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Archive for the ‘Fantasy’ Category

Red RisingWhat if you had worked your whole life, based on the hope of a better world for your children, and then discovered that the better world already existed, and that you weren’t allowed in? And what if that better world was built on the captive labor of you and thousands of others like you?

That’s the premise of Red Rising, the first novel in a trilogy by debut author Pierce Brown. Young Darrow, a member of a social class called the Reds, has toiled for his entire life on the bleak interior of Mars, mining raw materials that are to be used to terraform the surface someday. But after a string of events that turn his life upside down (I don’t want to give away too many plot points), he is brought to the surface and discovers that the terraforming is already done, and that the Golds, the top class in a society where different colors have different places, live there in godlike luxury.

The trouble is that the Golds also have godlike bodies and minds, leaving the rest of society without the tools to revolt against them. But the Sons of Ares, the secret organization that has brought Darrow to the surface, have the surgical skills to build him into someone who can pass as a Gold. Darrow is to infiltrate the company of other young Golds and try to rise to a powerful position in their society, a position from which he might be able to foment a civil war. To reach that point, Darrow will have to compete in a contest of savage war games with shifting rules between houses of young Golds, many of them with almost godlike physical and mental powers.

This is science fiction, but it reads like epic fantasy. If you’ve been looking for a book that blended the worlds of The Hunger Games and an epic fantasy like Game of Thrones, you’ll love it. Brown builds his world in a way that seems effortless but is completely satisfying. His characters are diverse and intriguing. Unlike many epic works, the story here takes off quickly, and readers will be pleased to find that they don’t have to wade through hundreds of pages before they start getting the payoff. Best of all, whenever it starts to look like the story will get predictable, Brown finds a major twist to raise the stakes for Darrow. One warning, Brown has created a violent world, and if you don’t care for that, make another reading choice.

I’ve finished the second book of the series, Golden Son, and it’s every bit as exciting as the first. I’m not always quick to read series, but I’ll be in the line when they release Morning Star in 2016.

Check the WRL catalog for Red Rising

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fireopalI picked up this Young Adult book for the new themed book discussion we have going at the library.  April’s topic was Elizabethan England. The English invasion of Ireland, and Ireland’s support by Spain provide important plot points for the book.

Maeve is the daughter of a fisherman. One night while walking home, she sees a lady in white who gives her two potions – one to protect her mother and the other to protect herself.  An unfortunate encounter with the town bully breaks the bottle with her mother’s potion. Without the potion to protect her, Maeve’s mother eventually falls into a coma-like state. When her sister succumbs to the same condition, Maeve must go on a quest to save them.

Maeve’s quest to free her mother and sister is intertwined with an ancient conflict between the goddess Danu and the Valkyrie warrior Uria. The  story was made richer by these elements of Irish folklore.

The book has a lot going on. Her brothers join the resistance fighting English solders; a Spanish ship is wrecked off the coast, and Maeve nurses one of the sailors back to health. On top of it all she keeps firm her belief that her mother will get well. All the little details and descriptions made the story more enjoyable for me.  And I liked the way the myths and Maeve’s current day mixed and influenced one another.

Looking for books with quests, princesses, or mythology? You may also enjoy:

Check the WRL catalog for The Fire Opal

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cleanThis urban fantasy/science fiction novel started as a free serial on the Ilona Andrews web site. The authors — Ilona Andrews is the pen name of a husband and wife writing team — wanted readers to have a chance to comment on the story as it developed. They published the weekly entries as a book in 2013.

Dina Demille runs a bed and breakfast in a small Texas town. When she pulled out her broom to fight off an intruder, I assumed she was a witch. But the story surprised me. The Inn is lodging for otherworldly visitors, and Dina is an Innkeeper, someone whose duty is to provide sanctuary.

When something evil begins killing family pets, Dina encourages her new neighbor (whom she suspects is a werewolf, another alien lifeform) to take care of his territory. The arrogant (and handsome) man pretends he doesn’t know what she’s talking about, so Dina takes it upon herself to get involved even though it means risking her neutrality. She can’t sit by and let a vicious killer hurt her human neighbors.

Dina discovers that the enemy forces are too powerful for one person to handle. She ends up forming an alliance with her werewolf neighbor and a vampire soldier to kill the intruders and find out who sent them to Earth.

This was a quick read with lots of fast-paced action and witty banter. The unexpected alien aspect of the story was engaging. Part of me wanted to keep reading just to figure out how all this galactic stuff fit together. And part of me kept reading just because Dina was such a “normal” character in extraordinary circumstances.

The second book of the Innkeeper Chronicles is being developed on the web site, but catch up on the story by reading Clean Sweep first.

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gaimanThe Graveyard Book was originally published as a novel in 2008 to a flurry of well-deserved praise, eventually earning the Newbery Medal, Carnegie Medal, and Hugo award. The story follows a boy named Nobody Owens, nicknamed Bod, who, as a very young child, flees to a graveyard after his parents are murdered by a man named Jack. The ghosts, after a heated discussion, extend to Bod the Freedom of the Graveyard, which protects him and allows him to interact freely with the dead. Of course, there is a limit to what a ghost can do, so Bod is assigned a Guardian, named Silas, who is neither living nor dead, and who can go out into the world of the living and procure the supplies that the boy needs. He begins his new life amongst the stones and tombs, protected from harm as Jack continues to search for his missing victim.

The story is wistful and haunting. The reader feels the great loss that Bod has experienced, yet he is himself too young to understand it fully. It’s not that the ghosts make bad parents; it’s just that a bit of emptiness haunts the margins of the book: the reader’s knowledge of the family life and friends that this little boy has been denied by virtue of his situation. This sense of longing can’t easily be shrugged off. Even leaving the graveyard puts him in serious risk, as the killer Jack can reach him if he wanders outside the gates.

The novel has been adapted by P. Craig Russell, who has won Harvey and Eisner awards for other projects, and who also created a exceptional graphic adaptation of a previous Gaiman book, Coraline. In this instance, the adaptation was done by Russell, but he only drew one of the chapters himself. Each chapter is done by a different artist, seven in all, and the illustrations are stunning. Sometimes having multiple artists can adversely affect the continuity of the visual storytelling, rending it difficult to recognize a character from one section to the next, but not in this case. Each section is unique, but all of the artists do a remarkable job of capturing the atmosphere of the book.

Recommended for readers of science fiction, horror, and graphic novels. Although the book is marketed as being for young teens, it is appropriate for adult readers as well.

Check the WRL catalog for The Graveyard Book, Volume 1

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legendA lot of admonishments are made about not judging a book by its cover. But as I was browsing our shelves, I came across this dark little volume and was immediately intrigued. Mimicking a dinged up, ink spattered journal, its rather grandiose title The Stuff of Legend was set above the drawing of a stuffed bear. Its face set with a sense of purpose, the bear steps towards the reader as if walking towards its destiny, glancing at the toys behind it with a look of either challenge or warning. It is an arresting image, but despite the ominous subtitle, The Dark, I picked up the book fully expecting the fluffy cuteness of the bear to be the reader’s companion through the story, juxtaposed against whatever low-level gloom the authors threw at the character. After just a few pages I realized I was entirely off base.

The story has some familiar elements: a young boy and some toys that come alive, but only when humans are not there to witness the transformation. One of the toys is even a piggy bank, but this book is definitely not a Toy Story knock-off. Set in 1941, with the boy’s father off fighting in the war, a great and unexpected evil is about to invade the world. Straight out of every child’s nightmares, the Boogeyman is in the closet. One night his nightmarish tentacles emerge from behind the door to snatch the boy, leaving the toys behind in shock. Should they venture in after him to save their owner? Or should they maintain their directive of non-interference?

Obviously, if all the toys decided that discretion is the better part of valor, this story would have ended after only a few pages. Instead we follow a few brave toys who volunteer (or get volunteered) to go into the darkness after the boy. The world on the other side of the door is truly transformational, and the long quest begins.

When I finished book 1, my only thought was that I needed to get book 2 as soon as possible. The story is gloomy, yet riveting and absorbing. The artwork is appropriately dingy in sepia with dark shadows staining every scene. So far, four books in the series have been published, and there is a promise of a fifth volume later this year. Recommended for readers of graphic novels, light horror, an adventure books.

Check the WRL catalog for The Stuff of Legends

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AvatarTheLastAirbenderI know that having children is a life-enriching experience but I didn’t expect my almost-grown children to get me hooked on an initially unappealing children’s T.V. show; Nickelodeon’s Avatar: The Last Airbender. At first the cartoons and martial arts action seemed cheesy, but the show delivers a compelling story filled with friendship, family (good and bad), coming of age, and sympathetic but realistically flawed characters.

The story is set in a fascinating universe where certain people have an innate ability to move and control physical matter, called bending. All benders can move only one element: either earth, water, air or fire. All, that is, except the Avatar who can bend all four, and this power is meant to be used to keep balance and harmony in the world. The Avatar disappeared over one hundred years ago which allowed the Fire Nation to wage a war to take over the world. In the first episode our heroes Katara and Sokka discover that the Avatar, Aang, has been frozen in an iceberg for a hundred years as a twelve-year-old boy. The three of them set off on journeys and adventures all around the world, gathering friends and enemies, such as plump, kindly General Iroh who dispenses sage advice and cups of tea, or short, blind Toph who seems helpless, but is much tougher than everyone else. The situation often looks dire, but as Katara says in the opening sequence, “I believe Aang can save the world.”

The well-developed universe includes real martial art systems as the basis for each type of bending and buildings, costumes and cultures based on real ancient Asian cultures (although sometimes mixed). But the best invention may be the chimeric animals! Aang has a huge, furry, guinea-pig-shaped Flying Bison named Appa that you can’t possibly see without wanting one.

There are many spin-off works such as the sequel The Legend of Korra  which expands on the story of the Avatar. It occurs seventy years later than Avatar: The Last Airbender and features that show’s character’s children and grandchildren. They live in Republic City which bears an uncanny resemblance to 1920s New York City.  There are also graphic novels some of which are drawn by the same artists and include original stories that are not in the original show like Avatar the Last Airbender: The Promise.

Like Doctor Who or Spirited Away this is great for the whole family to watch together. The stories are simple enough (and active enough) to appeal to the youngest set while the geopolitical wrangling and character development is enough to keep adults coming back for more.

Check the WRL catalog for Avatar: The Last Airbender.

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funkeCharlotte’s post about Lloyd Alexander got me thinking about books for younger readers that are also of interest to adults. I think that Cornelia Funke’s Inkheart and its sequels, Inkspell  and Inkdeath fill the bill here. Although they are marketed as young adult fiction, they will work equally well for anyone who is a fantasy fan.

These are very literary stories, premised on the ability of the some characters to read people in and out of fictional tales while reading aloud. It sounds like a great idea at first, but the problem is that when something is read out of a story, something present in the real world is read into the story. Meggie, our heroine, is the daughter of a bookbinder named Mo, and she wonders why he will not read her stories from books. We discover that Meggie lost her mother when Mo accidentally reads her into a dark tale. Worse, Mo has read out of the story its arch villain, Capricorn, who is bent on getting back into his story and uses Meggie as a tool to coerce Mo into once again reading aloud.

As Meggie and Mo are pursued, captured, and attempt to escape, they meet with unexpected help, are betrayed by some that they thought true, and must rely on the power of language to face Capricorn and his men. Funke tells a delightful though dark tale about the power of words and the love of books and reading. It is a great story for anyone who shares that love.

Check the WRL catalog for Inkheart

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Hum and the ShiverIn the first decade of the new century, urban fantasy went from a blip on the genre map to a big part of the fantasy fiction market. That success was built on kick-ass heroines modeled after Buffy the Vampire Slayer, quirky casts of characters such as those found in Charlaine Harris’s Sookie Stackhouse series, or glib modern magicians standing in for the classic noir detective, as in Jim Butcher’s Dresden Files series. The novels featured the creatures of classic horror films–vampires, werewolves, and other monsters–and/or the traditions of the English faerie story–the battle of the seelie and unseelie court beneath the noses of regular mortals–all given a modern twist. At the time, these tropes were fun, and fresh, a great variation on the fat doorstops of epic fantasy.

But like any publishing phenomena, the pattern has been repeated so many times that it’s not so fresh anymore. After reading five or six series that follow the same approach, most readers feel like they had been there, done that.

That’s why it’s such a pleasure to see new takes on contemporary fantasy, and Alex Bledsoe has done just that with his novels about the Tufa people of the east Tennessee mountains. Yes, it’s another variation on the fairy courts, but by displacing the fey into the heart of the Appalachians, casting a wounded American woman soldier as the protagonist, bathing the story in mountain music, and putting Hatfield/McCoy-style feuding at the center of conflict, Bledsoe makes something entirely new.

The story concerns Bronwyn Hyatt, a young woman who went into the Army to escape the pressures of a close-knit family, her reputation as a trouble-making girl, and in particular her dangerously wild ex-boyfriend. But now she’s back from Iraq, a war hero with a shattered leg, knowing instinctually that she has to come to grips with her past and find a way to balance her own needs with her family obligation and destiny.

Two outsiders figure prominently. Craig Chess is a young Methodist preacher trying to build a congregation in the midst of people who don’t take to outsiders. There’s chemistry between him and Bronwyn, but that comes with the danger of provoking Duane, the hair-trigger violent ex-boyfriend who doesn’t want to believe that their relationship is over. Don Swayback is a reporter sent to cover Bronwyn’s return who rediscovers his forgotten family history and his own musical gift.

All of this is set in the mysterious Cloud County, a locale where roads seem to disappear or re-arrange for unwanted strangers. Family traditions run deep, with most divided into one of two feuding camps, united only in their dislike of the outside world. Music lovers will love this world, as the magic is intrinsically connected with its playing.

The story continues in Wisp of a Thing, from 2013, and Long Black Curl, due out this year.

Check the WRL catalog for The Hum and the Shiver

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OracleI knew that Judith Merkle Riley wrote historical fiction with strong female characters and a hint of the occult. These qualities put her on my “to be read” list. But that she had written a novel about “The Affair of the Poisons,” a macabre scandal from the age of Louis XIV, put her on the “move aside, all other books, I must read this immediately” list. What this says about me, I leave to the speculation of the reader.

Geneviève Pasquier, a serious young gentlewoman of the 1600s, isn’t a likely candidate to become a seer. She prefers reading Descartes and the Roman stoics to brewing love potions or telling fortunes. But when an assault forces her from her dysfunctional family home, she is adopted into a shady network of crystal gazers and amateur pharmacists who make their living on the fringes of respectable Paris.

Young Geneviève reinvents herself as the Marquise de Morville, a supposedly-150-year-old widow who stomps about Paris crankily lamenting the good old days of Henri IV and reading her customers’ futures in a basin of water. She refers customers to her colleagues for love spells, beauty elixirs, and other, less savory services–pins in a wax doll, a black mass, or a discreet abortion. Business is good, but her mentor, a Donna Corleone known to history as La Voisin, has ambitions that carry her protégé into dangerous circles, among the cutthroat “gilded wolves” of Versailles and the would-be mistresses of the king.

Geneviève’s visions of the future are the only paranormal aspect to a historical fantasy that is otherwise chockablock with historical detail. Riley is the kind of writer who never refers generically to a “carriage” when she can refer specifically to a sedan chair, a fiacre, or a vinaigrette. While many of the characters are historical, the secondary, fictional characters are equally entertaining. Pages from the ending I was already writing in my head the further adventures of Sophie, the ladies’ maid who conveniently becomes “possessed” by one of the ranking powers of Hell when she doesn’t feel like doing the chores (“Astaroth didn’t like dusting because he refused to bend over”).

This was a great blend of chills, history, and even some romance. For another entertaining police caper in old Paris, you could try Louis Bayard’s The Black Tower. If you’re more interested in history than fiction, don’t miss Anne Somerset’s scholarly-but-dishy The Affair of the Poisonswhich covers this episode specifically, or The Poisoner’s Handbookwhich covers poisoners and their “inheritance powders” in general.

Check the WRL catalog for The Oracle Glass

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HookThere’s nothing so tempting to readers as the opportunity to rewrite the books they enjoy. (Even though sometimes it leads to chaos.) And how meta is it for fictional authors to give happy endings to “flawed classics?”  At their best, authors exploring fictional characters from different points of view–villains reconsidered, offstage characters allowed their own voices, principal characters followed beyond the ends of the original story–increase the reader’s understanding and pleasure in the original book.

If that’s what you’re after, don’t pick up Alias Hook. If you’re interested in a story that recasts the hero in an awful light and turns the two-dimensional villain into a grievously abused victim with a tiny chance at redemption, Alias Hook is a terrific place to go.

Gifted with magic and music, leader of boys who don’t want to grow up, recruiter of girls who take all responsibility until they ask too much, what character better represents eternal boyhood than Peter Pan? At least that’s the Pan that Hook cannot escape, despite trying for 300 years. This Pan is competitive, but only on his own rules, (which include keeping Hook alive while allowing the Lost Boys to kill his crew), controlling the environment to his own advantage, and of course ruling the Indians and mermaids that live in Neverland at his pleasure.

Granted, Hook is not that nice a guy–the spoiled rich son of a merchant, he became a privateer in the 1680’s and was imprisoned as a pirate by the French enemy. Released into the poverty and bitterness, his hatred took him on a path that led him to Neverland. He still dresses as the Restoration dandy he was, but underneath all that lace and rich cloth, he longs for redemption and an end to his captivity. With the arrival of Stella Parrish–a WOMAN! in NEVERLAND!–he may just achieve that.

Jensen leads us on a trip through Neverland, including the land of the fairies, the Indian village, and the mysterious path leading to the beautiful loreleis who lure unwary sailors to their death. In each, she shows us a rich and mythical place where wisdom and adulthood are held at bay by the mercurial boy. It is plain early on that Hook (and just how did he lose that hand?) must forge his own destiny and find a way to escape Pan’s world; but how? The answer is as simple and as mythical as it is emotionally rewarding.

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Jackaby“You have been in the Ukraine, I perceive.”

In this young adult mystery, Abigail Rook, a young woman recently arrived in New England in 1892, apprentices herself to a detective of the supernatural. Author William Ritter owes a double thanks to the cover artist, for the gorgeously eerie book jacket, and to the publicist who decided to market the book as “Doctor Who meets Sherlock Holmes.”

The character of R. F. Jackaby deliberately evokes Conan Doyle’s detective, if Watson had ever been turned into a duck. (Jackaby’s previous assistant is “temporarily waterfowl.”) Aloof, inscrutable, and garbed like an eccentric in a wild hat and scarf, Jackaby sweeps around the city of New Fiddleham dealing with the domovyk, kobold, or pixies that the police force overlook. The police may not be fond of him, but his esoteric skills and bottomless pockets full of tuning forks and gizmos for spying the unworldly make him an invaluable asset when a serial murderer preying on the city seems to be not a man, but a monster.

Narrator Abigail is resourceful, a paleontologist’s daughter who took off to see more of the world than her staid English upbringing could show her. She quickly adjusts to sharing her living quarters with a ghost, not to mention to encounters with bridge trolls and a perfectly chilling banshee. Like any good Watson, she grounds her employer in the mundane world, noticing the overlooked details and trying to be as helpful as one can be when one’s boss is dogged by unsettling paranormal occurrences and doesn’t know how to give a straight answer to a question:

“How many people have you got living here?….”

“Well… that depends on your definition of people… and also of living.”

I’m honestly not sure why the novel is set in America, as its inspirations are so very British, and the humor has a decidedly English twist, a reined-in Douglas Adams voice: “Across town, Mr. Henderson–the man who had heard the banshee’s silent scream—spent the evening dying. To be more accurate, he spent a very brief portion of the evening dying, and the rest of it being dead.”

Quirky and occasionally touching, this is a promising start to a series with spooks and derring-do that should appeal to fans of Jonathan Stroud’s Lockwood and Company.

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enchantedI’ll end the week with an entertaining retelling of the Frog Prince fairytale.

You know the story, right? A lovely girl befriends a frog.  She kisses the frog; he turns into a prince; and they all live happily ever after.

Not in this version. Yes, the beautiful and smart girl, Sunday Woodcutter, meets a talking frog by a pond in the woods.  They become friends.  And yes, she kisses him to see what would happen.  Hours later, when the frog finally turns into a man, Rumbold realizes he is the one person Sunday would never want to see again.  He is the Crown Prince of Arilland, the man responsible for her beloved brother’s death.

Prince Rumbold can’t stop thinking about Sunday, though.  He decides to hold three balls and invite all the women in the country to attend so he has a chance to woo Sunday as a man.  But the balls don’t go exactly as planned.  Spells and secrets need to be revealed before the story can end in the expected happily ever after.

The author cleverly weaves glimpses of other fairy tales throughout the book–one sister has a story similar to Cinderella, another tragically dies from magical dancing shoes, her brother trades a cow for some beans, and there is a giant–it was worth turning the pages just to see who would turn up next and how the “real” story would unfold.

Kontis has written a second in the Woodcutter sisters series, Hero, about the adventures of Saturday.  I’m looking forward to seeing what happens next in this delightful, magical world.

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templarMice live in the shadows, overseen by the moon, which they believe is the eye of their god, Wotan. As their legends go, in years past they were protected by a band of fierce warriors, guardians of the night: the Templars. After years of defending as a unified brotherhood, one year, for a reason yet unknown, the Templars were divided and began warring against each other. After the epic battle, no Templars were allegedly ever seen again. Now the mice have mere watchmen guarding them against all the creatures, large and small, who threaten their existence.

Karic is a young mouse who soaks in all the stories of the battles of yore with relish and loves to imagine himself as a brave fighter. His obsession with combat seems a harmless boyish phase until his village gets attacked by an army of rats. Any similarity between this story and Mouse Guard by David Petersen is quickly squashed with the first (of many) beheaded mouse in the vicious, horrific bloodbath that ensues. Karic loses contact with his mother and sister, surviving the conflict and receiving a message from the fish gods claiming that he is some kind of chosen one. He meets up with an old warrior mouse named Pilot who admits to being a former Templar living in exile. Pilot takes Karic under his wing as they begin searching for answers and a path to follow.

These mice are far from fluffy and cute. They have huge ears which display their mood, droopy when tired or sad, flung back when on the attack, perked up when focused. These same ears are often marked with notches, scarred from the ongoing battle for their fragile lives. Their bodies are thin and angular and every mouse appears exhausted, deep shadows under their eyes. They are ruled by gods and prophecy, though they fear that their god has abandoned them. And it is hard to fault them, as almost everything seems to exist as a threat to the tiny creatures, and their world quickly begins to spiral into terrible, bloody chaos.

As Karic’s journey progresses, he is forced to learn, and then unlearn, then learn again. In this land of wars and betrayal, exactly who represents the good and the right is hard to discern, as everyone has blood on their paws. Tiny as he is, even compared to other mice, it will be up to Karic to live up to his billing as the one chosen by the god Woten.

Dark and unrelenting, this title is not recommended to those who prefer lighthearted, humorous tales.

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mouseI can’t think of a more unlikely animal to swath in the robes of a noble hero than a mouse. After all, mice have a position about as close to the bottom of the food chain as is possible, and seem to spend the day scurrying around tucking food away and trying not to get eaten themselves. Shouldn’t the fighting be left to those creatures that were born with rippling muscles or fearsome claws or at least a mighty roar? Maybe it is just this somewhat odd juxtaposition between underdog and champion that has piqued the interest of several authors including David Petersen.

In his fictional medieval world, mice have created cities tucked away in tree roots and rocky caverns where they are protected from discovery by predators. Travel between cities is treacherous, and mice that need to make the trip are protected by the Mouse Guard. Originally called into action as soldiers, recent times of calm and prosperity have altered their role into a more passive one of watchful escorts to merchants.

Kenzie, Saxon, and Lieam are three members of the Mouse Guard, who are trying to track down a grain merchant that disappeared while traveling between cities. In searching for his person (or his body), the trio stumbles onto a plot that threatens the very foundation of their world. Can they prevail against the worst threat their society has ever faced before? As one of their sayings goes: “It’s not what you fight, but what you fight for.”

Winner of the 2008 Eisner Awards for Best Publication for Kids and Best Graphic Album, the ink work is phenomenal, with deep shadows and sharp edges. This then sets up space for waves of watercolor-like hues to paint the appropriate mood, whether it is bright sunny beach scene or the terrifying glow of burning embers.

Recommended for readers of graphic novels who love a good adventure story and fiercely adorable protagonists.

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oxfordI thought that I had finally exhausted the possibilities of Victorian ghost stories to write about at Halloween time. I have covered the Jameses, Henry and M.R., LeFanu, as well as all the anthologies (here, here, and here), or so I thought. But one dark, rainy, October afternoon, while prowling the quiet stacks of the library in forlorn hope of discovering something occult, I came across a mysterious, worn, leather-bound tome whose title, as best it could be read, was Necronom…. OK, it was actually an unusually warm autumn day, bright and sunny, the library was packed, and the book was a trade paperback copy of The Oxford Book of Victorian Ghost Stories, edited by Michael Cox and R.A. Gilbert. It was a good find nonetheless, and most likely safer than dipping into the Necronomicon, that accursed text.

Here, the editors have assembled a fascinating collection of less common ghost stories from both well-known writers of the Victorian period as well as those whose star has perhaps fallen (or maybe never really rose). Le Fanu is here as is Elizabeth Gaskell. Fantasist George MacDonald has a place as do Arthur Conan Doyle, Charles Dickens, Robert Louis Stevenson, Rudyard Kipling, and E. Nesbit. Many of these authors are better known for other genres of work than ghost stories, but I can attest that they all can raise the hair on the back of your neck in a fashion suited to the season. A host of lesser known writers also appear in the collection. I particularly enjoyed R. S. Hawker’s “The Botathen Ghost” from 1867, a story of a haunted preacher in 17th-century England.

Like most early ghost stories, these tales appeal more to psychological terror than the gore and violence that seem to dominate contemporary horror writing. Revenants, arcane objects, and unusual books and paintings are often at the center of the tale, and handling them as often as not is definitely the wrong thing to do. These are great stories for reading aloud, as many of them probably were intended to be. But also just fun reading in the fall when the dark comes early, and the shadows begin to creep.

Check the WRL catalog for The Oxford Book of Victorian Ghost Stories.

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dorothyModern day teen Amy Gumm is having a tough time at home and at school. Her day gets worse when a tornado barrels through her Kansas trailer park home and deposits her in the land of Oz.  Amy quickly finds out this isn’t the Oz of the storybooks.  What was beautiful and magical is dull and dead.

Like Dorothy, Amy wanders the countryside looking for a way home.  Along the way she makes a few friends.  But instead of watching out for wicked witches, Amy and her companions are on the lookout for the Tin Woodman and his soldiers.

Dorothy came back from Kansas many years ago and something has gone very, very wrong.

The Tin Woodman is now the Grand Inquisitor of Oz.  You can get arrested (or worse) for sass, for not smiling, for lack of loyalty… As Amy comes quickly to realize, all of Oz is subject to Dorothy’s bizarre and selfish whims.

The Scarecrow and Lion aren’t much better.  Scarecrow used his brains for horrible experiments which make the machine-human hybrids of the Woodman’s army.  The Lion attacks villages and kills innocent people.  He is fearless – and completely lacking compassion. And Glinda the Good is actually an evil slave-driver who makes the Munchkins mine for magic!

All is not without hope. There is an underground movement to remove Dorothy from power.  The formerly wicked witches want Amy’s help.  They spring her from prison and begin training her in magic and combat techniques so she can play her part in freeing Oz from the tyranny.

This debut novel certainly gives a unique and dark twist to the Wizard of Oz story.  The tale itself follows a familiar story arc of a strong, female teen relying on herself to overcome obstacles (think Hunger Games, Divergent, Buffy the Vampire Slayer) – but the similarities and differences with the familiar children’s story makes this new YA book a very interesting read.

Dorothy Must Die ends with plenty of questions still needing to be answered.  A sequel is expected in March. I’m looking forward to my next trip to Oz.

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beowulf_1So (or hwaet if you prefer), you may be asking how many versions of Beowulf does one person really need to read (or review)? My answer would be at least one more. As he has been doing since his father’s death, Christopher Tolkien has brought out another previously unpublished work by his father, J. R. R. Tolkien. This time it is a translation of the great Anglo Saxon poem that J. R. R. Tolkien completed in 1926 but never thought to publish.

Tolkien’s translation is, perhaps, not as easy to read as Seamus Heaney’s more poetic version that I reviewed here. For one thing, Tolkien chose to write a prose translation rather than a metered one. The translation is by no means dry though. A scholar of Anglo Saxon, Tolkien has a feel for and a delight in the rolling rhythms of the story, and even in prose he captures that rhythm. His language and sentence structures will seem familiar in some ways to readers of Tolkien’s The Lord of the Rings. There is a formal and almost archaic feel to some of the writing here that is mirrored in Tolkien’s own work, and he does not entirely abandon the alliterative approach that anchors Anglo Saxon poetry, viz. “great gobbets gorging down” as Grendel rends a Dane into dinner.

A welcome companion to the poem itself are excerpts from a series of lectures on Beowulf that J. R. R. Tolkien gave in the 1930s and that Christopher Tolkien has edited here as a commentary on the poem. In these lectures, the senior Tolkien discusses language, symbolism, and early poetry, helping to set his translation into time and place. Following the commentary are two short pieces that Tolkien wrote under the influence of the poem. “Sellic Spell” is a retelling of the possible mythical tale that would become Beowulf, and “The Lay of Beowulf” is Tolkien’s telling of the story in a rhymed ballad form.

Fans of Tolkien will definitely enjoy his translation of this classic poem, and readers interested in Anglo Saxon poetry will find Tolkien’s commentary of interest. While I prefer the poetic version of Beowulf created by Heaney, Tolkien’s translation is a worthy read and a fine addition to the Beowulf canon.

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aurariaToday’s review is by Meghan.

Tim Westover’s Auraria begins with James Holtzclaw, employee of H.E. Shadburn and the Standard Company, travelling out of his familiar urban world and into the mountains of Georgia. His case is stocked with gold, pen and ink, and his notary stamp — this journey is business. The Standard Company deals in land deeds and development. Shadburn’s newest venture: buying up the land in the forgotten gold rush town of Auraria.

There was a real Auraria. It’s now a ghost town near Dahlonega, GA. It was settled in the 1830s and abandoned when the gold ran out. You’re almost tricked (for half a page) into thinking Westover’s book is historical fiction. It’s not.

As he works his way through his list of properties, Holtzclaw struggles to understand what he’s got himself into. The town is full of people who’ve stayed behind, though its heyday is long gone. Those who pan for gold in the mountain streams only find a few flakes, if any. The proprietors of the local hotels seem resigned to slow, local business. But Holtzclaw knows his stuff when it comes to buying land from poor folks. What he doesn’t expect is the strange girl who calls herself a princess. He doesn’t expect glimpses of otherworldly beings in the forest. He doesn’t expect the piano that plays itself, or the impossible house, or the talking turtle, or Mother Fresh Roasted and her chickens.

And yet, Holtzclaw is determined. Thanks to his efforts, the Company is successful — more or less. With some hasty construction and advertisements in the papers, the ghost town is transformed into a Tourist Attraction. Holtzclaw, however, is still ill at ease. The town’s new dam isn’t holding water, and neither are Shadburn’s excuses for his odd behavior and business decisions. As for the Aurarians, are they with him, or against him? What’s the future of their town if the Standard Company’s plans fail? What’s Holtzclaw’s future?

And what is he going to tell the tourists to explain away the next magical rain of fruit?

Westover doesn’t explain the magic. As I read, I felt Auraria was all the more real because of it. Like any small town in the mountains, it’s secluded, it’s old, and everybody takes its oddities for granted. There’s no logic to Princess Tralyhta or Mr. Bad Thing. That’s how it is, in this town.

If you like fast-paced adventure and clear-cut answers, you probably won’t make it past the first page. But if you’re looking for a slow, sweet, surreal fantasy that will put you in mind of small towns and mountains, this is a book you’ll want to take a look at and read.

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