, for the 6000 victims of this dread disease who have already died, and those yet to die, you may also be interested in reading Ebola: The Natural and Human History of a Deadly Virus if you want to read about the scientific background of large events in the news.

Check the WRL catalog for Ebola.

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SpilloverZoonotic diseases are in the news and the news is not good. Sixty percent of human diseases are zoonotic–that is they are spread to humans from animals (at least at first). This includes terrifying rabies that everyone knows comes from the bite of an infected animal to diseases like flu that we think of as human. The evocative title of this book, “Spillover” is the actual scientific term used by disease ecologists for the moment when a pathogen passes from members of one species into another. I like books about animals. I’m all over cute and fluffy and I’m fascinated about the role that we play in animals’ lives. Spillover is a book about the role animals play in human lives and you may not sleep peacefully after reading it.

David Quammen spent almost a decade gallivanting around the world, interviewing hundreds of scientists, doctors and disease survivors as well as researching and writing Spillover. It is almost 600 pages, but I was unable to put it down as he talked about the SARS outbreak in 2003, and the origins of AIDS and ebola. I learned an enormous amount about virology, natural history and epidemiology. And if you are obsessed and super-nerdy (like me) you will enjoy Spillover’s 25-page bibliography of scientific studies that you can look up in PubMed.

Quammen has a gift for making the scientifically complicated understandable to the everyday reader. He has a poetic turn of phrase about viruses–“They can’t run, they can’t walk, they can’t swim, they can’t crawl. They ride”–that just highlights how scary they can be. I learned odd facts for instance that certain types of moths and tent caterpillars have outbreaks on trees some years. The caterpillars die back because they are killed by viruses that cause them to ‘melt’ onto leaves, and then the other caterpillars just eat them (yuk!) Thankfully, unlike the insects, we can change our behavior to protect ourselves from viruses!

I think the best quote from Spillover sums up human knowledge and control over zoonotic diseases in general. We think we’re ahead but we might not be. When asked a lot of questions about the Hendra virus in Australia, scientists answered: “We don’t know but we’re working on it.”

Spillover is a sure bet for readers who are fascinated by the role of diseases in human history. For nonfiction readers who have tried The Ghost Map, by Steven Johnson,  or Rabid: a Cultural History of the World’s Most Diabolical Virus, by Bill Wasik and Monica Murphy. Or for fans of fiction such as Year of Wonders: A Novel of the Plague, by Geraldine Brooks.

Check the WRL catalog for Spillover

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Going ClearTalk show monologues, celebrity gossip columns, even South Park episodes are full of jokey references to the quirky beliefs of Scientology and adherents like Tom Cruise and John Travolta. If you’re like I was, you laugh along with these, but don’t really know anything about Scientology. I watched The Master, a film with Joaquin Phoenix, Amy Adams, and Philip Seymour Hoffman as Scientology founder L. Ron Hubbard to try to get some insight. The film piqued my interest, but left me with more questions than answers.

As I learned while reading Lawrence Wright’s excellent Going Clear: Scientology, Hollywood and the Prison of Belief, my confusion was no accident. Scientology is a slippery subject for at least five reasons. First, it’s not a religion in the traditional sense that many of us assume. In particular, there isn’t much reference to a god or gods in Scientology. Second, terminology within the religion is full of strange jargon that outsiders find hard to decipher. Third, even within the religion, access to beliefs is parceled out to each adherent as they gain different levels in a hierarchy. Fourth, the beliefs of the religion have shifted over time and continue to change. Fifth, and perhaps most central to the book, it’s not easy to leave Scientology, and life can get quite unhappy for those who divulge Scientology’s secrets publicly. Those who protect the religion aren’t above smear campaigns against Scientology’s critics, and there’s an organized campaign to put out favorable disinformation in response. Only the disgruntled are likely to go public, and they aren’t the most reliable sources. Add all of this up, and it’s no wonder that Scientology makes for a distinctly blurry target.

That’s why it’s so important that someone of Lawrence Wright’s stature and thoroughness as a researcher and writer took on the subject. Wright is an award winning journalist and writer whose previous book, The Looming Tower: Al-Qaeda and the Road to 9/11, won the Pulitzer Prize. Wright spent years interacting with former Scientologists and pursuing queries with current adherents to the highest level. He’s not just repeating the gossip of a few disgruntled apostates. Everything in the book is carefully documented with multiple sources and the book was singled out for multiple awards, including a National Book Award nomination.

All of that makes this sound like a dreary tome, but far from that, it’s also a fascinating and highly readable narrative, covering Scientology from its odd beginnings, through years at sea where L. Ron Hubbard traveled on ocean liners, unable to find a country to call home for his religion, even as its beliefs developed in many strange directions. The tale continues into the modern era when celebrity adherents are carefully groomed, lavished with perks, and then kept cautiously in line, and on to David Miscavige, who took leadership in a late 1980s coup against Hubbard’s intended successors and continues to rule his flock with an iron fist.

Along the way Wright catalogs Scientology’s odd collection of beliefs about reincarnation; its battles with psychology, the IRS, and the legal systems of many nations; its extortion of money from believers and extended investment in real estate; and most of all, its cruel treatment of adherents who fall into disfavor with the Church’s leaders and sustained campaign to keep them in the religion’s control. Wright debunks Hubbard’s many lies about his background. He shows how Scientology has extorted money from adherents by forcing them to take expensive classes and even making charges to their credit cards without permission. He documents Miscavige’s physical and emotional abuse of even his highest lieutenants. He reveals the lush treatment given to Tom Cruise, including the way that Scientology helped him procure a new partner after his split with Nicole Kidman. Most horrifically, Wright describes the way in which Scientology has broken the families of members, taken away children, mandated divorces and abortions, and imprisoned, tortured, starved, and brainwashed those singled out for punishment.

For a taste, check out this summary of some of its revelations, but to put yourself fully in the know, check out the book and read it in its entirety.

Check the WRL catalog for Going Clear: Scientology, Hollywood and the Prison of Belief

Or listen to Going Clear on audio CD

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ParisI’ve been enjoying this rambling tour of the Paris art world in the 1860s and ’70s, when the established traditions of great painting were under siege, and newcomers wielding their paintbrushes like floor mops were revolutionizing, or possibly just ruining, French Art.

It’s organized loosely around the careers of two painters, figureheads of the opposing schools. Ernest Meissonier paints musketeers and subjects from history, in moments that impart a moral lesson. Edouard Manet depicts absinthe drinkers and prostitutes, a contemporary crowd in modern dress (or inexplicably nude while picnicking). Meissonier, passionate about historical accuracy, collects period dress and weaponry to create military re-enactments on canvas, laboriously layered with great detail and rewarding examination with a magnifying glass. Manet, if his critics are to be believed, slops the paint (or coal dust) on with a floor mop, approximating a scene without finishing it. Are first impressions good enough? They are for the painters who are not yet called the Impressionists, a disgruntled but passionate lot of struggling artists who are repeatedly rejected from the Paris Salon or whose paintings are “skyed,” hung so high on exhibition walls that no one can see them.

Call me old-fashioned, but I have to side with Meissonier, who is described as one of the best-selling painters you’ve never heard of. You have to respect an artist who, after his scale model of a battlefield is ravaged by mice, recreates it in full size in his yard, dragging heavy carts around to furrow the ground and strewing bags of flour about to simulate a snowy landscape. (Fortunately, he resembles Napoleon enough to model for his own paintings.) He has the local cavalry charge about on maneuvers so that he can get a better idea of how to paint horses in motion. And here comes a generation that paints wisps of colors and calls it an “impression”!

Well, history and auction prices have come down on the side of the Impressionists. But King immerses you in their controversies with great relish, including the politics of the Salon de Paris, the juried exhibition that could make or break a painter’s career. Such passions! Paintings are assaulted with walking sticks, styles are derided with great energy and imagination in the (censored) press. “This is the painting of democrats,” writes a Salon director about the new style, “of men who don’t change their underwear.” There are fisticuffs over newspaper reviews! Duels are fought!

A wealth of anecdotes, mingling history, art history, and biography, cover a lot of ground but not very deeply. This is the kind of book that adds to your to-be-read pile with tantalizing references to people and subjects you now need to know more about. Or you could go from here to Christopher Moore’s irreverent but wildly enthusiastic novel of the same time period, Sacre Bleu.

Check the WRL catalog for The Judgment of Paris.

WRL also owns the audiobook.

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