I wrote about the Western Into the Savage Country, which explores the idea of a man going West to prove himself worthy of his father and of a woman he wanted. Today’s book, Crossing Purgatory, explores a different reason for a man to go West: to escape a ruined life back East. It’s also set later in the 19th century, during a time when immigrants, would-be traders, and farmers seeking tracts of their own land set out into dangerous territory with little idea what to expect.
Thompson Grey is a successful farmer in the dark and deep soil of Indiana, but without the capital to expand his holdings. Returning from a trip to raise funds, he discovers that a tragedy has taken his entire family. Grey blames himself, and goes into exile. Along the trail and at the place he breaks his journey, he constantly drives himself with physical labor to blot out his terrible memories.
Almost by accident he attaches himself to a small party, each member of which has suffered tragedy or thwarted hope. Grey holds himself apart, but still becomes an accidental pillar of a group of homesteaders. Through his encounters we come to see the arbitrary nature of death, and the consequences of failure in the early West.
Although the Purgatory is a real river and a significant setting of the story, the river itself is only a stand-in for the searing examination of one man’s conscience and the torments he inflicts upon himself out of guilt. As we accompany Grey on his desperate journey of expiation, we come to hope that his self-loathing will give way to some form of acceptance and peace. But Gary Schanbacher’s storytelling and characters make that journey a difficult and ultimately rewarding one for us.
Check the WRL catalog for Crossing Purgatory
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In south and east Asia in the nineteenth century, opium was everything, not just a drug that had a social impact on society, but the basis of a large economy and the source of fortune for colonial empire builders. That’s the world where Amitav Ghosh sets his epic historical trilogy that begins with Sea of Poppies.
One has to enjoy being immersed in a new and complicated setting to enjoy these books. As the story opens, we quickly meet many characters: a young wife whose ex-soldier husband is so addicted that he can no longer work his job in the opium factory, their low-caste neighbor who is a gigantic ox-cart driver, a mulatto American seaman making a surprising rise in the world, an orphaned Frenchwoman, a somewhat pampered raja whose riches and position have become precarious, and many others. As these characters come from many social levels, ethnic backgrounds, and occupations, even their language is a riot of different styles, jargon, and levels of formality. It’s a rich story that engages all of the senses and hurls the readers headlong into a very different time and place.
My advice? Enjoy the swim. Use the glossary to solve your worst confusions and let the novel flow forward. It eventually coalesces, as all of our major characters find their way to the Ibis, a ship crossing the sea to China where some go as criminals, some as coolie workers, and others as soldiers to fight in the Opium Wars. On the ship, their stories come together into a more central strand. Ghosh has begun a masterwork, an epic tale about an epic subject that most readers won’t find familiar, featuring character types they haven’t before encountered. It works because it is an involving story and its hard not to sympathize with the plights of the characters. The language is lush and finishes the trick: transporting the reader successfully away.
The story continues with River of Smoke and is due to conclude with Flood of Fire later this year.
Check the WRL catalog for Sea of Poppies
Or try it as an audiobook on compact disc
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Posted in Arts, Biography, Books, Characters, Children's, Historical fiction, Jan's Picks, Quick read, Readers' advisory, Sense of place, Travel, War/Military on May 5, 2015 |
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Anyone coming from Winnipeg is well aware that the most famous of all bears, Winnie-the-Pooh, was named after that Canadian city. Many people know that the real Christopher Robin visited the real Winnie Bear at London Zoo, but London is thousands of miles away from Winnipeg, so the connection back to Canada is not well-known, even to fans of the Bear of Little Brain. Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh sets out to change this grave lack!
For the youngest of readers as well as for the staunchest of fans the book does a wonderful job of capturing the amazing details of Winnie Bear’s life. It all started during World War I when a Canadian solider, Harry Colebourn, impulsively bought an orphaned bear cub when his troop train stopped briefly in Ontario. Despite the astonishment and doubts of his officers he promised to look after their new, small, brown mascot, named Winnipeg after their regiment’s home city. Harry was a veterinarian and his job was looking after the army’s horses and to his surprise Winnie fitted in well with the normally skittish horses. Harry’s regiment took Winnie along with them on their troop ship to England, but thought France would be too dangerous for the small bear, so Winnie lived out his days at London Zoo, as a bear so friendly that children were allowed to ride on his back.
Warmly illustrated by Jonathan D. Voss, this short book is a must-read for Winnie-the-Pooh fans of all ages. It is great for the whole family to share as older readers will enjoy the author’s note and pore over the historic photographs of the real bear and his real people. Very young Winnie-the-Pooh fans will be fascinated by the connection between their bear who is a toy and a real wild animal.
Check the WRL catalog for Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh.
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This is a mystery which will appeal to fans of Charles Todd’s detective Ian Rutledge. Like Rutledge, the main character, John Madden, is a Scotland Yard detective struggling with shell shock in the aftermath of World War I. He is called to a small village in Surrey where an entire family has been murdered.
As he works with local police, he is bothered by the meticulous planning that appears to have gone into the massacre and starts to suspect that this is not the killer’s first murder. With help from the local police constable, the comely female village doctor, and an Austrian psychologist, Madden slowly develops a portrait of the suspect: a former soldier and psychopath who is escalating at an alarming rate. He has his next victim picked out, and Madden’s challenge is to find out who and where before it’s too late.
Although comparisons to Rutledge will probably draw Charles Todd’s readers to this title, there are major differences. Madden’s demons are a little more straightforward than Rutledge’s, and the overall atmosphere is more optimistic. Airth allows healing and happiness to dangle within his protagonist’s reach, whereas Rutledge’s fans often wonder when his creator is going to give him a break already.
The psychological aspects will also appeal to fans of Jacqueline Winspear’s Maisie Dobbs series.
Check the WRL catalog for River of Darkness.
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Poet Jill Alexander Essbaum transits into the fiction genre with the precision of Swiss clocks and indeed Swiss trains — ushering in a new Madame Bovary, an Anna Karenina for the 21st century. Her name is Anna Benz, and she lives in Zürich with the Swiss banker she met in America.
“It’s not just an adage, it’s an absolute fact: Swiss trains run on time.”
Anna doesn’t know how to drive her family’s car. She barely knows a soul beyond her mother-in-law, three children, and a few acquaintances; she maintains no contact with American relatives. Anna barely speaks German, endures life with no fire of spirit, and performs her duties as spouse and parent through unvaried routine, weekly circuiting her usual shopping points. Following initial bewilderment nine years ago, she has mastery over the intricacies of Zürich’s rail network. The author shows us Anna’s clumsiness occasionally, making her so real. She dresses impeccably, even fashionably— her clothes seem to me like an attempt at self-preservation–yet usually has no place to go, no plans, no one to see.
Anna was a good wife, mostly.
Anna has slipped into infidelity, incapable of suppressing the least suggestion by each man in a series of extramarital trysts. She fails to sever these liaisons against her better wisdom. Erotic reverie is a drug that distracts and pacifies her. The narration gradually reveals Anna’s mind, what she’s read, heard or wonders, her moods, her perception of others’ moods. Essbaum invites us into Anna’s hollow soul where we are initially uncomfortable yet intrigued, appalled yet sorrowed, anxious yet horrified at her inability to accept, embrace, or even experience a life many might feel grateful to live. Clearly, Anna withholds details from her Jungian analyst Doktor Messerli; yet, the reader glimpses truth in Anna’s actions, in a diary entry:
The utter sameness just drags on….I am beholden to my own peculiar irony: to survive I self-destruct….
Anna’s insightful internal voice show her to be intelligent, discerning, never oblivious yet she finds no will to extricate herself. Then, Anna remarkably makes a genuine female friend. Mary represents for Anna an unexpected opportunity to confide in someone trustworthy, to explore possibilities, but does she avail of it?
The accurate phrasing of painful emotions will have many readers relating easily to Anna’s psyche despite the fact that they’ll wish to shake Anna into shaping up and reviving herself from the mess she’s made. I absolutely loved its style of presentation, and its use of Swiss words intrigued me and enhanced the setting. Once you read the end, you realize how exquisitely tuned the poet author has made it and immediately return to the first page and begin it again, with Anna. I look forward to more good things to come from Jill Alexander Essbaum.
Check the WRL catalog for Hausfrau
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Posted in Adventure, Booklists, Books, Characters, Coming of Age, Graphic novel, Laura's Picks, Plot, Quirky characters, Readers' advisory, Sense of place, Setting, Subculture, Superhero, Young Adult on April 9, 2015 |
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Refreshing and reinventing old superheroes has become somewhat fashionable recently, with rather mixed results. Some characters, like Batman, have seen so many iterations that it is difficult to separate them all, or find new ground to cover without being completely repetitive or utterly discarding canon. One good thing that has come out of this trend is the resurrection of old characters that never caught on, but were worthwhile for one reason or another.
The Green Turtle was a World War II superhero with a very limited run. He was created by a cartoonist named Chu Hing, who was one of the first Asian-Americans to enter the American comic book industry, a business with limited diversity, especially back in 1944. Hing obscured the face of his protagonist so that, even if he was not allowed to make his character officially of Chinese descent, there is enough obfuscation for the reader to make their own decision about his heritage.
It is this character that has been brought back to life in The Shadow Hero. Living in Chinatown are two immigrants and their son, Hank. Each parent brings with them shadows of their old life and unfulfilled expectations from their new life. Hank is the reluctant heir to a melting pot of their issues. There certainly isn’t any early indication of his superhero future, as he is quite content to work in his father’s grocery store, nursing the hope to eventually pass it on to his own son someday. But no superhero comes to being without some trauma, and his parent’s legacies eventually, violently, come to alter their offspring’s future in unimagined ways.
Gene Luen Yang, author of the Printz Award winning American Born Chinese, brings a strong sense of time, place, and culture in this story. I don’t think I’ve ever read a superhero story where family and cultural heritage is this central to the creation and continued development of the character. The people surrounding Hank encompass a wide range of types without sinking in to caricature. His mother is especially complicated, being infuriating and relatable in equal measure. Parents want what’s best for their child, but so often their view of what is best is founded on what they perceive to be missing from their own life.
Recommended for readers of graphic novels, superhero stories, and anyone with an interest in stories about family dynamics.
Check the WRL catalog for The Shadow Hero.
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Posted in Books, Food, Historical Nonfiction, Jan's Picks, Microhistories, Nature writing, Nonfiction, Photo-essay, Quick read, Readers' advisory, Science writing, Sense of place, Setting, Travel on March 23, 2015 |
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It can be fun working right next to Colonial Williamsburg, the world’s largest living history museum; not only do we get to see Thomas Jefferson wandering along the street texting, but we also get to walk past old-fashioned zigzag, split rail fences and see fields of farm animals in the middle of the city.
Link to the Past, Bridge to the Future: Colonial Williamsburg’s Animals is a great way to learn about these animals. It includes sections on cows, sheep, pigs, chickens, pigeons, fish, horses and pets, with simple, clear descriptions of animal management and use, in both colonial times and the present day. It points out that in colonial times animals shared people’s daily lives in a way that they don’t often do today. Of course the colonists used the meat, milk, eggs, and wool from their animals but there were also surprising uses such as including animal hair in plaster for house building, which Colonial Williamsburg brickmakers still do, as they always strive for authenticity.
Modern farm animals have been bred for specific traits over the last several hundred years so to be authentic, Colonial Williamsburg has researched, bought and raised rare breeds such as the Leicester Longwool Sheep. Their research includes works written by the colonialists so Link to the Past, Bridge to the Future has several quotes from George Washington about how he managed his animals.
The text explains and complements the pictures, but like the other books about Colonial Williamsburg Link to the Past, Bridge to the Future is an enjoyable and worthwhile book just for the photos. Every page includes wonderful photographs of the interpreters in costumes performing their farming tasks by hand, as well as photographs of the animals as they go about their lives.
This book is great to read with other Colonial Williamsburg titles: Vegetable Gardening the Colonial Williamsburg Way: 18th Century Methods for Today’s Organic Gardener, by Wesley Greene, or The Colonial Williamsburg Tavern Cookbook, by The Colonial Williamsburg Foundation. It also includes the history of chickens which you can learn about in greater depth from Why Did the Chicken Cross the World?: The Epic Saga of the Bird that Powers Civilization, by Andrew Lawler.
Check the WRL catalog for Link to the Past, Bridge to the Future.
Baa-bara who came to meet children at Williamsburg Regional Library’s “Sheepish Storytime” on February 21.
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